RELISTENTOHot Buttered Rum
Re
10
Bands
Featured
Bands
Hot Buttered Rum
2008
10/25/08
Swing and sway
4:25
Guns or butter
3:18
Bliss monkeys
4:50
Rather be blind
6:31
Evolution > molly > evolution
11:05
Worth waiting
5:18
Every stone we lay
8:56
Cumberland blues
6:56
Angeline > cindy
3:35
Danny and cleo
6:07
Desert rat
5:43
Idaho pines
8:24
Queen elizabeth
6:57
Footprints in the snow
6:29
I'll follow you into the dark
3:52
Up on cripple creek
6:45
Sexy bakery girl
7:03
I've just seen a face
3:03
The crest
8:05
crowd/chatter
2:29
Don't think twice, it's alright
5:50
Duncan
5:48
FIN
View on archive.org
Sources
Taper: James Bartoli
2:11:46
SBD
Rating:
8.00 / 3 ratings
Taper:
James Bartoli
SHNID:
hbr2008-10-25.akg460ck3.flac16
Source:
DAUD: AKG c460b/a60m/ck3 (pointed just outside stacks, ~ 70 deg., 25cm separation, just right of SBD, ~ 8.5' high) -> 'vintage' mod. pres. -> Busman V/T mod. Edirol R-4 Pro @ 24bit/44.1KHz
Lineage:
Busman V/T mod. Edirol R-4 Pro -> PowerBook G4/Digital Performer 5.1 (import, hard limiter on off-mic/PA section, peak normalize); split tracks; dither to 16bit/44.1khz) -> .aiff -> xACT v1.58 -> FLAC (level 8)
Taper Notes:
View NotesLive sound and PA mix by Josh Osmond. The final two tracks were additionally processed with a levels boost and the use of a hard limiter to bring up the levels of the un-amplified songs closer to that of the rest of show. Thanks to Jim Tourville for the clamp space on his stand, and for help watching the gear.
Taper: James Bartoli
2:11:46
SBD
Taper:
James Bartoli
SHNID:
hbr2008-10-25.akg460ck3.flac24
Source:
DAUD: AKG c460b/a60m/ck3 (pointed just outside stacks, ~ 70 deg., 25cm separation, just right of SBD, ~ 8.5' high) -> 'vintage' mod. pres. -> Busman V/T mod. Edirol R-4 Pro @ 24bit/44.1KHz
Lineage:
Busman V/T mod. Edirol R-4 Pro -> PowerBook G4/Digital Performer 5.1 (import, hard limiter on off-mic/PA section, peak normalize); split tracks) -> .aiff -> xACT v1.58 -> FLAC (level 8)
Taper Notes:
View NotesLive sound and PA mix by Josh Osmond. The final two tracks were additionally processed with a levels boost and the use of a hard limiter to bring up the levels of the un-amplified songs closer to that of the rest of show. Thanks to Jim Tourville for the clamp space on his stand, and for help watching the gear.