Scarlet Begonias > | 1994-10-01 | Grateful Dead

1994

Bands

Featured

Grateful Dead

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell and the WOO Warriors

27 shows

29 tapes

Bernie Worrell Orchestra

Blueground Undergrass

182 shows

205 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

1994

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

McNichols Sports Arena

McNichols Sports Arena

McNichols Sports Arena

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

2:42:02

3 tapes

9/16SBD

Shoreline Amphitheatre

Mountain View, CA, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Auburn Hills, MI, USA

Auburn Hills, MI, USA

2:54:43

5 tapes

7/29

Buckeye Lake Music Center

Riverport Amphitheatre

Maryland Heights, MO, USA

2:51:12

7 tapes

7/26SBD

Riverport Amphitheatre

Maryland Heights, MO, USA

Deer Creek Music Center

Deer Creek Music Center

Deer Creek Music Center

Franklin County Airport

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

5:23:08

4 tapes

7/01SBD

Shoreline Amphitheatre

Mountain View, CA, USA

2:30:02

2 tapes

6/26SBD

Sam Boyd Silver Bowl, U.N.L.V.

Sam Boyd Silver Bowl, U.N.L.V.

Sam Boyd Silver Bowl, U.N.L.V.

Autzen Stadium, U. of Oregon

Autzen Stadium, U. of Oregon

Autzen Stadium, U. of Oregon

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland County Coliseum*

Oakland, CA

33:53

1 tape

Sources

Transferrer: All Transfers and Mastering by Charlie Miller [email protected] June 15, 2020

All Transfers and Mastering by Charlie Miller [email protected] June 15, 2020

SHNID:

gd1994-10-01.150116.dsbd.miller.flac1644

Source:

SBD > DAT Master > DAT Clone (44.1k)

Lineage:

DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16

Taper Notes:

View NotesNotes:
-- This is a different mix than the 30 Trips box set version

Transferrer: Hunter Seamons

gd1994-10-01.mtx.seamons.95066.sbeok.flac16

Source:

Matrix mix (SBD/AUD)

Taper Notes:

View Notes*Matrix* 

----------------------------------------------------
SBD:

Bertha remaster of Master DAT source.

SBD>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A+

Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on March 23, 2002.

----------------------------------------------------
AUD:

Taper: Dave Minor
Source: PMB Microphones (German)(1) FOB> Sony D7 @48k
Transfer: 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD >
SoundForge 6.0 (rec, 48>44 highest setting with anti-alias filter) > CDWav (splits) > mkw > shn (seekable)

SHNtool used to verify track boundaries
Transfered by Marc Pujol 01/30/2003
Source DAT from Dave Minor via Matt Vernon

- some brief overload distortion a few places during drums

"[The PMB mics] were made by a now defunct German company, about 15 years ago. The mic's are self powered (AA batt in each), the 2 sets of capsules that I have are the shotguns (about 12" length) and the small capsules which have a figure-8 pick-up pattern. Balanced output at the mic.  They were owned by a speaker designer from England. Before working w/ Home audio, he worked w/ pro sound. He did lots of recording @ small to large venues in the UK. He recorded for broadcasts. He stuck w/ these mic.s through the end of his recording days."

---------------------------------------------------
Thank you to Jay Ashley and Hub Spencer for the SBD transfer,
to Dave Minor for recording the show,
and to Marc Pujol and Matt Vernon for the AUD transfer.

Matrix by Hunter Seamons using Soundtrack/Final Cut Pro(SHN>AIFF>Soundtrack>Final Cut>WAV>FLAC) 
October 3, 2008


Notes:

1) Cuts in the SBD between some songs. One momentary cut in the SBD and AUD during Space.

2) Miniscule gaps at points in the sources, sometimes producing faint clicks. 

3) Faint clicks removed using Soundtrack (at least the ones I noticed).

4) The show is seamless.

Source 3 of 14

gd1994-10-01.sbd.gorinsky-miller.31992.sbeok.shnf

Source:

SBD> Dat> CDR (Pre-Fm GDH Discs) > CDR > EAC (Secure Mode, Test

Source 4 of 14

gd94-10-01.sbd.ashley-bertha.14869.sbeok.shnf

Source:

Bertha Remaster of Master DAT sourceSBD>DAT>CDA>SHN>DAW(Bertha)>CDA>SHN, via Jay Ashley, seeded to Etree by Hub Spencer

Taper Notes:

View NotesBertha Remaster of Master DAT source
SBD>DAT>CDA>SHN>DAW(Bertha)>CDA>SHN, via Jay Ashley, seeded to Etree by Hub Spencer

Source 5 of 14

gd94-10-01.sbd.gorinsky.4671.sbeok.shnf

Source:

SBD> Dat> CDR (Pre-Fm GDH Discs) > CDR > EAC (Secure Mode, Test and Copy) > SHN

Taper Notes:

View NotesSBD> Dat> CDR (Pre-Fm GDH Discs) > CDR > EAC (Secure Mode, Test and Copy) > SHN; EAC, SHN extraction and etree seeding done by Gerald Gorinsky; with thanks to Charlie Miller and Lee Umstead

Transferrer: Nick Georges

gd1994-10-01.sbd.nick.1025.shnf

Taper: Dan Rogosa

Sirmick and Charlie Miller

SHNID:

gd1994-10-01.153204.senn-me88.rogosa.miller.sirmick.flac1648

Source:

Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k)

Lineage:

Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48

Taper Notes:

View NotesComments:

(1) Weir on acoustic guitar.

A really nice recording of a great show.

Thanks to Don for sharing his recording.

Thankjs to Charlie Miller for the transfer.

edited and mastered
SIRMick
September 2021

Taper: Rich Gastwirt

Charlie Miller and Joe Noel

SHNID:

gd1994-10-01.140242.FOB.Schoeps.Gastwirt.Miller.Noel.t-flac1648

Source:

<b>flac16/48kHz</b>; Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller

Lineage:

Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT

Taper Notes:

View NotesPatch info:
- source #77224 (Schoeps MK4)
- first four tracks
- encore break & encore

Notes:
- static killed Help>Slip>Frank
- Maggies Farm & Big River feature Weir on acoustic guitar
- a small hit static at the very end of Tom Thumb that I left alone
- part of Official Release "30 Trips Around the Sun"

Taper: Ray Ackerman

Charlie Miller and Joe Noel

SHNID:

gd1994-10-01.141436.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648

Source:

<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48

Taper Notes:

View Notespatch info:
- shnid 77224 (Schoeps MK4) supplies
- s2t11; 5:05 - end

Notes:
- Thanks to Ray for sharing his excellent recording.
- Thanks to Charlie for being the broker.
- Todd Evans & Adam Gross's patch source
* Weir on acoustic guitar
- Officially Released as part of "30 Trips Around the Sun"

Taper: Andrew F.

gd1994-10-01.132503.nak300.andrewf.flac1644

Source:

AUD: Nakamichi CM300/CP4 shotguns > Casio DA-7 > TDK DC4 DAT. Mics on 7-foot stand, end of floor, center & straight back by the hockey wall.

Lineage:

MAD > Sony TC-D8 > Optical out > Edirol FA-66 > Wavelab 1648 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. 02/2015

Taper Notes:

View NotesThanks to Ted Carpenter for loaning his mics & stand for this run!

Taper: Dave Flaschner

gd1994-10-01.akg460.flaschner.sobel.83671.flac16

Source:

AKG 460B/ck61 > custom pre-amp > Teac DA-P20 > Sony D7 (@ 48kHz)

Lineage:

Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz, patch) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8)

Taper Notes:

View Notesnotes:
The original DAT recording was made with pre-emphasis.
The Waves Q10 Paragraphic EQ v5.0 plug-in was used to de-emphasize the recording.
The original 48 kHz .wav files from the DAT transfer have been archived, and are available upon request.
Big thanks to Dave for letting me borrow the master DAT tape!


* Bob on acoustic

patch notes:
Dave ran one 3 hour DAT tape for this show, and thus a signficant portion of "Liberty" got cut.
Dave had stopped the tape during the encore break, to try and save some tape for the encore.
I cross-faded the crowd noise after "One More Saturday Night" to make it sound smooth and seamless.
I then used the following source to patch in the end of "Liberty"

PMB Microphones (German) FOB > Sony D7 @ 48k
Taped by Dave Minor
Transfered by Marc Pujol 01/30/2003

The PMB source comes in at [01:16] during Liberty, and the remaining portion of the song is from the PMB source.
I cross-faded the two sources, so the transition is smooth, but you'll hear the different microphone 
characteristics when the PMB source comes in.

Taper: Todd Evans & Adam Gross

3:16:54

Taper:

Todd Evans & Adam Gross

Transferrer:

Jamie Waddell

SHNID:

gd1994-10-01.schoeps.GEMS.77224.flac1648

Source:

FOB Schoeps Mk4 Cardiod Capsule -> Schoeps Active Cables -> Schoeps CMC 6 Mic Body -> Apogee AD500e -> CASIO DA-R100

Lineage:

MAD DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav

Taper Notes:

View Notesset one suffered balance and tonal issues compared with the beautiful quality of set two.  Because set two is surely worthy of circulation, i took the time to remaster set one to best mirror the quality set two offers.  I went through 7 total processes to cdr and listened to settle on this as my best remaster.  
Set two was minimally processed; much less than set one.    

The following adjustments were made using wavlab.  All edits were done in 48/16.
 
set one:
right channel increased .70dB
volume increased .90db
limiter w max dB at -.10dB
BBE Sonic Maximizer  bass contour at 2(of 10), Processing at 3(of 10), full dB output
dithered UV22HR, tracked in wavlab; flaclevel8 flacfrontend

set two:
balance was even
volume increased .65dB
limiter w max at -10dB
BBE Sonic Maximizer bass contour 1(of 10), processing at 0.5(of 10), full dB output
dithered UV22HR, tracked in wavlab, flaclevel8 flacfrontend

Taper: Recorded by Todd Evans & Adam Gross

Recorded by Todd Evans & Adam Gross

SHNID:

gd1994-10-01.fob.schoeps.evans-gross.GEMS.77223.flac16

Taper Notes:

View NotesPatced in Adobe Audtion 1.5 w/ shnid 15079, aud source;
remastered in wavlab(see notes),
SRC 48 to 44.1 using r8brain pro:
min phasing, prevent clipping enabled, normalize peak dBFS not enabled
dithered wavlab UV22HR,tracked in wavlab,
Flac Level 8 with Flacfrontend
   **__** august 2006


set one suffered balance and tonal issues compared with set two.  Because set two is surely worthy of circulation, i took the time to remaster set one to best mirror the quality set two offers.  I went through 7 total processes down to a listenable CDR to settle on this as my best remaster.  
Set two was minimally processed, much less than set one.    

The following adjustments were made using wavlab.  All edits were done in 48/16.

set one:
right channel increased .70dB
volume increased .90db
limiter w max dB at -.10dB
BBE Sonic Maximizer  bass contour at 2(of 10), Processing at 3(of 10), full dB output
dithered UV22HR, tracked in wavlab; flaclevel8 flacfrontend

set two:
balance was even
volume increased .65dB
limiter w max at -10dB
BBE Sonic Maximizer bass contour 1(of 10), processing at 0.5(of 10), full dB output
dithered UV22HR, tracked in wavlab, flaclevel8 flacfrontend


Thank you Todd for the source and energy!

Enjoy!_jamie

Taper: Dave Minor

gd94-10-01.pmb.pujol.15079.sbeok.shnf

Source:

Audience: PMB Microphones

Lineage:

PMB Mics (FOB) > Sony D7 > Sony PCM-R300 > Monster S/PDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, resample) > CD Wave (splits) > shntool > mkwACT > SHN (seekable)

Taper Notes:

View Notes"[The PMB mics] were made by a now defunct German company, about 15 years ago. The mic's are self powered (AA batt in each), the 2 sets of capsules that I have are the shotguns (about 12" length) and the small capsules which have a figure-8 pick-up pattern. Balanced output at the mic.  They were owned by a speaker designer from England. Before working w/ Home audio, he worked w/ pro sound. He did lots of recording @ small to large venues in the UK. He recorded for broadcasts. He stuck w/ these mic.s through the end of his recording days."