Touch Of Grey | 1994-10-13 | Grateful Dead

View NotesNotes:
-- All sources provided by Tim Wiley
-- This SBD source does NOT have NR applied to it
-- The AUD source was remastered with Samplitude
-- All patching done with Samplitude
-- Bill Tetzeli made the CD2/CD3 transition seamless.
-- SteveSw fixed the REPLAYGAIN

Transferrer: Patched By Charlie Miller

2:48:31

SBD

Rating:

7.00 / 3 ratings

Transferrer:

Patched By Charlie Miller

SHNID:

gd1994-10-13.sbd-patched.miller.33299.sbeok.flac16

Source:

SBD -> Dat -> Cassette Master -> Dat -> CD -> EAC -> FLAC

Taper Notes:

View NotesPatch Info: 
Drop out in Touch Of Grey patched with aud 
Diginoise in Wang Dang Doodle patched with aud 

Notes: 
-- All sources provided by Tim Wiley 
-- This SBD source does NOT have NR applied to it 
-- The AUD source was remastered with Samplitude 
-- All patching done with Samplitude

Source 3 of 7

gd94-10-13.sbd.wiley.7800.sbefail.shnf

Source:

SBD> DAT> C> DAT> CDR> EAC> Cool Edit> SHN

Taper Notes:

View NotesSBD> DAT> C> DAT> CDR> EAC> Cool Edit> SHN; via Paul Bottiglio; Tim Wiley

Taper: Ray Ackerman

Charlie Miller and Joe Noel

SHNID:

gd1994-10-13.141482.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648

Source:

<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48

Taper Notes:

View NotesNotes:
- Thanks to Ray for sharing his exceptional recording.
- Thanks to Charlie for being the broker.
- Last & final Dupree's (3/26/90)
* Weir on acoustic
- all the elements combine

Taper: John Bleich

gd1994-10-13.nak300.bleich.sirmick.96364.sbeok.flac16

Source:

Nak 300 shotguns > WMD-6 > mac (from Section 11 > Row N > Seat 3)

Lineage:

mac > Nakamichi CR-5A > EMU 1212M > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > 16/44.1 Wave > CD Wave > TLH > flac16

Taper Notes:

View NotesNotes:

- tape flips after Dupree's Diamond Blues and  Johnny B. Goode have been crossfaded

- patched tracks

Foolish Heart 4:42 - 5:00
Drums 8:52 - 9:00 and 11:30 - 11:48

patch source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) >
                           Coax SPDIF > Casio DA-7 (first deck out) > TDK DC4 (shnid 88356)

- seamless change between discs 2 and 3

Taper: Andrew F

gd1994-10-13.schoeps.andrewf.88357.sbeok.flac16

Source:

Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > TDK DC4. Mics on 7-foot stand, directly behind lighting board in the center.

Lineage:

MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC

Taper Notes:

View NotesNotes: 
- Drums/Space has fuzzy-sounding low-end overload in a few spots. 
- Break between D2 & D3 is seamless. 
- Soundforge used to make fades. 
- TLH used for SBE-OK, FLAC compression, and checksums.

Taper: Andrew F

gd1994-10-13.schoeps.andrewf.88356.flac1648

Source:

Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > TDK DC4. Mics on 7-foot stand, directly behind lighting board in the center.

Lineage:

MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC.

Taper Notes:

View NotesNotes: 
- Drums/Space has fuzzy-sounding low-end overload in a few spots. 
- Soundforge used to make fades. 
- TLH used for FLAC compression and checksums.