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June 8th
Years
1995
30k
PlaybackListensHours
48h764105
7d11.4k1.6k
30d30k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h66293
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.8k507
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.9k361
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.3k1.3k
7d9k1.2k
30d40.6k5.5k
78 shows
967 tapes
1990
35.2k
PlaybackListensHours
48h2.6k344
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k373
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k159
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k249
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h937104
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k211
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k147
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k204
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k224
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.4k306
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.2k664
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k187
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k284
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.1k2.6k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.6k499
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h76278
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.3k560
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.6k597
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.5k422
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2.1k229
7d6.2k691
30d34.3k3.9k
82 shows
356 tapes
1970
42.2k
PlaybackListensHours
48h9.3k950
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k358
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h42953
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10815
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23118
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h493
7d1026
30d57334
2 shows
2 tapes
1994
10/1/94
intro/tuning
1:25
Help On The Way >
3:24
Slipknot! >
5:43
Franklin's Tower
12:16
Walkin' Blues
5:46
Althea
10:44
Me And My Uncle * >
2:49
Big River *
7:27
Just Like Tom Thumb's Blues
7:11
So Many Roads
7:22
The Promised Land
4:47
intro/tuning
1:54
Scarlet Begonias >
11:38
Fire On The Mountain
16:43
Way To Go Home
6:48
Saint Of Circumstance >
7:48
Terrapin Station >
16:08
Drums >
12:00
Space >
18:08
The Last Time >
5:42
Stella Blue >
11:37
One More Saturday Night
4:53
encore break
0:51
Liberty
8:08
FIN
View on archive.org
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] June 15, 2020
3:07:01
SBD
Rating:
7.00 / 2 ratings
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] June 15, 2020
SHNID:
gd1994-10-01.150116.dsbd.miller.flac1644
Source:
SBD > DAT Master > DAT Clone (44.1k)
Lineage:
DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- This is a different mix than the 30 Trips box set version
Transferrer: Hunter Seamons
3:08:04
SBD
Rating:
8.75 / 8 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1994-10-01.mtx.seamons.95066.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD: Bertha remaster of Master DAT source. SBD>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A+ Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on March 23, 2002. ---------------------------------------------------- AUD: Taper: Dave Minor Source: PMB Microphones (German)(1) FOB> Sony D7 @48k Transfer: 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 highest setting with anti-alias filter) > CDWav (splits) > mkw > shn (seekable) SHNtool used to verify track boundaries Transfered by Marc Pujol 01/30/2003 Source DAT from Dave Minor via Matt Vernon - some brief overload distortion a few places during drums "[The PMB mics] were made by a now defunct German company, about 15 years ago. The mic's are self powered (AA batt in each), the 2 sets of capsules that I have are the shotguns (about 12" length) and the small capsules which have a figure-8 pick-up pattern. Balanced output at the mic. They were owned by a speaker designer from England. Before working w/ Home audio, he worked w/ pro sound. He did lots of recording @ small to large venues in the UK. He recorded for broadcasts. He stuck w/ these mic.s through the end of his recording days." --------------------------------------------------- Thank you to Jay Ashley and Hub Spencer for the SBD transfer, to Dave Minor for recording the show, and to Marc Pujol and Matt Vernon for the AUD transfer. Matrix by Hunter Seamons using Soundtrack/Final Cut Pro(SHN>AIFF>Soundtrack>Final Cut>WAV>FLAC) October 3, 2008 Notes: 1) Cuts in the SBD between some songs. One momentary cut in the SBD and AUD during Space. 2) Miniscule gaps at points in the sources, sometimes producing faint clicks. 3) Faint clicks removed using Soundtrack (at least the ones I noticed). 4) The show is seamless.
Source 3 of 14
2:58:55
SBD
Rating:
8.92 / 15 ratings
SHNID:
gd1994-10-01.sbd.gorinsky-miller.31992.sbeok.shnf
Source:
SBD> Dat> CDR (Pre-Fm GDH Discs) > CDR > EAC (Secure Mode, Test
Source 4 of 14
2:58:26
SBDREMASTER
Rating:
8.53 / 59 ratings
SHNID:
gd94-10-01.sbd.ashley-bertha.14869.sbeok.shnf
Source:
Bertha Remaster of Master DAT sourceSBD>DAT>CDA>SHN>DAW(Bertha)>CDA>SHN, via Jay Ashley, seeded to Etree by Hub Spencer
Taper Notes:
View NotesBertha Remaster of Master DAT source SBD>DAT>CDA>SHN>DAW(Bertha)>CDA>SHN, via Jay Ashley, seeded to Etree by Hub Spencer
Source 5 of 14
2:58:30
SBD
Rating:
9.43 / 8 ratings
SHNID:
gd94-10-01.sbd.gorinsky.4671.sbeok.shnf
Source:
SBD> Dat> CDR (Pre-Fm GDH Discs) > CDR > EAC (Secure Mode, Test and Copy) > SHN
Taper Notes:
View NotesSBD> Dat> CDR (Pre-Fm GDH Discs) > CDR > EAC (Secure Mode, Test and Copy) > SHN; EAC, SHN extraction and etree seeding done by Gerald Gorinsky; with thanks to Charlie Miller and Lee Umstead
Transferrer: Nick Georges
6:39:53
SBD
Rating:
6.00 / 1 rating
Transferrer:
Nick Georges
SHNID:
gd1994-10-01.sbd.nick.1025.shnf
Taper: Dan Rogosa
3:10:13
Taper:
Dan Rogosa
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1994-10-01.153204.senn-me88.rogosa.miller.sirmick.flac1648
Source:
Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k)
Lineage:
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48
Taper Notes:
View NotesComments: (1) Weir on acoustic guitar. A really nice recording of a great show. Thanks to Don for sharing his recording. Thankjs to Charlie Miller for the transfer. edited and mastered SIRMick September 2021
Taper: Rich Gastwirt
3:13:10
Taper:
Rich Gastwirt
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1994-10-01.140242.FOB.Schoeps.Gastwirt.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller
Lineage:
Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #77224 (Schoeps MK4) - first four tracks - encore break & encore Notes: - static killed Help>Slip>Frank - Maggies Farm & Big River feature Weir on acoustic guitar - a small hit static at the very end of Tom Thumb that I left alone - part of Official Release "30 Trips Around the Sun"
Taper: Ray Ackerman
3:09:11
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1994-10-01.141436.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648
Source:
<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
Taper Notes:
View Notespatch info: - shnid 77224 (Schoeps MK4) supplies - s2t11; 5:05 - end Notes: - Thanks to Ray for sharing his excellent recording. - Thanks to Charlie for being the broker. - Todd Evans & Adam Gross's patch source * Weir on acoustic guitar - Officially Released as part of "30 Trips Around the Sun"
Taper: Andrew F.
3:10:09
Rating:
10.00 / 1 rating
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1994-10-01.132503.nak300.andrewf.flac1644
Source:
AUD: Nakamichi CM300/CP4 shotguns > Casio DA-7 > TDK DC4 DAT. Mics on 7-foot stand, end of floor, center & straight back by the hockey wall.
Lineage:
MAD > Sony TC-D8 > Optical out > Edirol FA-66 > Wavelab 1648 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. 02/2015
Taper Notes:
View NotesThanks to Ted Carpenter for loaning his mics & stand for this run!
Taper: Dave Flaschner
3:11:12
Rating:
10.00 / 2 ratings
Taper:
Dave Flaschner
Transferrer:
Jason Sobel
SHNID:
gd1994-10-01.akg460.flaschner.sobel.83671.flac16
Source:
AKG 460B/ck61 > custom pre-amp > Teac DA-P20 > Sony D7 (@ 48kHz)
Lineage:
Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz, patch) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8)
Taper Notes:
View Notesnotes: The original DAT recording was made with pre-emphasis. The Waves Q10 Paragraphic EQ v5.0 plug-in was used to de-emphasize the recording. The original 48 kHz .wav files from the DAT transfer have been archived, and are available upon request. Big thanks to Dave for letting me borrow the master DAT tape! * Bob on acoustic patch notes: Dave ran one 3 hour DAT tape for this show, and thus a signficant portion of "Liberty" got cut. Dave had stopped the tape during the encore break, to try and save some tape for the encore. I cross-faded the crowd noise after "One More Saturday Night" to make it sound smooth and seamless. I then used the following source to patch in the end of "Liberty" PMB Microphones (German) FOB > Sony D7 @ 48k Taped by Dave Minor Transfered by Marc Pujol 01/30/2003 The PMB source comes in at [01:16] during Liberty, and the remaining portion of the song is from the PMB source. I cross-faded the two sources, so the transition is smooth, but you'll hear the different microphone characteristics when the PMB source comes in.
Taper: Todd Evans & Adam Gross
3:16:54
Taper:
Todd Evans & Adam Gross
Transferrer:
Jamie Waddell
SHNID:
gd1994-10-01.schoeps.GEMS.77224.flac1648
Source:
FOB Schoeps Mk4 Cardiod Capsule -> Schoeps Active Cables -> Schoeps CMC 6 Mic Body -> Apogee AD500e -> CASIO DA-R100
Lineage:
MAD DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav
Taper Notes:
View Notesset one suffered balance and tonal issues compared with the beautiful quality of set two. Because set two is surely worthy of circulation, i took the time to remaster set one to best mirror the quality set two offers. I went through 7 total processes to cdr and listened to settle on this as my best remaster. Set two was minimally processed; much less than set one. The following adjustments were made using wavlab. All edits were done in 48/16. set one: right channel increased .70dB volume increased .90db limiter w max dB at -.10dB BBE Sonic Maximizer bass contour at 2(of 10), Processing at 3(of 10), full dB output dithered UV22HR, tracked in wavlab; flaclevel8 flacfrontend set two: balance was even volume increased .65dB limiter w max at -10dB BBE Sonic Maximizer bass contour 1(of 10), processing at 0.5(of 10), full dB output dithered UV22HR, tracked in wavlab, flaclevel8 flacfrontend
Taper: Recorded by Todd Evans & Adam Gross
3:16:52
Rating:
8.00 / 1 rating
Taper:
Recorded by Todd Evans & Adam Gross
SHNID:
gd1994-10-01.fob.schoeps.evans-gross.GEMS.77223.flac16
Taper Notes:
View NotesPatced in Adobe Audtion 1.5 w/ shnid 15079, aud source; remastered in wavlab(see notes), SRC 48 to 44.1 using r8brain pro: min phasing, prevent clipping enabled, normalize peak dBFS not enabled dithered wavlab UV22HR,tracked in wavlab, Flac Level 8 with Flacfrontend **__** august 2006 set one suffered balance and tonal issues compared with set two. Because set two is surely worthy of circulation, i took the time to remaster set one to best mirror the quality set two offers. I went through 7 total processes down to a listenable CDR to settle on this as my best remaster. Set two was minimally processed, much less than set one. The following adjustments were made using wavlab. All edits were done in 48/16. set one: right channel increased .70dB volume increased .90db limiter w max dB at -.10dB BBE Sonic Maximizer bass contour at 2(of 10), Processing at 3(of 10), full dB output dithered UV22HR, tracked in wavlab; flaclevel8 flacfrontend set two: balance was even volume increased .65dB limiter w max at -10dB BBE Sonic Maximizer bass contour 1(of 10), processing at 0.5(of 10), full dB output dithered UV22HR, tracked in wavlab, flaclevel8 flacfrontend Thank you Todd for the source and energy! Enjoy!_jamie
Taper: Dave Minor
3:08:00
Rating:
8.93 / 16 ratings
Taper:
Dave Minor
Transferrer:
Marc Pujol
SHNID:
gd94-10-01.pmb.pujol.15079.sbeok.shnf
Source:
Audience: PMB Microphones
Lineage:
PMB Mics (FOB) > Sony D7 > Sony PCM-R300 > Monster S/PDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, resample) > CD Wave (splits) > shntool > mkwACT > SHN (seekable)
Taper Notes:
View Notes"[The PMB mics] were made by a now defunct German company, about 15 years ago. The mic's are self powered (AA batt in each), the 2 sets of capsules that I have are the shotguns (about 12" length) and the small capsules which have a figure-8 pick-up pattern. Balanced output at the mic. They were owned by a speaker designer from England. Before working w/ Home audio, he worked w/ pro sound. He did lots of recording @ small to large venues in the UK. He recorded for broadcasts. He stuck w/ these mic.s through the end of his recording days."