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moe.
Today In History
June 12th
4 shows
4 tapes
Years
2026
4.5k
PlaybackListensHours
48h17424
7d49372
30d4.5k681
31 shows
65 tapes
2025
226
PlaybackListensHours
48h172
7d11619
30d22636
59 shows
133 tapes
2024
119
PlaybackListensHours
48h16m
7d16m
30d11918
43 shows
70 tapes
2023
417
PlaybackListensHours
48h204
7d9214
30d41767
65 shows
145 tapes
2022
41
PlaybackListensHours
48h00m
7d00m
30d419
18 shows
33 tapes
2021
11
PlaybackListensHours
48h336m
7d00m
30d112
23 shows
40 tapes
2020
1
PlaybackListensHours
48h00m
7d00m
30d17m
9 shows
20 tapes
2019
114
PlaybackListensHours
48h00m
7d00m
30d11420
40 shows
76 tapes
2018
118
PlaybackListensHours
48h422m
7d446m
30d11821
53 shows
114 tapes
2017
215
PlaybackListensHours
48h112
7d467
30d21533
32 shows
66 tapes
2016
153
PlaybackListensHours
48h441m
7d574
30d15320
40 shows
105 tapes
2015
129
PlaybackListensHours
48h224
7d306
30d12921
40 shows
115 tapes
2014
105
PlaybackListensHours
48h210m
7d530m
30d10515
76 shows
192 tapes
2013
109
PlaybackListensHours
48h00m
7d00m
30d10917
62 shows
179 tapes
2012
144
PlaybackListensHours
48h00m
7d183
30d14426
73 shows
210 tapes
2011
102
PlaybackListensHours
48h7011
7d356
30d10218
59 shows
167 tapes
2010
251
PlaybackListensHours
48h00m
7d6210
30d25143
68 shows
203 tapes
2009
299
PlaybackListensHours
48h00m
7d365
30d29950
61 shows
177 tapes
2008
138
PlaybackListensHours
48h533m
7d7212
30d13824
62 shows
154 tapes
2007
115
PlaybackListensHours
48h113m
7d164
30d11523
77 shows
180 tapes
2006
268
PlaybackListensHours
48h335
7d11720
30d26844
73 shows
193 tapes
2005
231
PlaybackListensHours
48h72
7d214
30d23145
78 shows
199 tapes
2004
295
PlaybackListensHours
48h435m
7d6010
30d29546
83 shows
199 tapes
2003
233
PlaybackListensHours
48h217m
7d377
30d23347
90 shows
206 tapes
2002
599
PlaybackListensHours
48h174
7d10627
30d599143
67 shows
175 tapes
2001
265
PlaybackListensHours
48h72
7d419
30d26560
98 shows
184 tapes
2000
197
PlaybackListensHours
48h142
7d7514
30d19739
70 shows
122 tapes
1999
235
PlaybackListensHours
48h51
7d6812
30d23543
94 shows
170 tapes
1998
230
PlaybackListensHours
48h264
7d6712
30d23039
68 shows
120 tapes
1997
472
PlaybackListensHours
48h445m
7d507
30d47267
138 shows
245 tapes
1996
187
PlaybackListensHours
48h223
7d91
30d18731
75 shows
126 tapes
1995
54
PlaybackListensHours
48h00m
7d172
30d547
40 shows
46 tapes
1994
30
PlaybackListensHours
48h00m
7d548m
30d304
8 shows
9 tapes
1993
1 show
1 tape
1992
27
PlaybackListensHours
48h11m
7d218m
30d273
4 shows
4 tapes
1997
Sources
Taper: Scott Bernstein
3:04:07
SBD
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
moe1997-04-05
Source:
SBD + onstage mic Matrix
Lineage:
Original recording: SBD + 2xAKG414(onstage) -> Mackie 1202 mixer -> Behringer Composer pro MDX2200 2CH compressor/expander (set up in a ducking or voice over configuration) -> Tascam DAP1 (@16/48) -> DAT(m) Transfer: Sony R500->Sound Devices 722 Mastering in Soundforge Audio Studio 9.0d - volume normalization and 48->44.1 sample rate conversion with interpolation accuracy 4, anti-alias filter. All file manipulation in Soundforge done at 24 bits, then dithered back to 16 bits using highpass triangular dither algorithm with high pass contour noise shaping. Tracked in CDWav.
Taper Notes:
View Notes% = w/Oteil Burbridge on 2nd bass and vocals $ = "Don't Get Around Much Anymore" teases * = trivia questions at the end of song: Rob to Chuck: "Who wrote the Canterbury tales?" Al to Chuck: "What are the words to the song?" Rob to Chuck: "In the 5th episode of the original Star Trek who did Spock end up falling in love with?" *** My suggested break in the 2nd set for CD burning is after Moth (set 2, track 7) *** Note that there are serious problems with Rob's vocal mic through most of the 1st set (you can even hear it in the opening banter and it's REALLY REALLY bad during Nebraska). I think it clears up about 45 minutes into the set, but it badly mars any vocals Rob was contributing before then, and also contributes some crackling noise during Brent Black. Taper notes: Yes, it's been many months gone by since I've issued an update to my ongoing BARN series -- Bonnaroo, Gathering Of The Vibes, moe.down, Phish Festival 8, a NYC Bonerama residency and lots and lots of other random gigs got in the way of my archival series. A little down time has freed up some time for me to produce BARN9. This was a truly amazing show, start to finish -- good song choices, loose, funny banter, a LONG show but not a lot of songs in the setlist (which means that there are lots of meaty jams). The previous night was a show at Irving Plaza in New York City, which in itself was pretty amazing. We had a few friends staying over, and by the time everyone started waking up, we had a brief conversation about how great the show was, how one friend had his car parked near our apartment, and made the snap decision to leave right then for the show that night in Washington, DC! Off we went, making it down there just in time to get in line for the show. Got my patch secured from Brendan up in the balcony (I generally prefer audience recordings to soundboards, but this was before I owned my own microphones and I don't recall there being any other tapers there), and we were in for an incredible night of music. Things started off interestingly enough with Spaz Medicine and Nebraska, but then who appears onstage but Oteil Burbridge from (then) the Aquarirum Rescue Unit (this is well before he was drafted into the Allman Brothers Band). It wasn't the first time I'd seen Oteil sit in with moe, and I knew how well the last one went, so I knew we were about to be in for a HUGE treat. Oteil did not disappoint -- it was interesting to watch him at work. He sat back for a few minutes, sort of absorbing the groove, and then wormed his way into the song (Four) slowly, until finally he completely jumped in and contributed some amazing bass playing and vocalizations (Four being the perfect song for this since it already has a space built in for Chuck's vocalizations) and OWNED the song. This version of Four was nothing short of amazing -- could be one of the all time best versions, only marred by sound issues with Rob's microphone. Oteil remained onstage for a KILLER Brent Black. What could top the amazing jams we'd seen so far? Well, how about a Yodelittle sandwiched in the middle of two slices of Rebubula? Now that's a SOLID set with lots of music and very few songs played! Set 2 led off with It, much more jammed out and with better harmonies than I remember, including the now-lost Backwoods (with Al on lap steel, if I recall correctly), and another set with just a few songs but HUGE jams -- Meat, Moth, Time Ed, Spine Of Dog with a semi-rare CalifornIA thrown in for good measure.....nice combo! So now that the show was over, it was pretty late, and since we'd come down on the spur of the moment we had no place to stay in DC. And we were losing an hour of sleep ("Spring forward..."). And since everyone else was pretty drunk by that point, I wound up being the designated driver (as usual), but the car was a stick shift and I'd never driven a stick-shift before. No better way to learn than by doing it! ;-) I distinctly remember seeing the sun rise over North Jersey on the way back. That last half hour of the drive was pretty tough, but we made it back safe and sound. You guys will love this show. 12+ years after the fact, it still stands out in my mind as one of the truly great ones! -- Scott
Taper: Gary Fox
3:02:06
Taper:
Gary Fox
Transferrer:
Lenny Stubbe
SHNID:
moe1997-04-05.m300.flac16
Source:
Microtech Gefell M300>Beyer MV100>Tascam DA-P1>DAT(1) (48 khz)
Lineage:
Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.5 (iZotope Resampler)> xACT 2.15(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )
Taper Notes:
View NotesNotes: - Four and Brent Black with special guest Oteil Burbridge - Meat contained a Mexico tease - Levels are a little low to start the show - 48 khz files are available Seeded to etree on: 12/17/2011 Big thanks to Craig Hillwig for supplying the DAT!
Taper: Gary Fox
3:02:06
Taper:
Gary Fox
Transferrer:
Lenny Stubbe
SHNID:
moe1997-04-05.m300.48khz.flac16
Source:
Microtech Gefell M300>Beyer MV100>Tascam DA-P1>DAT(1) (48 khz)
Lineage:
Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.15(encode, tag, fingerprint)>flac16 (level 8 )
Taper Notes:
View NotesNotes: - Four and Brent Black with special guest Oteil Burbridge - Meat contained a Mexico tease - Levels are a little low to start the show - 44.1 khz are files available Seeded to etree on: 12/17/2011 Thanks to Craig Hillwig for supplying the DAT!