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Jazz Mandolin Project
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Today In History
June 17th
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0 tapes
Years
2026
55
5
shows
8
tapes
2025
3
1
show
4
tapes
2013
1
show
1
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2010
1
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1
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8
4
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1
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1
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1
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11
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9
33
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2003
10
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2002
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19
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28
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2001
2
32
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11
21
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1999
1
19
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21
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1997
5
20
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13
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1995
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7
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1999
SBD
12/03
Higher Ground
Winooski, VT
2:07:59
1
tape
10/01
Beehive
Pittsburgh, PA
2:27:12
1
tape
9/16
SBD
Cafe Tomo
Arcata, CA
2:28:52
1
tape
9/11
The Wild Duck
Eugene, OR
1:56:35
1
tape
7/15
CEFCU Center Stage
Peoria, IL
2:00:01
1
tape
7/14
Gilly's Jazz Club
Dayton, OH
2:18:50
1
tape
6/26
SBD
Rich Farms
Smithfield, PA
1:14:57
1
tape
5/15
SBD
Hobart Folk Festival Geneva, NY
Geneva, NY
1:44:20
1
tape
5/14
SBD
Milestones
Rochester, NY
2:40:22
1
tape
5/12
Graffiti
Pittsburgh, Pennsylvania
2:38:39
2
tapes
4/25
Tipitina's
New Orleans, Louisiana
1:13:42
2
tapes
4/20
SBD
The Juke Joint
Springfield, MO
2:28:15
1
tape
3/28
Gilly's
Dayton, OH
2:45:33
1
tape
3/25
SBD
Cicero's
St. Louis, MO
1
1:58:56
1
tape
3/06
Beehive
Pittsburgh, PA
2:10:07
2
tapes
3/05
Theater of the Living Arts
Philadelphia, PA
2:29:25
1
tape
2/12
Irving Plaza
New York, New York
2:10:53
1
tape
2/10
SBD
Higher Ground
Winooski, Vermont
2:16:58
1
tape
1/31
Alliot Hall Coffehouse - St. Michael's College
Colchester, VT
1:39:21
1
tape
2/12/99
Flux
8:02
Chapeau
13:17
Banter
0:48
Good and Plenty
10:29
Nimbus
5:35
Jovan
4:51
Banter
0:20
Mandoneon
9:54
Black Market >
3:51
Full House
13:27
Banter
0:26
Boodha
9:44
The Milliken Way
7:50
Clip
12:04
Band intros > Smoke on the Water jam(s)
4:02
The Opera
8:06
Enc Break
1:37
Barber's Hint
7:19
The Gourd
8:31
Tapers ID
0:40
FIN
View on archive.org
Sources
Taper: B. Wiely-Buckhout
2:10:53
Taper:
B. Wiely-Buckhout
Transferrer:
B. Wiely-Buckhout
SHNID:
jmp1999-02-12.akg414.flac16
Source:
AKG 414 (Hyper) > Sonosax SX-M2 > D7 @16/48
Lineage:
Fostex D5 > VX Pocket V2/Dell 7500(Wavelab 4.0g/Rec) > SF7(resample/fades) > CDWave > FLAC
Taper Notes:
View Notes
FOB/C* * ='s So I ran on the floor directly in front of the balcony where the soundboard is located. I ran the mics so that they were in the middle of the balcony (the actual "balcony wall" was about 5' maybe, and I was in the center of that...) in an attempt to deal with the noise below (ie. drunks on the floor, the bar behind me, etc.) and the noise from the balc. above... We were the only stand that did not get kicked or bumped that night (thanks to the huge crew of pham whom I love and miss! UPS!) with only this rig and Pepper's schoeps on the stand. I think that it worked great, and we used the same thinking when we ran the 4 mic AKG on the fly mix @ the Fillmore Phish gig. Use the venues, don't fight them... save the fighting for antelope greg!