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June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h51968
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.1k170
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h2.8k385
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h4.6k612
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h5k650
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.7k355
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k362
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.4k159
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h6.5k761
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1.1k125
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k206
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h4.8k551
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.4k183
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.4k172
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h1.8k219
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h8.2k978
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k240
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h1.9k264
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h8.9k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h17.4k2.3k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h36739
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.8k488
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.3k715
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.8k353
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k206
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k178
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k182
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h43454
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14920
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h30521
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h161
7d1268
30d63237
2 shows
2 tapes
1994
3/21/94
01 - Greatest Story Ever Told >
3:43
02 - Bertha
8:53
03 - The Same Thing
7:20
04 - Peggy-O
7:23
05 - Queen Jane Approximately
6:12
06 - West L.A. Fadeaway
7:22
07 - Eternity >
12:12
08 - Tennessee Jed
7:31
09 - Picasso Moon >
7:08
10 - New Speedway Boogie >
7:49
11 - Victim Or The Crime >
9:28
12 - He's Gone >
23:49
13 - Drums >
12:32
14 - Space >
12:15
15 - Turn On Your Lovelight >
5:19
16 - Stella Blue >
8:10
17 - Turn On Your Lovelight
3:13
18 - Liberty
8:00
FIN
View on archive.org
Sources
Taper: Tapes made for Vince Welnick by Dick Latvala
2:38:19
SBD
Rating:
9.00 / 2 ratings
Taper:
Tapes made for Vince Welnick by Dick Latvala
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] September 15, 2022
SHNID:
gd1994-03-21.158173.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 3.0 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Tapes made for Vince Welnick by Dick Latvala -- Thanks to David Beckwith for supplying the tapes -- Thanks to Mike Babyak for his input on this project -- Thanks to Scott Clugston for doing the pitch correction -- This is 158160 2496 > 1644
Taper: Tapes made for Vince Welnick by Dick Latvala, supplied by David Beckwith
2:38:20
SBD
Taper:
Tapes made for Vince Welnick by Dick Latvala, supplied by David Beckwith
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] September 15, 2022
SHNID:
gd1994-03-21.158160.sbd.miller.flac2448
Source:
SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 3.0 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Tapes made for Vince Welnick by Dick Latvala -- Thanks to David Beckwith for supplying the tapes -- Thanks to Mike Babyak for his input on this project -- Thanks to Scott Clugston for doing the pitch correction
Taper: Jim Wise
1:39:07
SBD
Rating:
10.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1994-03-21.140296.set2.dsbd.wise.miller.clugston.flac1644
Source:
Master Soundboard Dat > Dat
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for the Dat source and the transfer - Thanks to Charlie Miller for coordinating this effort - The 2nd set of the soundboard in general circulation (shnid6258) has a cassette generation - Thanks to the folks responsible for the shnid110568 B&K 4011 source which supplies the "Encore Break" as well as the "Liberty" encore - "He's Gone" (including Jam) clocks in at 23:50 Mastered by Scott Clugston 12/19/17
Transferrer: Matrix by Roger Eichorn
2:44:05
SBD
Rating:
7.00 / 5 ratings
Transferrer:
Matrix by Roger Eichorn
SHNID:
gd1994-03-21.125739.mtx.eichorn.sbeok.t-flac16
Source:
Matrix of Source 1: SBD > DAT > CDR > SHNv3 and Source 2: AUD Source (handheld/ORTF/110^/DFC/FOB/18th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m)
Lineage:
DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; matrix by Roger Eichorn
Taper Notes:
View NotesGeneral Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their prior efforts. - Both sets are seamless. - Stella Blue, Stella Blue, STELLA BLUE!!! (The first set is pretty good, too. "Bertha, Bertha -- OH MY GOD!" Hilarious. We learn the rest of the story after the song: apparently he'd been on tour for some time and had never heard a Bertha. Good for him!) Technical Notes: - The sources were remastered and mixed in Logic Pro 9. A bunch of clean-up was done, at various stages, using iZotope RX 3 Advanced. The sets were split in WaveLab LE 7. SBE's were fixed using Trader's Little Helper. Conversions to and from .flac and .wav were done using dbPowerAmp. - The SBD source is missing a small portion of "Drums" as well as the encore. - The SBD source is weird. The first set is nearly perfect (esp. in terms of speed), but the second set has numerous problems. First of all, it's slow -- indeed, it's progressively slow as the set goes on. It starts out around 1% slow and ends up about 2% slow. This might not sound like a lot, but it is. I mention this especially because the undisputed highlight of the show is the Stella Blue. But the Stella Blue appears late in the second set, which means that the SBD source is nearly 2% slow during that track. In other words, any of you out there who have, like me, listened to this version of Stella many, many times, we've always been hearing it slow. Now, unless we have perfect pitch, we've never listened to it and thought, "Boy, that sure is slow!" But it sounds *even better* heard at the proper speed, whether or not you have perfect pitch. For this reason alone, I think this matrix is a serious upgrade over the SBD copy. - Another problem with the SBD: the second set is noisy. There's harsh hiss and crackling throughout. It's especially noticeable during any quiet parts. I tried to tame it where I could, but it seems that these problems came out of the SBD that night (since you can hear them in the AUD copy). So they're not artifacts of a faulty transfer, and they're pretty much impossible to get rid of entirely (if you're me, at least). - For the first set, I slowed the AUD source down by 0.01% using the iZotope Radius algorithm. For the second set, I split it into small sections and speed- and pitch-corrected them all individually. Further fine-tune syncing was done in Logic Pro 9. Roger Eichorn [email protected] September 23, 2013
Source 5 of 7
2:44:51
SBD
Rating:
8.16 / 50 ratings
SHNID:
gd94-03-21.sbd.ladner.6258.sbeok.shnf
Source:
SBD > DAT > CDR > SHNv3
Taper Notes:
View NotesSBD > DAT > CDR > SHNv3; via johnathan miller, candyman
Taper: Dave Boedicker
2:45:26
Rating:
10.00 / 1 rating
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1994-03-21.130919.boedicker.flac16
Source:
Sony WM-D6C Cassette Deck>Cassette Master>Nakamichi 300 Micsd W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
Taper Notes:
View Notes1)Quality IS About A Or A-(Subjective Of Course).Samples Included.I Thought The Sound Was Better This Night Than The Previous Night.Better Performance Also. 2)Tape Flip After "Queen jane Approximately"(No Music missed On Next Song "West LA Fadeaway". 3)Tape Flip During "Drums" Enjoy!!!!
Taper: Alan Schmit
2:44:51
Rating:
9.00 / 3 ratings
Taper:
Alan Schmit
Transferrer:
Terry Watts
SHNID:
gd1994-03-21.110568.bk.schmit.sbeok.flac16
Source:
Source: (handheld/ORTF/110^/DFC/FOB/18th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m)
Lineage:
DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts