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Today In History
June 6th
Years
1995
29.2k
PlaybackListensHours
48h2.9k395
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h715101
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.3k582
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1k134
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h2k268
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.9k380
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h4.2k525
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.4k156
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.8k307
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h985109
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.6k207
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.6k205
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k237
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.3k294
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h6k692
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.4k193
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h8.6k1.1k
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h16.6k2.2k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h9.3k1.3k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h93279
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.6k568
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.5k584
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k393
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.3k253
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.5k725
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k575
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55569
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h16224
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h51639
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h432
7d1277
30d57234
2 shows
2 tapes
1995
6/21/95
technical difficulties
3:01
Hell in a Bucket
8:12
Loser
8:49
Take Me to the River
4:10
tuning
2:06
Row Jimmy
15:37
Broken Arrow
5:12
The Promised Land
5:10
Scarlet Begonias ->
11:43
Fire on the Mountain
17:52
Man Smart (Women are Smarter)
7:37
It's All Too Much ->
6:00
Playing in the Band ->
3:56
Supplication Jam ->
10:47
Drums ->
9:27
Space ->
9:27
Easy Answers >
7:26
Morning Dew
11:55
encore break
1:44
U.S. Blues
5:27
FIN
View on archive.org
Sources
Taper: Ray Ackerman
2:35:38
Rating:
10.00 / 1 rating
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1995-06-21.141512.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648
Source:
<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
Taper Notes:
View NotesNotes: - Thanks to Ray for sharing his stellar recording. - Thanks to Charlie for orchestrating. - final "Row Jimmy" - Down in the Boondocks tuning while striding for just exactly perfect [s1t01] - final Man Smart (Woman are Smarter) - final/last Supplication Jam: 08-14-91 [286] - final Morning Dew
Taper: Andy Trate
2:39:56
Taper:
Andy Trate
Transferrer:
Dave Boedicker
SHNID:
gd1995-06-21.148797.nak300-cp4.boedicker.flac1644
Source:
Source:Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Lead Deck)>Sony Wm-D6C Cassette Deck>2 Casssette Master Tapes(Maxell XL-2-S 90 Minute Cassette Tape For 1st Set,Scotch Black Watch 2020 100 Minute Tape For 2nd Set.)
Taper Notes:
View NotesNotes: 1)I Took The Rare Occasion At The Time And Didn't Tape This Show As I Was Taking My Girlfriend At The Time To Her First GD Shows,So We Sat About 10 Rows Or So Up To The Side Of Vince Welnick And Watched The Show From There.I Lent My Friend Andy My Mics And Deck,And He Recorded The Show For Me That Night. 2)Tape Flip After"Row Jimmy"(No Music Missed oN Next Song "Broken Arrow"). 3) Tape Flip During "Playing In The Band" 4)Some Wow And Flutter During Start Of "Tuning For 2nd Set And Part Of "Scarlet Begonias" Warts And All Enjoy!!!
Taper: Pat Walsh
2:34:41
Taper:
Pat Walsh
Transferrer:
Tony Suraci
SHNID:
gd1995-06-21.141999.walsh.suraci.at835.flac1648
Source:
<b>flac16/48kHz</b>; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 16/48 (2003); Transfer 2: Sony PCM2600(digital out)>Marantz PMD 570>CF card> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 05/19/2018; Taper: Pat Walsh; Mastering and upload: Tony Suraci
Taper Notes:
View Notes* Master Cassette transferred to DAT in 2003. DAT tape used for this source.
Taper: Seth Breidbart
2:44:01
Rating:
6.00 / 1 rating
Taper:
Seth Breidbart
Transferrer:
Eric Vandercar and Lenny Stubbe
SHNID:
gd1995-06-21.bk4021.120371.flac1648
Source:
Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center;
Lineage:
Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart
Taper Notes:
View Notes- Summer Solstice show - Long 6:10 tuning to begin the show. I trimmed only very little of what was on the DAT. Weir comments around the 4:20 mark about the need to get it "just exactly perfect", much to the crowds excitement. Thanks to the delay, I didn't miss the opening notes to the show! - Couple spots of slight digi noise that was between songs minimized/removed. No music was affected - Say what you will about 1995, I attended this one and found it to be an amazing experience inside and outside the Knickerbocker Arena. A Summer Solstice Scarlet>Fire and a Morning Dew that made the whole show and had strangers hugging strangers in every row/aisle! - 44.1 khz version exists Seeded to etree on: 05/26/2012
Taper: Seth Breidbart
2:44:01
Rating:
6.00 / 1 rating
Taper:
Seth Breidbart
Transferrer:
Eric Vandercar and Lenny Stubbe
SHNID:
gd1995-06-21.bk4021.120370.flac1644
Source:
Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center;
Lineage:
Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart
Taper Notes:
View Notes- Summer Solstice show - Long 6:10 tuning to begin the show. I trimmed only very little of what was on the DAT. Weir comments around the 4:20 mark about the need to get it "just exactly perfect", much to the crowds excitement. Thanks to the delay, I didn't miss the opening notes to the show! - Couple spots of slight digi noise that was between songs minimized/removed. No music was affected - Say what you will about 1995, I attended this one and found it to be an amazing experience inside and outside the Knickerbocker Arena. A Summer Solstice Scarlet>Fire and a Morning Dew that made the whole show and had strangers hugging strangers in every row/aisle! - 48 khz version exists Seeded to etree on: 05/26/2012
Taper: Heaton
2:45:04
Rating:
7.00 / 2 ratings
Taper:
Heaton
Transferrer:
Keo
SHNID:
gd1995-06-21.Nak300CP4.Heaton.Keo.115993.Flac1644
Source:
First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3> Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
Taper Notes:
View NotesComments:Big thanks to Mr. Heaton for sharing his masters with me and spinning me the tapes right after the shows!This was an excellent show for the summer 95 run and this recording is superb as well,unfortunately the dats no longer play so this will be the best we can do for this recording! As always ENJOY!
Taper: Heaton
2:45:04
Rating:
6.00 / 2 ratings
Taper:
Heaton
Transferrer:
Keo
SHNID:
gd1995-06-21.Nak300CP4.Heaton.Keo.115992.Flac2496
Source:
First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3>Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
Taper Notes:
View NotesComments:Big thanks to Mr. Heaton for sharing his masters with me and spinning me the tapes right after the shows!This was an excellent show for the summer 95 run and this recording is superb as well,unfortunately the dats no longer play so this will be the best we can do for this recording! As always ENJOY!
Transferrer: Bill Koucky
27:48
Rating:
10.00 / 2 ratings
Transferrer:
Bill Koucky
SHNID:
gd1995-06-21.sndchk.fm.gmb.91352.flac16
Source:
FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT
Lineage:
Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 (iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise) > CD Wave > TLH > FLAC
Taper: Dan Sisler
2:43:17
Rating:
7.33 / 3 ratings
Taper:
Dan Sisler
Transferrer:
Dan Stephens
SHNID:
gd1995-06-21.fob.schoeps.sisler.stephens.76664.sbeok.flac1648
Source:
Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7
Lineage:
ascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (record only) > CDWav 1.93 > FLAC Frontend 1.7.1 (48kHz)
Taper Notes:
View Notesspot of diginoise in "It's All Too Much" at 05:44
Taper: Dan Sisler
2:43:16
Rating:
7.00 / 2 ratings
Taper:
Dan Sisler
Transferrer:
Dan Stephens
SHNID:
gd1995-06-21.fob.schoeps.sisler.stephens.76663.sbeok.flac16
Source:
Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7
Lineage:
Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (48-44.1, highest accuracy with anti-alias filter; normalize) > CDWav 1.93 > Flac Frontend 1.7.1
Taper Notes:
View Notesspot of diginoise in "It's All Too Much" at 05:44
Transferrer: Chris Larson
2:37:45
Rating:
4.00 / 2 ratings
Transferrer:
Chris Larson
Source:
A:D (no mic info)
Lineage:
DAT(48kHz)>ZA2(S/PDIF)>Samplitude 2496>CD-r or shn
Taper Notes:
View NotesTapes provided by Tom and Roger.
Transferrer: Dan Stephens
2:42:57
Rating:
6.63 / 37 ratings
Transferrer:
Dan Stephens
SHNID:
gd95-06-21.naks.5971.sbeok.shnf
Source:
Audience: Nakamichi 300's w/CP-4 caps
Lineage:
Nakamichi 300's w/CP-4 caps > Sony TCD-D7 (Oade Mod) > Tascam DA-20mkII > SBLive! (48-44.1) > CD Wave > mkwACT > SHN
Taper Notes:
View NotesNakamichi 300's w/CP-4 caps -> Oade modified Sony TCD-D7; Tascam DA-20mkII > SBLive! (48-44.1) > CDWAV > MKW; DAT > WAV > SHN by Dan Stephens; upload by Scott Thompson