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2015
12/31/15
Intro > Countdown
2:06
We Are) The Road Crew *
3:33
Cars +
3:57
Highway Star #
3:55
Heading Out To The Highway @
4:12
Highway To Hell $
4:22
Half-Life
3:26
Gig Bag Road
4:08
Another February
4:10
All-Right (Oh, Yeah)
3:25
Fritz's Corner
6:18
Freshly Fucked
2:02
Mansplainer
2:35
The Misanthrope
3:07
Hands On The Bible
4:20
California Songs
3:51
Bound For The Floor
3:41
John Baptist Blues
5:49
Back In The Day
4:35
~ Encore ~
3:23
I Am A Saltmine
3:08
We Are) The Road Crew *!
4:38
Proud Mary ^
5:50
High-Fiving MF
9:05
Heading Out To The Highway @
4:00
Highway To Hell $
4:13
FIN
View on archive.org
Sources
Taper: Charles Dewey Cole, IV ([email protected])
1:47:49
Taper:
Charles Dewey Cole, IV ([email protected])
Transferrer:
Charles Dewey Cole, IV ([email protected])
SHNID:
localh2015-12-31.live2cd.flac16
Source:
CSB > Sony PCM-M10 (24 bit @48kHz) > Adobe Audition 3.0 (dithered to 16 bit @44.1kHz)
Lineage:
SanDisk 16GB SDHC Card > (USB) @ 48kHz > 44.1kHz > Cd Wave > FLAC
Taper Notes:
View Notes* = Originally Recorded By Motörhead, performed 2x. + = Originally Recorded By Gary Numan. # = Originally Recorded By Deep Purple. @ = Originally Recorded By Judas Priest. $ = Originally Recorded By AC/DC, Gabe Rodriguez on lead vocals. ^ = Originally Recorded By Creedence Clearwater Revival, special guest Telo Dunne on backing vocals. ! = Featuring Herb Rosen on bass. The 2015 theme was 'Mad Max'. The thematic covers were great selections, especially the Motörhead & Gary Numan covers. This was New Years Eve, as expected, the band was on fire. A few notes on the performance... Scott had a coughing attack during California Songs, so dont think he was choking, he let the crowd sing some of this one. The final 2 tracks included were taken from soundcheck. Gabe ended up wearing a pretty large mask (see the attached photos) so it was very hard to hear him sing Highway To Hell during the show. The soundcheck is a little bit clearer, but lacks the crowd's singalong. On the recording, the speaker stacks at Cubby Bear point towards the center of the floor and the pole I gaffe taped the microphones to pointed straight. I did my best to point the mics left/center, but the mix still feels a bit lopsided. I normalized both left and right channels to match as close as I could. I omitted about 3 minutes of crowd noise during the encore break. Criticism aside, it still sounds fucking awesome and Im very happy w/ it. If you were there, crank it up. If you weren't there, crank it up even louder. For more information on Local H, please visit: <a href="http://localh.com/" rel="nofollow">LocalH.com</a>.