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moe.
Today In History
June 10th
7 shows
14 tapes
Years
2026
4.8k
PlaybackListensHours
48h13619
7d59691
30d4.8k729
31 shows
63 tapes
2025
271
PlaybackListensHours
48h305
7d11419
30d27142
59 shows
133 tapes
2024
119
PlaybackListensHours
48h16m
7d71
30d11919
43 shows
70 tapes
2023
344
PlaybackListensHours
48h8813
7d61
30d34456
65 shows
145 tapes
2022
68
PlaybackListensHours
48h00m
7d00m
30d6815
18 shows
33 tapes
2021
11
PlaybackListensHours
48h00m
7d00m
30d112
23 shows
40 tapes
2020
1
PlaybackListensHours
48h00m
7d00m
30d17m
9 shows
20 tapes
2019
115
PlaybackListensHours
48h00m
7d110m
30d11520
40 shows
76 tapes
2018
117
PlaybackListensHours
48h112m
7d335m
30d11721
53 shows
114 tapes
2017
198
PlaybackListensHours
48h173
7d304
30d19830
32 shows
66 tapes
2016
160
PlaybackListensHours
48h835m
7d707
30d16020
40 shows
105 tapes
2015
110
PlaybackListensHours
48h102
7d507
30d11017
40 shows
115 tapes
2014
105
PlaybackListensHours
48h00m
7d152
30d10515
76 shows
192 tapes
2013
109
PlaybackListensHours
48h00m
7d00m
30d10917
62 shows
179 tapes
2012
145
PlaybackListensHours
48h00m
7d183
30d14526
73 shows
210 tapes
2011
77
PlaybackListensHours
48h203
7d153
30d7713
59 shows
167 tapes
2010
273
PlaybackListensHours
48h00m
7d14226
30d27347
68 shows
203 tapes
2009
297
PlaybackListensHours
48h82
7d558
30d29748
61 shows
177 tapes
2008
136
PlaybackListensHours
48h554m
7d6711
30d13623
62 shows
154 tapes
2007
129
PlaybackListensHours
48h228m
7d287
30d12925
77 shows
180 tapes
2006
242
PlaybackListensHours
48h335
7d10018
30d24240
73 shows
193 tapes
2005
247
PlaybackListensHours
48h51
7d307
30d24748
78 shows
199 tapes
2004
319
PlaybackListensHours
48h174
7d629
30d31948
83 shows
199 tapes
2003
225
PlaybackListensHours
48h132
7d6813
30d22546
90 shows
206 tapes
2002
588
PlaybackListensHours
48h379
7d9123
30d588140
67 shows
175 tapes
2001
275
PlaybackListensHours
48h82
7d4310
30d27562
98 shows
184 tapes
2000
189
PlaybackListensHours
48h316
7d458
30d18938
70 shows
122 tapes
1999
265
PlaybackListensHours
48h860m
7d7012
30d26550
94 shows
170 tapes
1998
237
PlaybackListensHours
48h152
7d5610
30d23741
68 shows
120 tapes
1997
477
PlaybackListensHours
48h71
7d8311
30d47769
138 shows
245 tapes
1996
191
PlaybackListensHours
48h00m
7d71
30d19133
75 shows
126 tapes
1995
91
PlaybackListensHours
48h00m
7d283
30d9112
40 shows
46 tapes
1994
30
PlaybackListensHours
48h00m
7d223
30d304
8 shows
9 tapes
1993
1 show
1 tape
1992
27
PlaybackListensHours
48h00m
7d218m
30d273
4 shows
4 tapes
1997
Sources
Taper: Scott Bernstein
3:04:07
SBD
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
moe1997-04-05
Source:
SBD + onstage mic Matrix
Lineage:
Original recording: SBD + 2xAKG414(onstage) -> Mackie 1202 mixer -> Behringer Composer pro MDX2200 2CH compressor/expander (set up in a ducking or voice over configuration) -> Tascam DAP1 (@16/48) -> DAT(m) Transfer: Sony R500->Sound Devices 722 Mastering in Soundforge Audio Studio 9.0d - volume normalization and 48->44.1 sample rate conversion with interpolation accuracy 4, anti-alias filter. All file manipulation in Soundforge done at 24 bits, then dithered back to 16 bits using highpass triangular dither algorithm with high pass contour noise shaping. Tracked in CDWav.
Taper Notes:
View Notes% = w/Oteil Burbridge on 2nd bass and vocals $ = "Don't Get Around Much Anymore" teases * = trivia questions at the end of song: Rob to Chuck: "Who wrote the Canterbury tales?" Al to Chuck: "What are the words to the song?" Rob to Chuck: "In the 5th episode of the original Star Trek who did Spock end up falling in love with?" *** My suggested break in the 2nd set for CD burning is after Moth (set 2, track 7) *** Note that there are serious problems with Rob's vocal mic through most of the 1st set (you can even hear it in the opening banter and it's REALLY REALLY bad during Nebraska). I think it clears up about 45 minutes into the set, but it badly mars any vocals Rob was contributing before then, and also contributes some crackling noise during Brent Black. Taper notes: Yes, it's been many months gone by since I've issued an update to my ongoing BARN series -- Bonnaroo, Gathering Of The Vibes, moe.down, Phish Festival 8, a NYC Bonerama residency and lots and lots of other random gigs got in the way of my archival series. A little down time has freed up some time for me to produce BARN9. This was a truly amazing show, start to finish -- good song choices, loose, funny banter, a LONG show but not a lot of songs in the setlist (which means that there are lots of meaty jams). The previous night was a show at Irving Plaza in New York City, which in itself was pretty amazing. We had a few friends staying over, and by the time everyone started waking up, we had a brief conversation about how great the show was, how one friend had his car parked near our apartment, and made the snap decision to leave right then for the show that night in Washington, DC! Off we went, making it down there just in time to get in line for the show. Got my patch secured from Brendan up in the balcony (I generally prefer audience recordings to soundboards, but this was before I owned my own microphones and I don't recall there being any other tapers there), and we were in for an incredible night of music. Things started off interestingly enough with Spaz Medicine and Nebraska, but then who appears onstage but Oteil Burbridge from (then) the Aquarirum Rescue Unit (this is well before he was drafted into the Allman Brothers Band). It wasn't the first time I'd seen Oteil sit in with moe, and I knew how well the last one went, so I knew we were about to be in for a HUGE treat. Oteil did not disappoint -- it was interesting to watch him at work. He sat back for a few minutes, sort of absorbing the groove, and then wormed his way into the song (Four) slowly, until finally he completely jumped in and contributed some amazing bass playing and vocalizations (Four being the perfect song for this since it already has a space built in for Chuck's vocalizations) and OWNED the song. This version of Four was nothing short of amazing -- could be one of the all time best versions, only marred by sound issues with Rob's microphone. Oteil remained onstage for a KILLER Brent Black. What could top the amazing jams we'd seen so far? Well, how about a Yodelittle sandwiched in the middle of two slices of Rebubula? Now that's a SOLID set with lots of music and very few songs played! Set 2 led off with It, much more jammed out and with better harmonies than I remember, including the now-lost Backwoods (with Al on lap steel, if I recall correctly), and another set with just a few songs but HUGE jams -- Meat, Moth, Time Ed, Spine Of Dog with a semi-rare CalifornIA thrown in for good measure.....nice combo! So now that the show was over, it was pretty late, and since we'd come down on the spur of the moment we had no place to stay in DC. And we were losing an hour of sleep ("Spring forward..."). And since everyone else was pretty drunk by that point, I wound up being the designated driver (as usual), but the car was a stick shift and I'd never driven a stick-shift before. No better way to learn than by doing it! ;-) I distinctly remember seeing the sun rise over North Jersey on the way back. That last half hour of the drive was pretty tough, but we made it back safe and sound. You guys will love this show. 12+ years after the fact, it still stands out in my mind as one of the truly great ones! -- Scott
Taper: Gary Fox
3:02:06
Taper:
Gary Fox
Transferrer:
Lenny Stubbe
SHNID:
moe1997-04-05.m300.flac16
Source:
Microtech Gefell M300>Beyer MV100>Tascam DA-P1>DAT(1) (48 khz)
Lineage:
Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.5 (iZotope Resampler)> xACT 2.15(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )
Taper Notes:
View NotesNotes: - Four and Brent Black with special guest Oteil Burbridge - Meat contained a Mexico tease - Levels are a little low to start the show - 48 khz files are available Seeded to etree on: 12/17/2011 Big thanks to Craig Hillwig for supplying the DAT!
Taper: Gary Fox
3:02:06
Taper:
Gary Fox
Transferrer:
Lenny Stubbe
SHNID:
moe1997-04-05.m300.48khz.flac16
Source:
Microtech Gefell M300>Beyer MV100>Tascam DA-P1>DAT(1) (48 khz)
Lineage:
Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.15(encode, tag, fingerprint)>flac16 (level 8 )
Taper Notes:
View NotesNotes: - Four and Brent Black with special guest Oteil Burbridge - Meat contained a Mexico tease - Levels are a little low to start the show - 44.1 khz are files available Seeded to etree on: 12/17/2011 Thanks to Craig Hillwig for supplying the DAT!