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June 9th
9 shows
89 tapes
Years
1995
30.1k
PlaybackListensHours
48h54573
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.4k170
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.5k310
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.2k281
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h3.8k541
7d11.8k1.6k
30d42k5.7k
78 shows
973 tapes
1990
35.2k
PlaybackListensHours
48h7.6k939
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.4k295
7d8.9k1.1k
30d47.8k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k135
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.6k173
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h63671
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.4k165
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.6k198
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.3k173
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k156
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.6k200
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h6.7k726
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.4k202
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.7k232
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h20.2k2.8k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h3.9k544
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h64863
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.3k963
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h4.3k557
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.4k293
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k172
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h2.9k296
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h2k329
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h837112
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12817
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h21510
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h392
7d1156
30d59235
2 shows
2 tapes
1995
2/24/95
Help On The Way \>
4:17
Help On The Way >
4:17
Slipknot! \>
8:14
Slipknot! >
8:14
Franklin\'s Tower
14:19
Franklin's Tower
14:19
The Same Thing
6:58
The Same Thing
6:58
Althea
9:45
Althea
9:45
When I Paint My Masterpiece
5:06
When I Paint My Masterpiece
5:06
Loose Lucy
7:30
Loose Lucy
7:30
Let It Grow
13:04
Let It Grow
13:04
Scarlet Begonias \>
9:06
Scarlet Begonias >
9:06
Fire On The Mountain
13:32
Fire On The Mountain
13:32
Long Way To Go Home
6:49
Long Way To Go Home
6:49
Saint Of Circumstance \>
8:32
Saint Of Circumstance >
8:32
Corrina \>
11:37
Corrina >
11:37
Drums \>
14:45
Drums >
14:45
Space \>
10:08
Space >
10:08
Visions Of Johanna \>
10:13
Visions Of Johanna >
10:14
Turn On Your Love Light
5:35
Turn On Your Love Light
5:35
Crowd
1:25
Crowd
1:25
E: U.S. Blues
5:51
E: U.S. Blues
5:51
FIN
View on archive.org
Sources
Transferrer: Pete Ebel
2:47:05
Transferrer:
Pete Ebel
SHNID:
gd1995-02-24.141024.cmc4-mk41.ebel.flac1644
Source:
<b/>flac16/44.1 </b> Source Info: FOB Schoeps CMC4 Mk41-> Koch P/S-> Panasonic SV255-> DATTransfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's)Extract Wav-> Flac Level 8-> Tagged (16/44.1)Transfers by Pete Ebel
Taper Notes:
View NotesNotes: Tuning into Scarlet Begonias (0:00->0:22) supplied by #139126 Set #2 is Seamless
Taper: Dave Flaschner
2:49:12
Rating:
8.00 / 2 ratings
Taper:
Dave Flaschner
Transferrer:
Chris Davis
SHNID:
gd1995-02-24.akg.flaschner.91203.flac16
Source:
AKG 460b/ck61 -> custom pre-amp -> D-7
Lineage:
dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6)
Transferrer: Jon Seff
2:46:47
Rating:
5.54 / 13 ratings
Transferrer:
Jon Seff
SHNID:
gd95-02-24.AT.5493.sbeok.shnf
Source:
Audience - AT 4071's
Lineage:
AT 4071 > DAT @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction)
Taper Notes:
View Notesshntool-fixed version (by Jeff Kempka?) of <a href="http://db.etree.org/shninfo_detail.php?shnid=4776" rel="ugc nofollow">previous</a> shn set: AT 4071 > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff
Transferrer: Jon Seff
5:33:33
Transferrer:
Jon Seff
SHNID:
gd1995-02-24.at4071.seff.4776.shnf
Source:
AT 4071 > DAT @48k
Lineage:
DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/normalizing) > WAV > SHN (no extraction)
Taper: John Ammons & Jeff Zimmer
2:48:30
Taper:
John Ammons & Jeff Zimmer
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1995-02-24.139126.FOB.Schoeps.Ammons.Zimmer.Noel.t-flac.16
Source:
<b>flac16/48kHz</b>; John Ammons & Jeff Zimmer Recording: Schoeps MK4s > Bill Reutelhuber Power Supply > Panasonic SV-255 FOB DFC[ Mics in hair; John Ammons
Lineage:
DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & mastered in Audacity by Joe Noel > flac 16/48
Taper Notes:
View Notesnotes: - * Weir on acoustic - The second set had some sporadic channel issues that has been rectified. - Outstanding percussion session - The Aqua Net Saga (these recording won't flake) By the final two Oakland runs (Dec. '94 and Feb. 95) someone had gotten a massive bug up their ass about FOB taping. The bust circulated early and often. It was if as they gave security staff an edict to do nothing else but sweep for tapers. Why? The band was on life support, and the PA system, at least in the sweet spot, was a shell of its former self. But no matter. If one was so much as standing still and wearing a hat they were bust fodder. Or if, heaven forbid, one was standing next to a pile of back packs then the pack might become subject to a quick search. In order to come out with recordings of these shows, we resorted to extraordinary measures. Jeff Zimmer, a buddy of mine who worked in Cuppertino at Apple Computer, had long hair. Typically very politely pulled back in a pony tail. But he was able to fluff it out, rock star style, such the the Schoeps capsules were invisible inside his mane. So that's great, but what about the power supply and the deck? Wearing them would be risky, and a bag adjacent to his leg would be even riskier. So he came up with the concept of cutting holes in the soles of a pair of old high tops. The cables ran down through his shoes, and he made sure to stand where two blankets came together but with no bag or belongings anywhere near his feet. The cables ran to the back of the blanket where I ran the deck. - John