Heart like a loaded Gun | 2016-01-02 | Jerry Joseph and the Jackmormons

2:34:48

Rating:

8.00 / 2 ratings

Taper:

ArchivalAudio

Transferrer:

ArchivalAudio

SHNID:

JJJ2016-01-02.AA-Milab-Matrix-flac24

Source:

Milab Matrix

Lineage:

Milab DC 196’s [NOS = 30cm @ 90°] > SD USB-Pre2 + VM-44-links [no bodies][DIN = 20cm @90°] Naiant(Milab)Tinybox > + Soundboard > > Tascam DR-680 [24bit/48khz]

Taper Notes:

View NotesJerry Joseph & The Jackmormons
2016-01-02
Saturday
Doug Fir
Portland OR


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*********** 24 Bit version NOT intended to burn direct to CD *********

Recorded and Mastered by ArchivalAudio [Ian Stoy]
ArchivalAudio [at] gmail [dot] com
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Milab Matrix:
Mics set up about 10’ up Just in front of the House Mix Position
Milab DC 196’s [NOS = 30cm @ 90°] > SD USB-Pre2 + VM-44-links [no bodies][DIN = 20cm @90°] Naiant(Milab)Tinybox > + Soundboard > > Tascam DR-680 [24bit/48khz] [Transcend SDHC class10]  
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Transfer, Editing & Mastering:
Transcend USB3 card reader > Mac mini OSX 10.11 > 

Reaper 5.11 to render 6 tracks (3 stereo wavs) to one stereo wav: 
1&2 Milab DC-196’s 
Ozone 5: Dynamics [Preset = A Little Wider & Brighter - Mid Side] vol= + .17db Pan 8%L
3&4 
Ozone 5: Imager [Preset = Stereoize - Mids] Vol= -.29db  Pan 6%L
5&6 Milab VM44’s 
Ozone 5: Dynamics [Preset = A Little Wider & Brighter - Mid Side 
+ Maximizer  preset 24 bit DTS -HD Threshold + DC filter (mBit+ - Lightest shaping 24bit normal dither)] Vol = -5.63

Main Mix  -2.12db Pan Center

Wave Editor 1.57(Audiofile Engineering) [tracking- fades in & out]  [Remove DC offset - Normalize to -1.0db] [in native wave editor format 32 bit 48khz] 
Ozone 5: Dynamics [Preset = A Little Wider & Brighter - Mid Side] 
+ Maximizer [Preset 24 bit DTS -HD Threshold + DC filter (mBit+ - Lightest shaping 24bit normal dither)]
> Wav24/28 > xAct 2.37 to flac level 8 , metatagging, fingerprints etc.

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Notes:
My first time to the Doug Fir, I enjoyed the venue, though crowded it was fun, the house sound was not great at all for Jerry, Mexican Gunfight Opened and the sound was much better. Set up at the stairs in front to the Mix position, Kirk D was doing some multi tracking and there were no on stage mics. Both pairs pf Milab’s picked up the true sound in the venue right in front of the sound mixing position, which was horrid, but should have been awesome!. The horns could not be heard well in the house. Mike Walkers keys could almost never be heard, and Jerry’s vocals were totally muddy and the effects were way too much making it difficult to actually hear his words. The soundboard mix was heavy on guitar, which was unneeded the vocals were strong but as noted muddy. Horns are slightly present in the  mix and occasionally the keys. The soundboard feed had some drums in the mix mostly kick and snare with a light cymbal sizzle. Overall it was one of the worst sounding Jerry shows I have heard, but don’t let this  discourage you, it was a great show and the post matrix saved the bad room sound.

Enjoy

ArchivalAudio