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June 11th
Years
1995
30.1k
PlaybackListensHours
48h58980
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2.1k269
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.4k311
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.5k196
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.1k444
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h10k1.2k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.7k336
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.2k139
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.2k249
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h901101
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k199
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h6k696
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k156
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.3k155
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h1.9k249
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.6k290
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.6k230
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h2k266
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h17k2.3k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12.8k1.7k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h37540
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h4k533
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11.8k1.6k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2.2k282
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.8k203
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.8k196
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k166
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h68386
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h9014
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h42827
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h685
7d1076
30d59534
2 shows
2 tapes
1995
2/24/95
Help On The Way \>
4:17
Help On The Way >
4:17
Slipknot! \>
8:14
Slipknot! >
8:14
Franklin\'s Tower
14:19
Franklin's Tower
14:19
The Same Thing
6:58
The Same Thing
6:58
Althea
9:45
Althea
9:45
When I Paint My Masterpiece
5:06
When I Paint My Masterpiece
5:06
Loose Lucy
7:30
Loose Lucy
7:30
Let It Grow
13:04
Let It Grow
13:04
Scarlet Begonias \>
9:06
Scarlet Begonias >
9:06
Fire On The Mountain
13:32
Fire On The Mountain
13:32
Long Way To Go Home
6:49
Long Way To Go Home
6:49
Saint Of Circumstance \>
8:32
Saint Of Circumstance >
8:32
Corrina \>
11:37
Corrina >
11:37
Drums \>
14:45
Drums >
14:45
Space \>
10:08
Space >
10:08
Visions Of Johanna \>
10:13
Visions Of Johanna >
10:14
Turn On Your Love Light
5:35
Turn On Your Love Light
5:35
Crowd
1:25
Crowd
1:25
E: U.S. Blues
5:51
E: U.S. Blues
5:51
FIN
View on archive.org
Sources
Transferrer: Pete Ebel
2:47:05
Transferrer:
Pete Ebel
SHNID:
gd1995-02-24.141024.cmc4-mk41.ebel.flac1644
Source:
<b/>flac16/44.1 </b> Source Info: FOB Schoeps CMC4 Mk41-> Koch P/S-> Panasonic SV255-> DATTransfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's)Extract Wav-> Flac Level 8-> Tagged (16/44.1)Transfers by Pete Ebel
Taper Notes:
View NotesNotes: Tuning into Scarlet Begonias (0:00->0:22) supplied by #139126 Set #2 is Seamless
Taper: Dave Flaschner
2:49:12
Rating:
8.00 / 2 ratings
Taper:
Dave Flaschner
Transferrer:
Chris Davis
SHNID:
gd1995-02-24.akg.flaschner.91203.flac16
Source:
AKG 460b/ck61 -> custom pre-amp -> D-7
Lineage:
dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6)
Transferrer: Jon Seff
2:46:47
Rating:
5.54 / 13 ratings
Transferrer:
Jon Seff
SHNID:
gd95-02-24.AT.5493.sbeok.shnf
Source:
Audience - AT 4071's
Lineage:
AT 4071 > DAT @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction)
Taper Notes:
View Notesshntool-fixed version (by Jeff Kempka?) of <a href="http://db.etree.org/shninfo_detail.php?shnid=4776" rel="ugc nofollow">previous</a> shn set: AT 4071 > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff
Transferrer: Jon Seff
5:33:33
Transferrer:
Jon Seff
SHNID:
gd1995-02-24.at4071.seff.4776.shnf
Source:
AT 4071 > DAT @48k
Lineage:
DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/normalizing) > WAV > SHN (no extraction)
Taper: John Ammons & Jeff Zimmer
2:48:30
Taper:
John Ammons & Jeff Zimmer
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1995-02-24.139126.FOB.Schoeps.Ammons.Zimmer.Noel.t-flac.16
Source:
<b>flac16/48kHz</b>; John Ammons & Jeff Zimmer Recording: Schoeps MK4s > Bill Reutelhuber Power Supply > Panasonic SV-255 FOB DFC[ Mics in hair; John Ammons
Lineage:
DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & mastered in Audacity by Joe Noel > flac 16/48
Taper Notes:
View Notesnotes: - * Weir on acoustic - The second set had some sporadic channel issues that has been rectified. - Outstanding percussion session - The Aqua Net Saga (these recording won't flake) By the final two Oakland runs (Dec. '94 and Feb. 95) someone had gotten a massive bug up their ass about FOB taping. The bust circulated early and often. It was if as they gave security staff an edict to do nothing else but sweep for tapers. Why? The band was on life support, and the PA system, at least in the sweet spot, was a shell of its former self. But no matter. If one was so much as standing still and wearing a hat they were bust fodder. Or if, heaven forbid, one was standing next to a pile of back packs then the pack might become subject to a quick search. In order to come out with recordings of these shows, we resorted to extraordinary measures. Jeff Zimmer, a buddy of mine who worked in Cuppertino at Apple Computer, had long hair. Typically very politely pulled back in a pony tail. But he was able to fluff it out, rock star style, such the the Schoeps capsules were invisible inside his mane. So that's great, but what about the power supply and the deck? Wearing them would be risky, and a bag adjacent to his leg would be even riskier. So he came up with the concept of cutting holes in the soles of a pair of old high tops. The cables ran down through his shoes, and he made sure to stand where two blankets came together but with no bag or belongings anywhere near his feet. The cables ran to the back of the blanket where I ran the deck. - John