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June 9th
9 shows
89 tapes
Years
1995
29.8k
PlaybackListensHours
48h62284
7d4k544
30d29.8k4.2k
49 shows
341 tapes
1994
8.4k
PlaybackListensHours
48h1.7k213
7d1.4k195
30d8.4k1.2k
85 shows
460 tapes
1993
38.1k
PlaybackListensHours
48h3.1k375
7d8k1.1k
30d38.1k5k
83 shows
656 tapes
1992
35.9k
PlaybackListensHours
48h2.3k300
7d4k503
30d35.9k4.8k
57 shows
539 tapes
1991
38.5k
PlaybackListensHours
48h3.2k464
7d11k1.5k
30d38.5k5.2k
78 shows
973 tapes
1990
34.4k
PlaybackListensHours
48h9.2k1.1k
7d5.6k731
30d34.4k4.5k
78 shows
1,139 tapes
1989
46.7k
PlaybackListensHours
48h2.4k299
7d7.2k909
30d46.7k5.8k
78 shows
1,017 tapes
1988
21.1k
PlaybackListensHours
48h1.1k132
7d2.7k310
30d21.1k2.4k
82 shows
882 tapes
1987
33.6k
PlaybackListensHours
48h1.8k198
7d5.2k565
30d33.6k3.7k
88 shows
1,025 tapes
1986
12k
PlaybackListensHours
48h69578
7d1.9k211
30d12k1.4k
47 shows
683 tapes
1985
21.3k
PlaybackListensHours
48h1.4k158
7d3.9k464
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h2.6k316
7d2.8k363
30d15.3k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.2k160
7d3.2k413
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k144
7d3.7k457
30d41.6k5.2k
63 shows
753 tapes
1981
49.2k
PlaybackListensHours
48h1.4k174
7d4.6k599
30d49.2k6.2k
92 shows
868 tapes
1980
69.6k
PlaybackListensHours
48h5k568
7d11.8k1.3k
30d69.6k8.1k
91 shows
794 tapes
1979
24.5k
PlaybackListensHours
48h1.5k215
7d2.8k389
30d24.5k3.4k
79 shows
600 tapes
1978
53.2k
PlaybackListensHours
48h1.7k230
7d11k1.4k
30d53.2k7.3k
87 shows
592 tapes
1977
286k
PlaybackListensHours
48h20.1k2.8k
7d35.1k4.7k
30d286k39.4k
64 shows
419 tapes
1976
49.6k
PlaybackListensHours
48h5.8k829
7d14.8k2.1k
30d49.6k6.7k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h58757
7d1.7k157
30d6.2k638
25 shows
63 tapes
1974
98.7k
PlaybackListensHours
48h7.3k965
7d9.1k1.1k
30d98.7k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.6k721
7d9.2k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
69.8k
PlaybackListensHours
48h2.2k285
7d6.8k831
30d69.8k8.5k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.6k177
7d4.5k500
30d33.5k3.8k
82 shows
357 tapes
1970
44.4k
PlaybackListensHours
48h2k227
7d16.6k1.7k
30d44.4k4.7k
101 shows
376 tapes
1969
25.9k
PlaybackListensHours
48h1.8k293
7d5.7k931
30d25.9k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h900122
7d991122
30d6.7k831
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13618
7d26437
30d1.5k202
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h29316
7d76858
30d7.9k532
32 shows
78 tapes
1965
579
PlaybackListensHours
48h342
7d925
30d57934
2 shows
2 tapes
1995
6/21/95
technical difficulties
3:01
Hell in a Bucket
8:12
Loser
8:49
Take Me to the River
4:10
tuning
2:06
Row Jimmy
15:37
Broken Arrow
5:12
The Promised Land
5:10
Scarlet Begonias ->
11:43
Fire on the Mountain
17:52
Man Smart (Women are Smarter)
7:37
It's All Too Much ->
6:00
Playing in the Band ->
3:56
Supplication Jam ->
10:47
Drums ->
9:27
Space ->
9:27
Easy Answers >
7:26
Morning Dew
11:55
encore break
1:44
U.S. Blues
5:27
FIN
View on archive.org
Sources
Taper: Ray Ackerman
2:35:38
Rating:
10.00 / 1 rating
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1995-06-21.141512.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648
Source:
<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
Taper Notes:
View NotesNotes: - Thanks to Ray for sharing his stellar recording. - Thanks to Charlie for orchestrating. - final "Row Jimmy" - Down in the Boondocks tuning while striding for just exactly perfect [s1t01] - final Man Smart (Woman are Smarter) - final/last Supplication Jam: 08-14-91 [286] - final Morning Dew
Taper: Andy Trate
2:39:56
Taper:
Andy Trate
Transferrer:
Dave Boedicker
SHNID:
gd1995-06-21.148797.nak300-cp4.boedicker.flac1644
Source:
Source:Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Lead Deck)>Sony Wm-D6C Cassette Deck>2 Casssette Master Tapes(Maxell XL-2-S 90 Minute Cassette Tape For 1st Set,Scotch Black Watch 2020 100 Minute Tape For 2nd Set.)
Taper Notes:
View NotesNotes: 1)I Took The Rare Occasion At The Time And Didn't Tape This Show As I Was Taking My Girlfriend At The Time To Her First GD Shows,So We Sat About 10 Rows Or So Up To The Side Of Vince Welnick And Watched The Show From There.I Lent My Friend Andy My Mics And Deck,And He Recorded The Show For Me That Night. 2)Tape Flip After"Row Jimmy"(No Music Missed oN Next Song "Broken Arrow"). 3) Tape Flip During "Playing In The Band" 4)Some Wow And Flutter During Start Of "Tuning For 2nd Set And Part Of "Scarlet Begonias" Warts And All Enjoy!!!
Taper: Pat Walsh
2:34:41
Taper:
Pat Walsh
Transferrer:
Tony Suraci
SHNID:
gd1995-06-21.141999.walsh.suraci.at835.flac1648
Source:
<b>flac16/48kHz</b>; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 16/48 (2003); Transfer 2: Sony PCM2600(digital out)>Marantz PMD 570>CF card> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 05/19/2018; Taper: Pat Walsh; Mastering and upload: Tony Suraci
Taper Notes:
View Notes* Master Cassette transferred to DAT in 2003. DAT tape used for this source.
Taper: Seth Breidbart
2:44:01
Rating:
6.00 / 1 rating
Taper:
Seth Breidbart
Transferrer:
Eric Vandercar and Lenny Stubbe
SHNID:
gd1995-06-21.bk4021.120371.flac1648
Source:
Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center;
Lineage:
Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart
Taper Notes:
View Notes- Summer Solstice show - Long 6:10 tuning to begin the show. I trimmed only very little of what was on the DAT. Weir comments around the 4:20 mark about the need to get it "just exactly perfect", much to the crowds excitement. Thanks to the delay, I didn't miss the opening notes to the show! - Couple spots of slight digi noise that was between songs minimized/removed. No music was affected - Say what you will about 1995, I attended this one and found it to be an amazing experience inside and outside the Knickerbocker Arena. A Summer Solstice Scarlet>Fire and a Morning Dew that made the whole show and had strangers hugging strangers in every row/aisle! - 44.1 khz version exists Seeded to etree on: 05/26/2012
Taper: Seth Breidbart
2:44:01
Rating:
6.00 / 1 rating
Taper:
Seth Breidbart
Transferrer:
Eric Vandercar and Lenny Stubbe
SHNID:
gd1995-06-21.bk4021.120370.flac1644
Source:
Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center;
Lineage:
Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart
Taper Notes:
View Notes- Summer Solstice show - Long 6:10 tuning to begin the show. I trimmed only very little of what was on the DAT. Weir comments around the 4:20 mark about the need to get it "just exactly perfect", much to the crowds excitement. Thanks to the delay, I didn't miss the opening notes to the show! - Couple spots of slight digi noise that was between songs minimized/removed. No music was affected - Say what you will about 1995, I attended this one and found it to be an amazing experience inside and outside the Knickerbocker Arena. A Summer Solstice Scarlet>Fire and a Morning Dew that made the whole show and had strangers hugging strangers in every row/aisle! - 48 khz version exists Seeded to etree on: 05/26/2012
Taper: Heaton
2:45:04
Rating:
7.00 / 2 ratings
Taper:
Heaton
Transferrer:
Keo
SHNID:
gd1995-06-21.Nak300CP4.Heaton.Keo.115993.Flac1644
Source:
First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3> Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
Taper Notes:
View NotesComments:Big thanks to Mr. Heaton for sharing his masters with me and spinning me the tapes right after the shows!This was an excellent show for the summer 95 run and this recording is superb as well,unfortunately the dats no longer play so this will be the best we can do for this recording! As always ENJOY!
Taper: Heaton
2:45:04
Rating:
6.00 / 2 ratings
Taper:
Heaton
Transferrer:
Keo
SHNID:
gd1995-06-21.Nak300CP4.Heaton.Keo.115992.Flac2496
Source:
First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3>Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
Taper Notes:
View NotesComments:Big thanks to Mr. Heaton for sharing his masters with me and spinning me the tapes right after the shows!This was an excellent show for the summer 95 run and this recording is superb as well,unfortunately the dats no longer play so this will be the best we can do for this recording! As always ENJOY!
Transferrer: Bill Koucky
27:48
Rating:
10.00 / 2 ratings
Transferrer:
Bill Koucky
SHNID:
gd1995-06-21.sndchk.fm.gmb.91352.flac16
Source:
FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT
Lineage:
Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 (iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise) > CD Wave > TLH > FLAC
Taper: Dan Sisler
2:43:17
Rating:
7.33 / 3 ratings
Taper:
Dan Sisler
Transferrer:
Dan Stephens
SHNID:
gd1995-06-21.fob.schoeps.sisler.stephens.76664.sbeok.flac1648
Source:
Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7
Lineage:
ascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (record only) > CDWav 1.93 > FLAC Frontend 1.7.1 (48kHz)
Taper Notes:
View Notesspot of diginoise in "It's All Too Much" at 05:44
Taper: Dan Sisler
2:43:16
Rating:
7.00 / 2 ratings
Taper:
Dan Sisler
Transferrer:
Dan Stephens
SHNID:
gd1995-06-21.fob.schoeps.sisler.stephens.76663.sbeok.flac16
Source:
Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7
Lineage:
Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (48-44.1, highest accuracy with anti-alias filter; normalize) > CDWav 1.93 > Flac Frontend 1.7.1
Taper Notes:
View Notesspot of diginoise in "It's All Too Much" at 05:44
Transferrer: Chris Larson
2:37:45
Rating:
4.00 / 2 ratings
Transferrer:
Chris Larson
Source:
A:D (no mic info)
Lineage:
DAT(48kHz)>ZA2(S/PDIF)>Samplitude 2496>CD-r or shn
Taper Notes:
View NotesTapes provided by Tom and Roger.
Transferrer: Dan Stephens
2:42:57
Rating:
6.63 / 37 ratings
Transferrer:
Dan Stephens
SHNID:
gd95-06-21.naks.5971.sbeok.shnf
Source:
Audience: Nakamichi 300's w/CP-4 caps
Lineage:
Nakamichi 300's w/CP-4 caps > Sony TCD-D7 (Oade Mod) > Tascam DA-20mkII > SBLive! (48-44.1) > CD Wave > mkwACT > SHN
Taper Notes:
View NotesNakamichi 300's w/CP-4 caps -> Oade modified Sony TCD-D7; Tascam DA-20mkII > SBLive! (48-44.1) > CDWAV > MKW; DAT > WAV > SHN by Dan Stephens; upload by Scott Thompson