RELISTENTOLeftover Salmon
Re
1995
Bands
Featured
Bands
Leftover Salmon
1995
2/4/95
intro
0:37
Madame Rosin
5:49
banter - we're Phish
0:26
Zombie Jamboree
3:04
banter - center of the weekend
0:37
Stop All Your Worryin'
3:16
Tu N'as Pas Aller
4:02
banter - gret tour
0:48
Reuben's Train
5:55
banter - live album coming
0:42
Nothing But Time
5:28
banter - requests for Tye to sing
1:22
Paint It Black
4:08
banter - Neuvo Noir
0:33
Jokester
4:03
The Green Thing ->
2:18
Whiskey Before Breakfast ->
2:09
Over The Waterfall
0:46
batner - Polyethnic Cajun Slamgrass
0:49
The Valley Of The Full Moon
5:03
The Fastest Song We Know
0:39
Hot Burrito Breakdown
4:05
banter - moment of silence for Dick Hippie
1:18
Boogie
4:26
The Bend In The River
3:24
banter - setbreak announce
0:23
Boo Boo
3:47
intro
0:12
Ask The Fish
10:00
banter - bridge to Burt
0:17
Carnival Time
3:27
banter - Andy Griffith marathon
0:41
Ain't Gonna Work
3:12
The Face Of Justice
6:53
Hot Corn, Cold Corn
4:07
4:20 Polka
4:20
banter - why 4:20
1:07
This Is The Time
5:17
Bosco Stumble
5:34
banter - Bob Marley's 50th birthday
0:39
Small Axe
4:50
Cash On The Barrelhead
3:35
L.E. Minet
4:03
White Freightliner Blues
4:17
Pasta On The Mountain ->
5:38
Rocky Top ->
0:30
Pasta On The Mountain
1:46
Rise Up, Wake and Bake
2:56
encore break
1:02
banter - thanks
1:07
Hey Joe
6:22
FIN
View on archive.org
Sources
Taper: Scott Bernstein
2:31:49
SBD
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
los1995-02-04.ecm959.sbd.flac16-44
Source:
Audience DAT + SBD DAT
Taper Notes:
View Notes* = w/"L.A. Woman" (The Doors) tease I scrubbed about 35 loud nearby yells, whistles, and claps from the audience portion of this recording (1st 49 minutes of the show) Acoustic Forum opened -- I don't believe that I taped them Recorded, transferred (4/1/2012), tracked (9/26/2019), and mastered (12/18-21/2019), and posted (12/21/2019) by Scott Bernstein Taper notes: By request, for BARN202 I'm dipping back into my Leftover Salmon early days (last represented in my BARN series as release #22, posted on March 6, 2010 -- 9 years back) -- this is my recording of the 3rd time I saw them (2nd time I taped them) at good old Wetlands. This is a band REALLY on the upswing -- hungry, but feeling good, completely at the top of their game and with their original lineup before tragedy and other forces conspired to various lineup changes. This show was an absolute blast -- showcasing every facet of their performing repertoire at the time -- the Polyethnic Cajun Slamgrass in full effect...with bluegrass, Cajun, reggae, a capella, blues, polka, rock, and everything inbetween. This is also a marathon performance at 38 songs and just over 2 1/2 hours. I recorded this show with my old Sony ECM-959 stereo microphone (2 1/2 years before I bought my Neumann TLM170s) on my trusty old Denon DTR-80p DAT deck (6 AA batteries); but for whatever reason, the DAT tape was unplayable beyond the 49th minute of the recording. Thank goodness I did manage to get a dub of the soundboard source for the show (though I can't recall who I got it from) soon afterwards. So the first part of this recording is my audience recording (EQ'd a bit to sweeten up the sound of a cheaper, but still solid microphone), and the rest is a straight soundboard source (both normalized to match each-others' volume). While the soundboard recording is nice and crisp, you'll quickly see why I prefer the sound of audience recordings from good-sounding rooms (when you're in a good location) -- while the soundboard definitely has the edge in terms of clarity of vocals, cymbals, and some other instruments, the amount of bass guitar in the recording is greatly reduced, and you lose the live sound of the crowd reacting to the music. (On the other hand, I don't generally have to scrub annoying claps, yells, whistles, etc. from a soundboard source.) I saw and taped them at least a dozen times during the 1993-2008 period represented by my DAT recordings, so you'll surely hear more Leftover Salmon archival recordings from me in the future... Enjoy! Follow me on Twitter to track my postings of FREE live music and concert photography: <a href="http://www.twitter.com/scott_bernstein" rel="ugc nofollow">http://www.twitter.com/scott_bernstein</a> Or become a "fan" on Facebook here: <a href="https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451" rel="ugc nofollow">https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451</a>
Taper: Scott Bernstein
2:31:49
SBD
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
los1995-02-04.ecm959.sbd
Source:
Audience DAT + SBD DAT
Taper Notes:
View Notes* = w/"L.A. Woman" (The Doors) tease I scrubbed about 35 loud nearby yells, whistles, and claps from the audience portion of this recording (1st 49 minutes of the show) Acoustic Forum opened -- I don't believe that I taped them Recorded, transferred (4/1/2012), tracked (9/26/2019), and mastered (12/18-21/2019), and posted (12/21/2019) by Scott Bernstein Taper notes: By request, for BARN202 I'm dipping back into my Leftover Salmon early days (last represented in my BARN series as release #22, posted on March 6, 2010 -- 9 years back) -- this is my recording of the 3rd time I saw them (2nd time I taped them) at good old Wetlands. This is a band REALLY on the upswing -- hungry, but feeling good, completely at the top of their game and with their original lineup before tragedy and other forces conspired to various lineup changes. This show was an absolute blast -- showcasing every facet of their performing repertoire at the time -- the Polyethnic Cajun Slamgrass in full effect...with bluegrass, Cajun, reggae, a capella, blues, polka, rock, and everything inbetween. This is also a marathon performance at 38 songs and just over 2 1/2 hours. I recorded this show with my old Sony ECM-959 stereo microphone (2 1/2 years before I bought my Neumann TLM170s) on my trusty old Denon DTR-80p DAT deck (6 AA batteries); but for whatever reason, the DAT tape was unplayable beyond the 49th minute of the recording. Thank goodness I did manage to get a dub of the soundboard source for the show (though I can't recall who I got it from) soon afterwards. So the first part of this recording is my audience recording (EQ'd a bit to sweeten up the sound of a cheaper, but still solid microphone), and the rest is a straight soundboard source (both normalized to match each-others' volume). While the soundboard recording is nice and crisp, you'll quickly see why I prefer the sound of audience recordings from good-sounding rooms (when you're in a good location) -- while the soundboard definitely has the edge in terms of clarity of vocals, cymbals, and some other instruments, the amount of bass guitar in the recording is greatly reduced, and you lose the live sound of the crowd reacting to the music. (On the other hand, I don't generally have to scrub annoying claps, yells, whistles, etc. from a soundboard source.) I saw and taped them at least a dozen times during the 1993-2008 period represented by my DAT recordings, so you'll surely hear more Leftover Salmon archival recordings from me in the future... Enjoy! Follow me on Twitter to track my postings of FREE live music and concert photography: <a href="http://www.twitter.com/scott_bernstein" rel="nofollow">http://www.twitter.com/scott_bernstein</a> Or become a "fan" on Facebook here: <a href="https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451" rel="nofollow">https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451</a>