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Today In History
June 6th
5 shows
39 tapes
Years
1995
28.8k
PlaybackListensHours
48h1.2k174
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62589
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.3k845
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.4k307
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.3k702
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.9k379
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.4k423
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k153
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.6k286
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h85496
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2.1k244
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k186
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k238
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.4k305
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k691
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.3k436
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.1k709
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h89174
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.7k582
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.7k608
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.8k462
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.3k252
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h10.1k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k622
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h50962
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13319
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31322
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h423
7d885
30d54232
2 shows
2 tapes
1994
3/21/94
Tuning / crowd
3:07
Greatest Story Ever Told>
3:38
Bertha
8:53
The Same Thing
7:19
Peggy-O
7:25
Queen Jane Approxiamtely
5:54
West LA Fadeawy
8:28
Eternity
12:04
Tennesee Jed
7:41
tuning / crowd
2:18
Picasso Moon>
7:05
New Speedway Boogie>
8:06
Victim Or The Crime>
9:14
He's Gone>
15:52
Matilda Jam>
7:39
Drums>
12:26
Space>
12:15
Space >
5:17
Lovelight>
8:11
Stella Blue>
3:03
Lovelight
9:31
FIN
View on archive.org
Sources
Taper: Tapes made for Vince Welnick by Dick Latvala
2:38:19
SBD
Rating:
9.00 / 2 ratings
Taper:
Tapes made for Vince Welnick by Dick Latvala
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] September 15, 2022
SHNID:
gd1994-03-21.158173.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 3.0 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Tapes made for Vince Welnick by Dick Latvala -- Thanks to David Beckwith for supplying the tapes -- Thanks to Mike Babyak for his input on this project -- Thanks to Scott Clugston for doing the pitch correction -- This is 158160 2496 > 1644
Taper: Tapes made for Vince Welnick by Dick Latvala, supplied by David Beckwith
2:38:20
SBD
Taper:
Tapes made for Vince Welnick by Dick Latvala, supplied by David Beckwith
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] September 15, 2022
SHNID:
gd1994-03-21.158160.sbd.miller.flac2448
Source:
SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 3.0 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Tapes made for Vince Welnick by Dick Latvala -- Thanks to David Beckwith for supplying the tapes -- Thanks to Mike Babyak for his input on this project -- Thanks to Scott Clugston for doing the pitch correction
Taper: Jim Wise
1:39:07
SBD
Rating:
10.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1994-03-21.140296.set2.dsbd.wise.miller.clugston.flac1644
Source:
Master Soundboard Dat > Dat
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for the Dat source and the transfer - Thanks to Charlie Miller for coordinating this effort - The 2nd set of the soundboard in general circulation (shnid6258) has a cassette generation - Thanks to the folks responsible for the shnid110568 B&K 4011 source which supplies the "Encore Break" as well as the "Liberty" encore - "He's Gone" (including Jam) clocks in at 23:50 Mastered by Scott Clugston 12/19/17
Transferrer: Matrix by Roger Eichorn
2:44:05
SBD
Rating:
7.00 / 5 ratings
Transferrer:
Matrix by Roger Eichorn
SHNID:
gd1994-03-21.125739.mtx.eichorn.sbeok.t-flac16
Source:
Matrix of Source 1: SBD > DAT > CDR > SHNv3 and Source 2: AUD Source (handheld/ORTF/110^/DFC/FOB/18th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m)
Lineage:
DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; matrix by Roger Eichorn
Taper Notes:
View NotesGeneral Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their prior efforts. - Both sets are seamless. - Stella Blue, Stella Blue, STELLA BLUE!!! (The first set is pretty good, too. "Bertha, Bertha -- OH MY GOD!" Hilarious. We learn the rest of the story after the song: apparently he'd been on tour for some time and had never heard a Bertha. Good for him!) Technical Notes: - The sources were remastered and mixed in Logic Pro 9. A bunch of clean-up was done, at various stages, using iZotope RX 3 Advanced. The sets were split in WaveLab LE 7. SBE's were fixed using Trader's Little Helper. Conversions to and from .flac and .wav were done using dbPowerAmp. - The SBD source is missing a small portion of "Drums" as well as the encore. - The SBD source is weird. The first set is nearly perfect (esp. in terms of speed), but the second set has numerous problems. First of all, it's slow -- indeed, it's progressively slow as the set goes on. It starts out around 1% slow and ends up about 2% slow. This might not sound like a lot, but it is. I mention this especially because the undisputed highlight of the show is the Stella Blue. But the Stella Blue appears late in the second set, which means that the SBD source is nearly 2% slow during that track. In other words, any of you out there who have, like me, listened to this version of Stella many, many times, we've always been hearing it slow. Now, unless we have perfect pitch, we've never listened to it and thought, "Boy, that sure is slow!" But it sounds *even better* heard at the proper speed, whether or not you have perfect pitch. For this reason alone, I think this matrix is a serious upgrade over the SBD copy. - Another problem with the SBD: the second set is noisy. There's harsh hiss and crackling throughout. It's especially noticeable during any quiet parts. I tried to tame it where I could, but it seems that these problems came out of the SBD that night (since you can hear them in the AUD copy). So they're not artifacts of a faulty transfer, and they're pretty much impossible to get rid of entirely (if you're me, at least). - For the first set, I slowed the AUD source down by 0.01% using the iZotope Radius algorithm. For the second set, I split it into small sections and speed- and pitch-corrected them all individually. Further fine-tune syncing was done in Logic Pro 9. Roger Eichorn [email protected] September 23, 2013
Source 5 of 7
2:44:51
SBD
Rating:
8.16 / 50 ratings
SHNID:
gd94-03-21.sbd.ladner.6258.sbeok.shnf
Source:
SBD > DAT > CDR > SHNv3
Taper Notes:
View NotesSBD > DAT > CDR > SHNv3; via johnathan miller, candyman
Taper: Dave Boedicker
2:45:26
Rating:
10.00 / 1 rating
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1994-03-21.130919.boedicker.flac16
Source:
Sony WM-D6C Cassette Deck>Cassette Master>Nakamichi 300 Micsd W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
Taper Notes:
View Notes1)Quality IS About A Or A-(Subjective Of Course).Samples Included.I Thought The Sound Was Better This Night Than The Previous Night.Better Performance Also. 2)Tape Flip After "Queen jane Approximately"(No Music missed On Next Song "West LA Fadeaway". 3)Tape Flip During "Drums" Enjoy!!!!
Taper: Alan Schmit
2:44:51
Rating:
9.00 / 3 ratings
Taper:
Alan Schmit
Transferrer:
Terry Watts
SHNID:
gd1994-03-21.110568.bk.schmit.sbeok.flac16
Source:
Source: (handheld/ORTF/110^/DFC/FOB/18th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m)
Lineage:
DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts