RELISTENTOHot Buttered Rum
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Hot Buttered Rum
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Today In History
June 6th
Years
2025
4
PlaybackListensHours
48h314m
7d14m
30d42
5 shows
5 tapes
2024
31
PlaybackListensHours
48h114m
7d00m
30d314
7 shows
7 tapes
2023
28
PlaybackListensHours
48h141
7d141
30d283
20 shows
20 tapes
2022
17 shows
17 tapes
2021
10
PlaybackListensHours
48h00m
7d00m
30d101
18 shows
20 tapes
2020
2
PlaybackListensHours
48h00m
7d00m
30d27m
5 shows
5 tapes
2019
11
PlaybackListensHours
48h00m
7d00m
30d1159m
23 shows
27 tapes
2018
9
PlaybackListensHours
48h00m
7d947m
30d947m
6 shows
6 tapes
2017
16 shows
19 tapes
2016
19 shows
21 tapes
2015
2
PlaybackListensHours
48h00m
7d00m
30d211m
32 shows
40 tapes
2014
1
PlaybackListensHours
48h00m
7d00m
30d19m
27 shows
32 tapes
2013
35 shows
42 tapes
2012
1
PlaybackListensHours
48h00m
7d17m
30d17m
30 shows
34 tapes
2011
25 shows
37 tapes
2010
13 shows
18 tapes
2009
45 shows
67 tapes
2008
1
PlaybackListensHours
48h00m
7d00m
30d14m
64 shows
110 tapes
2007
2
PlaybackListensHours
48h00m
7d00m
30d212m
71 shows
97 tapes
2006
22
PlaybackListensHours
48h293
7d111
30d222
79 shows
99 tapes
2005
37
PlaybackListensHours
48h00m
7d213
30d374
60 shows
65 tapes
2004
6
PlaybackListensHours
48h00m
7d316m
30d634m
44 shows
44 tapes
2003
7
PlaybackListensHours
48h00m
7d00m
30d734m
12 shows
13 tapes
2002
1 show
1 tape
2008
1/25/08
Swing and Sway
6:09
Return Someday
8:37
Silas ->
7:29
Hugs, Not Handshakes
9:25
Take Me Home
6:17
Wedding Day
5:20
June Apple
4:20
Naked Blue
9:01
Copenhagen
3:48
Metrosexual
4:11
Backrooms of My Mind
7:02
Sugaree
9:15
Beneath the Blossoms
7:27
Golden Days
7:28
Possum
7:03
Don't Think Twice, It's Alright
5:44
Bit by Bit
4:20
In These Parts
9:52
Blue Night
12:26
I've Got a Feeling
4:08
Pay Your Dues
4:35
FIN
View on archive.org
Sources
Taper: James Bartoli
2:23:57
Taper:
James Bartoli
Transferrer:
James Bartoli
SHNID:
hbr2008-01-25.akg452ck1-460ck22.flac24
Source:
DAUD 4 mic post mix: {([2] AKG c460/a60/ck22 (split ~ 10', hung from rafters above stage lip) ->'vintage' mod. pre-amps) + ([2] AKG c452eb/a51/ck1 (~DIN, clamped to rafter DFC above dance floor) -> Aerco MP2 -> 'transparent' channels -> Busman V/T mod. Edirol R-4 Pro @ 24bit/44.1khz
Lineage:
Busman V/T mod. Edirol R-4 Pro -> PowerBook G4/Digital Performer 5.1 (-24dB/octave hpf @ ~ 93hz on AKG 452 source* tracks w/ MasterWorks EQ plug-in, set 4 track mix; Bounce to Disc w/ plug-ins on master fader: Dynamics v3.3 (light compression), Masterworks EQ (-1.6dB lsf @ ~ 107hz); Trim v4.3 (peak normalize)) split tracks) -> .aiff -> xACT v1.58 -> FLAC (level 8)
Taper Notes:
View NotesLive sound and PA mix by Josh Osmond *The AKG 452 source was clamped directly to one of the rafters DFC @ ~ 12' high. At this height, the rafters and metal framing unfortunately trapped a lot of low end resonance, especially below ~ 90hz. A steep high pass filter @ ~ 93hz of -24dB/octave was set on each AKG 452 track to take out the extreme resonance, while the AKG 460 omni source was left flat pre-mix to supply the low end of the frequency band.
Taper: James Bartoli
2:23:57
Taper:
James Bartoli
Transferrer:
James Bartoli
SHNID:
hbr2008-01-25.akg452ck1-460ck22.flac16
Source:
DAUD 4 mic post mix: {([2] AKG c460/a60/ck22 (split ~ 10', hung from rafters above stage lip) ->'vintage' mod. pre-amps) + ([2] AKG c452eb/a51/ck1 (~DIN, clamped to rafter DFC above dance floor) -> Aerco MP2 -> 'transparent' channels -> Busman V/T mod. Edirol R-4 Pro @ 24bit/44.1khz
Lineage:
Busman V/T mod. Edirol R-4 Pro -> PowerBook G4/Digital Performer 5.1 (-24dB/octave hpf @ ~ 93hz on AKG 452 source* tracks w/ MasterWorks EQ plug-in, set 4 track mix; Bounce to Disc w/ plug-ins on master fader: Dynamics v3.3 (light compression), Masterworks EQ (-1.6dB lsf @ ~ 107hz); Trim v4.3 (peak normalize)) split tracks) -> .aiff -> xACT v1.58 -> FLAC (level 8)
Taper Notes:
View NotesLive sound and PA mix by Josh Osmond *The AKG 452 source was clamped directly to one of the rafters DFC @ ~ 12' high. At this height, the rafters and metal framing unfortunately trapped a lot of low end resonance, especially below ~ 90hz. A steep high pass filter @ ~ 93hz of -24dB/octave was set on each AKG 452 track to take out the extreme resonance, while the AKG 460 omni source was left flat pre-mix to supply the low end of the frequency band.