03
1994
Sources
Transferrer: Fresh transfer and mastering by Jim Blackwood Sony R-500 to Tascam DA-3000 [2020] Track FLAC and Pack by Mark Goldey
2:25:23
SBD
Transferrer:
Fresh transfer and mastering by Jim Blackwood Sony R-500 to Tascam DA-3000 [2020] Track FLAC and Pack by Mark Goldey
SHNID:
gd1994-03-06.152013.sbd.latvala.flac16
Source:
SBD > DAT 44.1 kHz
Lineage:
DATs provided to KXCI's Dead Air program by Dick Latvala for broadcast in April of 1999.
Taper Notes:
View NotesMinor patches in Let It Grow and Attics of My Life supplied by gd1994-03-06.schoepsMK4.litzenberger.89190.sbeok.flac16 Dan Healy's Last Shows as the GD Soundman. JIm Blackwood and John Bradford interviewed him on March 5 before the show. The audio circulates and is transcribed as well. https://www.angelfire.com/fl/goodbear/healy-interview.html A "best of" musically, as well as extended portions of the interview, was broadcast on 91.3 FM KXCI Tucson on Dead Air, March 7, 2021 - hosted by Jim Blackwood and Jamie Waddell. https://spinitron.com/KXCI/pl/12762487/Dead-Air originally shared at www.shnflac.net March 2021
Taper: Unknown
2:25:47
SBD
Rating:
6.00 / 2 ratings
Transferrer:
Sailor_Saint
SHNID:
gd1994-03-06.sbd.sailorsaint.33613.flac16
Source:
SBD > ? > CDR
Lineage:
CDR > EAC > Cakewalk Pyro 5.0.31> FLAC
Taper Notes:
View NotesFlaws: 1) Static and 1.3 second dropout at 3:26 of "Let It Grow" 2) Static and 0.6 second dropout at 3:32 of "Let It Grow" 3) 1 second dropout at 3:37 of "Let It Grow" 4) 1 second dropout at 2:49 of "Attics Of My Life" Notes: This recording has the same genealogy as the 3/5/94 I recently posted. In the summer of 1999, Dick Latvala cloned the March 4-6 1994 run for a guy who hosted a Grateful Dead-themed radio show; I obtained copies from the radio host. Unlike 3/5/94, this show was tracked pretty accurately. I did make minor adjustments to some track markers, again boosted the levels by about 20% (actually, 18% for reasons noted below) and again fixed a duplicated section of the track marker between "Drums" and "Space". The show had the same low levels problem as noted in 3/5/94. However, the boost was a problem, since the music itself peaked a few times during "Drums", "Space", and "The Last Time". Accordingly, it was difficult to do an across-the-board boost, because that would have driven the levels -- at least for those songs, at certain parts -- throught the roof. So, I acted in the greater good, so to speak, and decided to boost the levels for the benefit of the entire recording. So, there are a few "hot" sections in those songs. Furthur, there was a BIG problem with the "Drums" --> "Space" track marker. On my originals, "Drums" was the last song of Disc 2, and "Space" was the first song of Disc 3. Come to find out that when those songs were tracked together, the volume levels didn't match; "Space" was quite clearly louder, even the waveforms looked markedly different. So, the splice was a problem since the levels didn't match. Again, quite similar to the 3/5 seam, the first 15 or so seconds of "Space" was duplicated at the last 15 or so seconds of "Drums". However, when I chopped off the duplicated sections, I still had a marked difference in volume. So, because I have entered this little project not wanting to fade anything in or out, the volume markedly increases at about 15:28 of "Space". "It is what it is", as they say these days.
Taper: Mike Darby
2:24:50
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1994-03-06.AKG451.Darby.119560.Flac1648-2448
Source:
<b>flac16/48kHz & flac24</b>; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1); Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments;And One More Huge Thanks out To Mr. Darby for recording and sharing his source for this early spring 1994 Grateful Dead show.Another excellent share from the Darby collection of Master Audiences! As always ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:24:50
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1994-03-06.AKG451.Darby.119559.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1) and Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments;And One More Huge Thanks out To Mr. Darby for recording and sharing his source for this early spring 1994 Grateful Dead show.Another excellent share from the Darby collection of Master Audiences! As always ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!