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moe.
Today In History
June 7th
5 shows
12 tapes
Years
2026
4.8k
PlaybackListensHours
48h28342
7d65399
30d4.8k740
31 shows
63 tapes
2025
202
PlaybackListensHours
48h213
7d7211
30d20230
59 shows
133 tapes
2024
128
PlaybackListensHours
48h00m
7d387
30d12820
43 shows
70 tapes
2023
343
PlaybackListensHours
48h61
7d41
30d34356
65 shows
145 tapes
2022
68
PlaybackListensHours
48h00m
7d449m
30d6815
18 shows
33 tapes
2021
11
PlaybackListensHours
48h00m
7d00m
30d112
23 shows
40 tapes
2020
1
PlaybackListensHours
48h00m
7d00m
30d17m
9 shows
20 tapes
2019
115
PlaybackListensHours
48h00m
7d6411
30d11520
40 shows
76 tapes
2018
119
PlaybackListensHours
48h00m
7d223
30d11921
53 shows
114 tapes
2017
173
PlaybackListensHours
48h162
7d489
30d17326
32 shows
66 tapes
2016
204
PlaybackListensHours
48h00m
7d254
30d20431
40 shows
105 tapes
2015
101
PlaybackListensHours
48h41
7d537
30d10115
40 shows
115 tapes
2014
100
PlaybackListensHours
48h102
7d152
30d10015
76 shows
192 tapes
2013
110
PlaybackListensHours
48h00m
7d397
30d11017
62 shows
179 tapes
2012
128
PlaybackListensHours
48h111
7d122
30d12823
73 shows
210 tapes
2011
72
PlaybackListensHours
48h92
7d112
30d7212
59 shows
167 tapes
2010
223
PlaybackListensHours
48h5010
7d15228
30d22340
68 shows
203 tapes
2009
271
PlaybackListensHours
48h365
7d6311
30d27146
61 shows
177 tapes
2008
71
PlaybackListensHours
48h81
7d660m
30d7113
62 shows
154 tapes
2007
176
PlaybackListensHours
48h92
7d225
30d17630
77 shows
180 tapes
2006
158
PlaybackListensHours
48h132
7d346
30d15825
73 shows
193 tapes
2005
235
PlaybackListensHours
48h102
7d297
30d23545
78 shows
199 tapes
2004
279
PlaybackListensHours
48h223
7d386
30d27943
83 shows
199 tapes
2003
240
PlaybackListensHours
48h254
7d6511
30d24048
90 shows
206 tapes
2002
545
PlaybackListensHours
48h267
7d12628
30d545130
67 shows
175 tapes
2001
274
PlaybackListensHours
48h173
7d225
30d27461
98 shows
184 tapes
2000
181
PlaybackListensHours
48h1247m
7d92
30d18139
70 shows
122 tapes
1999
255
PlaybackListensHours
48h336
7d427
30d25548
94 shows
170 tapes
1998
209
PlaybackListensHours
48h224
7d416
30d20936
68 shows
120 tapes
1997
462
PlaybackListensHours
48h415
7d9514
30d46267
138 shows
245 tapes
1996
192
PlaybackListensHours
48h00m
7d6410
30d19233
75 shows
126 tapes
1995
89
PlaybackListensHours
48h172
7d293
30d8911
40 shows
46 tapes
1994
56
PlaybackListensHours
48h223
7d172
30d565
8 shows
9 tapes
1993
1 show
1 tape
1992
25
PlaybackListensHours
48h00m
7d00m
30d253
4 shows
4 tapes
1997
Sources
Taper: Scott Bernstein
3:04:07
SBD
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
moe1997-04-05
Source:
SBD + onstage mic Matrix
Lineage:
Original recording: SBD + 2xAKG414(onstage) -> Mackie 1202 mixer -> Behringer Composer pro MDX2200 2CH compressor/expander (set up in a ducking or voice over configuration) -> Tascam DAP1 (@16/48) -> DAT(m) Transfer: Sony R500->Sound Devices 722 Mastering in Soundforge Audio Studio 9.0d - volume normalization and 48->44.1 sample rate conversion with interpolation accuracy 4, anti-alias filter. All file manipulation in Soundforge done at 24 bits, then dithered back to 16 bits using highpass triangular dither algorithm with high pass contour noise shaping. Tracked in CDWav.
Taper Notes:
View Notes% = w/Oteil Burbridge on 2nd bass and vocals $ = "Don't Get Around Much Anymore" teases * = trivia questions at the end of song: Rob to Chuck: "Who wrote the Canterbury tales?" Al to Chuck: "What are the words to the song?" Rob to Chuck: "In the 5th episode of the original Star Trek who did Spock end up falling in love with?" *** My suggested break in the 2nd set for CD burning is after Moth (set 2, track 7) *** Note that there are serious problems with Rob's vocal mic through most of the 1st set (you can even hear it in the opening banter and it's REALLY REALLY bad during Nebraska). I think it clears up about 45 minutes into the set, but it badly mars any vocals Rob was contributing before then, and also contributes some crackling noise during Brent Black. Taper notes: Yes, it's been many months gone by since I've issued an update to my ongoing BARN series -- Bonnaroo, Gathering Of The Vibes, moe.down, Phish Festival 8, a NYC Bonerama residency and lots and lots of other random gigs got in the way of my archival series. A little down time has freed up some time for me to produce BARN9. This was a truly amazing show, start to finish -- good song choices, loose, funny banter, a LONG show but not a lot of songs in the setlist (which means that there are lots of meaty jams). The previous night was a show at Irving Plaza in New York City, which in itself was pretty amazing. We had a few friends staying over, and by the time everyone started waking up, we had a brief conversation about how great the show was, how one friend had his car parked near our apartment, and made the snap decision to leave right then for the show that night in Washington, DC! Off we went, making it down there just in time to get in line for the show. Got my patch secured from Brendan up in the balcony (I generally prefer audience recordings to soundboards, but this was before I owned my own microphones and I don't recall there being any other tapers there), and we were in for an incredible night of music. Things started off interestingly enough with Spaz Medicine and Nebraska, but then who appears onstage but Oteil Burbridge from (then) the Aquarirum Rescue Unit (this is well before he was drafted into the Allman Brothers Band). It wasn't the first time I'd seen Oteil sit in with moe, and I knew how well the last one went, so I knew we were about to be in for a HUGE treat. Oteil did not disappoint -- it was interesting to watch him at work. He sat back for a few minutes, sort of absorbing the groove, and then wormed his way into the song (Four) slowly, until finally he completely jumped in and contributed some amazing bass playing and vocalizations (Four being the perfect song for this since it already has a space built in for Chuck's vocalizations) and OWNED the song. This version of Four was nothing short of amazing -- could be one of the all time best versions, only marred by sound issues with Rob's microphone. Oteil remained onstage for a KILLER Brent Black. What could top the amazing jams we'd seen so far? Well, how about a Yodelittle sandwiched in the middle of two slices of Rebubula? Now that's a SOLID set with lots of music and very few songs played! Set 2 led off with It, much more jammed out and with better harmonies than I remember, including the now-lost Backwoods (with Al on lap steel, if I recall correctly), and another set with just a few songs but HUGE jams -- Meat, Moth, Time Ed, Spine Of Dog with a semi-rare CalifornIA thrown in for good measure.....nice combo! So now that the show was over, it was pretty late, and since we'd come down on the spur of the moment we had no place to stay in DC. And we were losing an hour of sleep ("Spring forward..."). And since everyone else was pretty drunk by that point, I wound up being the designated driver (as usual), but the car was a stick shift and I'd never driven a stick-shift before. No better way to learn than by doing it! ;-) I distinctly remember seeing the sun rise over North Jersey on the way back. That last half hour of the drive was pretty tough, but we made it back safe and sound. You guys will love this show. 12+ years after the fact, it still stands out in my mind as one of the truly great ones! -- Scott
Taper: Gary Fox
3:02:06
Taper:
Gary Fox
Transferrer:
Lenny Stubbe
SHNID:
moe1997-04-05.m300.flac16
Source:
Microtech Gefell M300>Beyer MV100>Tascam DA-P1>DAT(1) (48 khz)
Lineage:
Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.5 (iZotope Resampler)> xACT 2.15(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )
Taper Notes:
View NotesNotes: - Four and Brent Black with special guest Oteil Burbridge - Meat contained a Mexico tease - Levels are a little low to start the show - 48 khz files are available Seeded to etree on: 12/17/2011 Big thanks to Craig Hillwig for supplying the DAT!
Taper: Gary Fox
3:02:06
Taper:
Gary Fox
Transferrer:
Lenny Stubbe
SHNID:
moe1997-04-05.m300.48khz.flac16
Source:
Microtech Gefell M300>Beyer MV100>Tascam DA-P1>DAT(1) (48 khz)
Lineage:
Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.15(encode, tag, fingerprint)>flac16 (level 8 )
Taper Notes:
View NotesNotes: - Four and Brent Black with special guest Oteil Burbridge - Meat contained a Mexico tease - Levels are a little low to start the show - 44.1 khz are files available Seeded to etree on: 12/17/2011 Thanks to Craig Hillwig for supplying the DAT!