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moe.
Today In History
June 15th
6 shows
17 tapes
Years
2026
4k
PlaybackListensHours
48h21329
7d43361
30d4k607
31 shows
65 tapes
2025
237
PlaybackListensHours
48h8613
7d355
30d23737
59 shows
133 tapes
2024
108
PlaybackListensHours
48h422m
7d27m
30d10817
43 shows
70 tapes
2023
428
PlaybackListensHours
48h315
7d428
30d42869
65 shows
145 tapes
2022
42
PlaybackListensHours
48h00m
7d12m
30d429
18 shows
33 tapes
2021
24
PlaybackListensHours
48h00m
7d142
30d245
23 shows
40 tapes
2020
1
PlaybackListensHours
48h00m
7d00m
30d17m
9 shows
20 tapes
2019
121
PlaybackListensHours
48h193
7d71
30d12121
40 shows
76 tapes
2018
124
PlaybackListensHours
48h00m
7d204
30d12422
53 shows
114 tapes
2017
218
PlaybackListensHours
48h00m
7d234
30d21833
32 shows
66 tapes
2016
139
PlaybackListensHours
48h750m
7d254
30d13918
40 shows
105 tapes
2015
136
PlaybackListensHours
48h00m
7d326
30d13622
40 shows
115 tapes
2014
117
PlaybackListensHours
48h163
7d142
30d11717
76 shows
192 tapes
2013
82
PlaybackListensHours
48h00m
7d00m
30d8213
62 shows
179 tapes
2012
120
PlaybackListensHours
48h349m
7d00m
30d12022
73 shows
210 tapes
2011
155
PlaybackListensHours
48h427m
7d8013
30d15526
59 shows
167 tapes
2010
249
PlaybackListensHours
48h115m
7d123m
30d24942
68 shows
203 tapes
2009
304
PlaybackListensHours
48h112
7d202
30d30448
61 shows
177 tapes
2008
132
PlaybackListensHours
48h326
7d183
30d13223
62 shows
154 tapes
2007
92
PlaybackListensHours
48h446m
7d113m
30d9219
77 shows
180 tapes
2006
266
PlaybackListensHours
48h447m
7d579
30d26645
73 shows
193 tapes
2005
202
PlaybackListensHours
48h116m
7d102
30d20238
78 shows
199 tapes
2004
262
PlaybackListensHours
48h112
7d244
30d26241
83 shows
199 tapes
2003
187
PlaybackListensHours
48h152
7d217m
30d18737
90 shows
206 tapes
2002
569
PlaybackListensHours
48h257
7d7018
30d569135
67 shows
175 tapes
2001
225
PlaybackListensHours
48h377
7d82
30d22551
98 shows
184 tapes
2000
189
PlaybackListensHours
48h203
7d163
30d18938
70 shows
122 tapes
1999
211
PlaybackListensHours
48h228m
7d277
30d21140
94 shows
170 tapes
1998
272
PlaybackListensHours
48h203
7d6610
30d27244
68 shows
120 tapes
1997
404
PlaybackListensHours
48h213
7d213
30d40456
138 shows
245 tapes
1996
182
PlaybackListensHours
48h121
7d375
30d18227
75 shows
126 tapes
1995
47
PlaybackListensHours
48h00m
7d00m
30d476
40 shows
46 tapes
1994
30
PlaybackListensHours
48h00m
7d00m
30d304
8 shows
9 tapes
1993
1 show
1 tape
1992
28
PlaybackListensHours
48h00m
7d11m
30d283
4 shows
4 tapes
1997
Sources
Taper: Scott Bernstein
3:04:07
SBD
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
moe1997-04-05
Source:
SBD + onstage mic Matrix
Lineage:
Original recording: SBD + 2xAKG414(onstage) -> Mackie 1202 mixer -> Behringer Composer pro MDX2200 2CH compressor/expander (set up in a ducking or voice over configuration) -> Tascam DAP1 (@16/48) -> DAT(m) Transfer: Sony R500->Sound Devices 722 Mastering in Soundforge Audio Studio 9.0d - volume normalization and 48->44.1 sample rate conversion with interpolation accuracy 4, anti-alias filter. All file manipulation in Soundforge done at 24 bits, then dithered back to 16 bits using highpass triangular dither algorithm with high pass contour noise shaping. Tracked in CDWav.
Taper Notes:
View Notes% = w/Oteil Burbridge on 2nd bass and vocals $ = "Don't Get Around Much Anymore" teases * = trivia questions at the end of song: Rob to Chuck: "Who wrote the Canterbury tales?" Al to Chuck: "What are the words to the song?" Rob to Chuck: "In the 5th episode of the original Star Trek who did Spock end up falling in love with?" *** My suggested break in the 2nd set for CD burning is after Moth (set 2, track 7) *** Note that there are serious problems with Rob's vocal mic through most of the 1st set (you can even hear it in the opening banter and it's REALLY REALLY bad during Nebraska). I think it clears up about 45 minutes into the set, but it badly mars any vocals Rob was contributing before then, and also contributes some crackling noise during Brent Black. Taper notes: Yes, it's been many months gone by since I've issued an update to my ongoing BARN series -- Bonnaroo, Gathering Of The Vibes, moe.down, Phish Festival 8, a NYC Bonerama residency and lots and lots of other random gigs got in the way of my archival series. A little down time has freed up some time for me to produce BARN9. This was a truly amazing show, start to finish -- good song choices, loose, funny banter, a LONG show but not a lot of songs in the setlist (which means that there are lots of meaty jams). The previous night was a show at Irving Plaza in New York City, which in itself was pretty amazing. We had a few friends staying over, and by the time everyone started waking up, we had a brief conversation about how great the show was, how one friend had his car parked near our apartment, and made the snap decision to leave right then for the show that night in Washington, DC! Off we went, making it down there just in time to get in line for the show. Got my patch secured from Brendan up in the balcony (I generally prefer audience recordings to soundboards, but this was before I owned my own microphones and I don't recall there being any other tapers there), and we were in for an incredible night of music. Things started off interestingly enough with Spaz Medicine and Nebraska, but then who appears onstage but Oteil Burbridge from (then) the Aquarirum Rescue Unit (this is well before he was drafted into the Allman Brothers Band). It wasn't the first time I'd seen Oteil sit in with moe, and I knew how well the last one went, so I knew we were about to be in for a HUGE treat. Oteil did not disappoint -- it was interesting to watch him at work. He sat back for a few minutes, sort of absorbing the groove, and then wormed his way into the song (Four) slowly, until finally he completely jumped in and contributed some amazing bass playing and vocalizations (Four being the perfect song for this since it already has a space built in for Chuck's vocalizations) and OWNED the song. This version of Four was nothing short of amazing -- could be one of the all time best versions, only marred by sound issues with Rob's microphone. Oteil remained onstage for a KILLER Brent Black. What could top the amazing jams we'd seen so far? Well, how about a Yodelittle sandwiched in the middle of two slices of Rebubula? Now that's a SOLID set with lots of music and very few songs played! Set 2 led off with It, much more jammed out and with better harmonies than I remember, including the now-lost Backwoods (with Al on lap steel, if I recall correctly), and another set with just a few songs but HUGE jams -- Meat, Moth, Time Ed, Spine Of Dog with a semi-rare CalifornIA thrown in for good measure.....nice combo! So now that the show was over, it was pretty late, and since we'd come down on the spur of the moment we had no place to stay in DC. And we were losing an hour of sleep ("Spring forward..."). And since everyone else was pretty drunk by that point, I wound up being the designated driver (as usual), but the car was a stick shift and I'd never driven a stick-shift before. No better way to learn than by doing it! ;-) I distinctly remember seeing the sun rise over North Jersey on the way back. That last half hour of the drive was pretty tough, but we made it back safe and sound. You guys will love this show. 12+ years after the fact, it still stands out in my mind as one of the truly great ones! -- Scott
Taper: Gary Fox
3:02:06
Taper:
Gary Fox
Transferrer:
Lenny Stubbe
SHNID:
moe1997-04-05.m300.flac16
Source:
Microtech Gefell M300>Beyer MV100>Tascam DA-P1>DAT(1) (48 khz)
Lineage:
Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.5 (iZotope Resampler)> xACT 2.15(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )
Taper Notes:
View NotesNotes: - Four and Brent Black with special guest Oteil Burbridge - Meat contained a Mexico tease - Levels are a little low to start the show - 48 khz files are available Seeded to etree on: 12/17/2011 Big thanks to Craig Hillwig for supplying the DAT!
Taper: Gary Fox
3:02:06
Taper:
Gary Fox
Transferrer:
Lenny Stubbe
SHNID:
moe1997-04-05.m300.48khz.flac16
Source:
Microtech Gefell M300>Beyer MV100>Tascam DA-P1>DAT(1) (48 khz)
Lineage:
Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.15(encode, tag, fingerprint)>flac16 (level 8 )
Taper Notes:
View NotesNotes: - Four and Brent Black with special guest Oteil Burbridge - Meat contained a Mexico tease - Levels are a little low to start the show - 44.1 khz are files available Seeded to etree on: 12/17/2011 Thanks to Craig Hillwig for supplying the DAT!