RELISTENTO
Re
12
Bands
Featured
Bands
Larry Keel
2009
12/5/09
Tuning / Banter
0:46
Devil's Blank
3:23
Night Out
4:10
Buffalo Creek
4:24
Another Day
3:21
Critters
6:59
Gilpin Swing
4:35
Long Time
4:07
Pioneers
5:59
Pockets
5:56
All Fall Down
3:54
Kentucky Mandolin
6:35
Poncho and Lefty
6:08
Tombstones
5:56
Cattle in the Cane
4:56
Honestly
7:57
Banter
1:54
Wind's on Fire
4:44
Randy Lynn Rag
2:16
Banter/tuning
0:50
Blood Mary Morning
4:28
Wildewood Drive
4:47
Amos Moses
5:21
Rain Still Falls
5:12
Mountain Song
5:03
Jail Song
6:21
Tear Stained Eye
6:51
Corn Liquor >
4:16
Not one Drop > Jerry's > Not One Drop >
6:46
Cullpepper Woodchuck
5:43
Remind Me
6:58
Diamond Break
6:46
Driver 8
6:18
They
8:47
Groundhog
7:07
Man Only You Could Love
3:54
FIN
View on archive.org
Sources
Taper: Andrew Pierce
3:03:28
SBD
Rating:
8.00 / 1 rating
Taper:
Andrew Pierce
Transferrer:
Andrew Pierce
SHNID:
lkeel2009-12-05.km140.flac16
Source:
Source (early show): Neumann AK-40s (DIN, onstage between Adam and Larry) > KM-100s > Edirol R4; (Late show): Neumann AK-40s (DIN, onstage between Adam and Larry) > KM-100s + Mackie SBD headphone output > Edirol R4
Lineage:
Lineage: R4 > HDD > Soundforge 7 (resample with anti-alias filter, dither with triangular algorithm) > CDWave > FLAC16 md5 generated with MKWact
Taper Notes:
View NotesSpecial thanks to Adam and Larry for letting me put my mics onstage and to Jeff at the Hotel Utah for the SBD patch during the late show. This was a special night of music. Fans of acoustic guitar music in the bay area got a treat this past Saturday. A true treat to see two of the best currently touring acoustic guitar players play together. For those that missed it, this recording captured it pretty well, in my opinion. I hope that you enjoy it. For the first show I tried to get a board patch as well as the microphones, but alas, the proper connectors were in the car trunk down the block. Between sets I went out to the car and got the cables and adapters I needed to get the headphone feed from the soundboard, which broadened the dynamic range of the recording, even though it was a stereo feed recorded in mono. This file was matched with each channel of the microphone tracks and recombined as a 50-50 blend of the SBD and mics. This was the best I could do in the situation. Before the show Adam thought the best sound might be in the house as the previous nights were really quiet with respectful audiences. I am glad that I put the mics onstage, as there were a number of talkers and singers in the crowd that would have made a mid-room mic placement sound terrible.