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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h812114
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h53977
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h4.8k641
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.7k343
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h7.3k976
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.7k353
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h2.8k352
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k144
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.3k254
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h84093
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.8k211
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.1k149
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.3k177
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.7k214
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.2k288
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.1k568
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k166
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.4k317
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h13.6k1.9k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h3.9k530
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h71164
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.2k537
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.6k603
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.4k425
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2k225
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.3k958
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.4k397
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h39447
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10115
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h31123
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h443
7d1066
30d56034
2 shows
2 tapes
1994
3/21/94
[crowd]
2:59
Greatest Story Ever Told >
3:37
Bertha
6:44
[tuning]
2:08
The Same Thing
7:20
Peggy-O
7:23
Queen Jane Approximately
6:11
West L.A. Fadeaway
7:23
[tuning]
0:58
Eternity
12:17
Tennessee Jed
7:43
Picasso Moon
7:19
New Speedway Boogie
7:48
Victim or the Crime >
9:30
He's Gone >
15:22
Jam >
8:23
Drums >
8:46
Space >
16:03
Turn On Your Lovelight >
5:18
Stella Blue >
8:11
Turn On Your Lovelight
2:54
[crowd]
1:39
Liberty*
8:09
FIN
View on archive.org
Sources
Taper: Tapes made for Vince Welnick by Dick Latvala
2:38:19
SBD
Rating:
9.00 / 2 ratings
Taper:
Tapes made for Vince Welnick by Dick Latvala
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] September 15, 2022
SHNID:
gd1994-03-21.158173.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 3.0 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Tapes made for Vince Welnick by Dick Latvala -- Thanks to David Beckwith for supplying the tapes -- Thanks to Mike Babyak for his input on this project -- Thanks to Scott Clugston for doing the pitch correction -- This is 158160 2496 > 1644
Taper: Tapes made for Vince Welnick by Dick Latvala, supplied by David Beckwith
2:38:20
SBD
Taper:
Tapes made for Vince Welnick by Dick Latvala, supplied by David Beckwith
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] September 15, 2022
SHNID:
gd1994-03-21.158160.sbd.miller.flac2448
Source:
SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 3.0 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Tapes made for Vince Welnick by Dick Latvala -- Thanks to David Beckwith for supplying the tapes -- Thanks to Mike Babyak for his input on this project -- Thanks to Scott Clugston for doing the pitch correction
Taper: Jim Wise
1:39:07
SBD
Rating:
10.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1994-03-21.140296.set2.dsbd.wise.miller.clugston.flac1644
Source:
Master Soundboard Dat > Dat
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for the Dat source and the transfer - Thanks to Charlie Miller for coordinating this effort - The 2nd set of the soundboard in general circulation (shnid6258) has a cassette generation - Thanks to the folks responsible for the shnid110568 B&K 4011 source which supplies the "Encore Break" as well as the "Liberty" encore - "He's Gone" (including Jam) clocks in at 23:50 Mastered by Scott Clugston 12/19/17
Transferrer: Matrix by Roger Eichorn
2:44:05
SBD
Rating:
7.00 / 5 ratings
Transferrer:
Matrix by Roger Eichorn
SHNID:
gd1994-03-21.125739.mtx.eichorn.sbeok.t-flac16
Source:
Matrix of Source 1: SBD > DAT > CDR > SHNv3 and Source 2: AUD Source (handheld/ORTF/110^/DFC/FOB/18th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m)
Lineage:
DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; matrix by Roger Eichorn
Taper Notes:
View NotesGeneral Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their prior efforts. - Both sets are seamless. - Stella Blue, Stella Blue, STELLA BLUE!!! (The first set is pretty good, too. "Bertha, Bertha -- OH MY GOD!" Hilarious. We learn the rest of the story after the song: apparently he'd been on tour for some time and had never heard a Bertha. Good for him!) Technical Notes: - The sources were remastered and mixed in Logic Pro 9. A bunch of clean-up was done, at various stages, using iZotope RX 3 Advanced. The sets were split in WaveLab LE 7. SBE's were fixed using Trader's Little Helper. Conversions to and from .flac and .wav were done using dbPowerAmp. - The SBD source is missing a small portion of "Drums" as well as the encore. - The SBD source is weird. The first set is nearly perfect (esp. in terms of speed), but the second set has numerous problems. First of all, it's slow -- indeed, it's progressively slow as the set goes on. It starts out around 1% slow and ends up about 2% slow. This might not sound like a lot, but it is. I mention this especially because the undisputed highlight of the show is the Stella Blue. But the Stella Blue appears late in the second set, which means that the SBD source is nearly 2% slow during that track. In other words, any of you out there who have, like me, listened to this version of Stella many, many times, we've always been hearing it slow. Now, unless we have perfect pitch, we've never listened to it and thought, "Boy, that sure is slow!" But it sounds *even better* heard at the proper speed, whether or not you have perfect pitch. For this reason alone, I think this matrix is a serious upgrade over the SBD copy. - Another problem with the SBD: the second set is noisy. There's harsh hiss and crackling throughout. It's especially noticeable during any quiet parts. I tried to tame it where I could, but it seems that these problems came out of the SBD that night (since you can hear them in the AUD copy). So they're not artifacts of a faulty transfer, and they're pretty much impossible to get rid of entirely (if you're me, at least). - For the first set, I slowed the AUD source down by 0.01% using the iZotope Radius algorithm. For the second set, I split it into small sections and speed- and pitch-corrected them all individually. Further fine-tune syncing was done in Logic Pro 9. Roger Eichorn [email protected] September 23, 2013
Source 5 of 7
2:44:51
SBD
Rating:
8.16 / 50 ratings
SHNID:
gd94-03-21.sbd.ladner.6258.sbeok.shnf
Source:
SBD > DAT > CDR > SHNv3
Taper Notes:
View NotesSBD > DAT > CDR > SHNv3; via johnathan miller, candyman
Taper: Dave Boedicker
2:45:26
Rating:
10.00 / 1 rating
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1994-03-21.130919.boedicker.flac16
Source:
Sony WM-D6C Cassette Deck>Cassette Master>Nakamichi 300 Micsd W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
Taper Notes:
View Notes1)Quality IS About A Or A-(Subjective Of Course).Samples Included.I Thought The Sound Was Better This Night Than The Previous Night.Better Performance Also. 2)Tape Flip After "Queen jane Approximately"(No Music missed On Next Song "West LA Fadeaway". 3)Tape Flip During "Drums" Enjoy!!!!
Taper: Alan Schmit
2:44:51
Rating:
9.00 / 3 ratings
Taper:
Alan Schmit
Transferrer:
Terry Watts
SHNID:
gd1994-03-21.110568.bk.schmit.sbeok.flac16
Source:
Source: (handheld/ORTF/110^/DFC/FOB/18th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m)
Lineage:
DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts