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Bands
Grateful Dead
Today In History
June 6th
Years
1995
29.2k
PlaybackListensHours
48h2.3k316
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h69499
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.7k638
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.1k151
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h2.7k358
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.8k359
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.8k477
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k149
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.7k290
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h83292
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k234
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k195
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.5k191
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.8k227
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.1k280
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k672
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k184
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h6.7k857
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h14.7k2k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h7.7k1.1k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85971
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.2k524
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.3k566
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k386
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.1k232
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.5k740
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.4k570
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h58973
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13720
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h47134
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h493
7d1277
30d57234
2 shows
2 tapes
1981
Sources
Taper: Joani Walker
1:47:49
SBD
Rating:
8.00 / 1 rating
Taper:
Joani Walker
Transferrer:
Scott Clugston and Charlie Miller and Paul Scotton
SHNID:
gd1981-12-26.143445.sbd.set2.walker.scotton.miller.clugston.flac2496
Source:
Joani Walker's Master Soundboard Cassettes; Nakamichi 550(Maxell UDXLII-90)
Lineage:
Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker & Paul Scotton for the master cassettes (this 2nd set was Joani's first soundboard patch) - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Steve Martin for the shnid23897 Nakamichi 700 source which supplies an 0:18 patch in "He's Gone", a 0:13 patch in "Black Peter", as well as an 0:08 patch in "Around & Around" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston October 2018
Taper: Joani Walker
1:47:49
SBD
Rating:
8.00 / 1 rating
Taper:
Joani Walker
Transferrer:
Scott Clugston and Charlie Miller and Paul Scotton
SHNID:
gd1981-12-26.143444.sbd.set2.walker.scotton.miller.clugston.flac1648
Source:
Joani Walker's Master Soundboard Cassettes; Nakamichi 550(Maxell UDXLII-90)
Lineage:
Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker & Paul Scotton for the master cassettes (this 2nd set was Joani's first soundboard patch) - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Steve Martin for the shnid23897 Nakamichi 700 source which supplies an 0:18 patch in "He's Gone", a 0:13 patch in "Black Peter", as well as an 0:08 patch in "Around & Around" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston October 2018
Transferrer: Charlie Miller
3:00:32
SBD
Rating:
9.09 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-12-26.sbd.miller.84265.sbeok.flac16
Source:
Set 1: SBD -> Cassette Master -> Cassette -> LynxOne -> CD DSet 2: SBD -> Cassette Master (Maxell UDXLII-90) D
Lineage:
CD -> Samplitude Professional v9.02 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) 2 Nakamichi CM700's 1 Shure Mic -> Cassette Master He's Gone (10:31 - 10:50) Black Peter (9:08 - 9:21) Around And Around (0:03 - 0:10) -- Set 1 was not Dolby decoded properly, has many issues -- Set 2 is seamless -- Set 2 was pitch adjusted +3.7% -- Thanks to Paul Scotton and Joani Walker for the Set 2 tapes -- Thanks to Joe B. Jones for his help with this project -- Patch source recorded by Steve Martin (shnid=23897) -- This version has the 2 drop outs in d3t02 fixed
Transferrer: Charlie Miller
3:00:33
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-12-26.sbd.miller.83996.sbeok.flac16
Source:
Set 1: SBD -> Cassette Master -> Cassette -> LynxOne -> CD DSet 2: SBD -> Cassette Master (Maxell UDXLII-90) D
Lineage:
CD -> Samplitude Professional v9.02 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) 2 Nakamichi CM700's 1 Shure Mic -> Cassette Master He's Gone (10:31 - 10:50) Black Peter (9:08 - 9:21) Around And Around (0:03 - 0:10) -- Set 1 was not Dolby decoded properly, has many issues -- Set 2 is seamless -- Set 2 was pitch adjusted +3.7% -- Thanks to Paul Scotton and Joani Walker for the Set 2 tapes -- Thanks to Joe B. Jones for his help with this project -- Patch source recorded by Steve Martin (shnid=23897)
Taper: Joani Walker patched out of Jim Voss
3:00:44
Taper:
Joani Walker patched out of Jim Voss
Transferrer:
Scott Clugston and Charlie Miller and Paul Scotton
SHNID:
gd1981-12-26.143447.senn421.walker.scotton.miller.clugston.flac2496
Source:
1st Set: Joani Walker's Master Audience Cassettes; Sennheiser 421 mics > Nakamichi 550(Maxell UDXLII-90)(patched out of Jim Voss, located at the soundboard)) 2nd Set: Joani Walker's 1st generation Audience Cassettes; Sennheiser 421 mics > Nakamichi 550 (Maxell UDXLII-90)(copy of Jim Voss's Sennheiser 421 master, located at the soundboard)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker & Paul Scotton for the cassettes (the 2nd set was Joani's first soundboard patch, Jim Voss provided Joani with a 1st generation copy of the 2nd set after the show) - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Steve Martin for the shnid23897 Nakamichi 700 source which supplies an 0:13 patch in "He's Gone", as well as a 0:16 patch in "Black Peter" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston October 2018
Taper: Joani Walker patched out of Jim Voss
3:00:44
Taper:
Joani Walker patched out of Jim Voss
Transferrer:
Scott Clugston and Charlie Miller and Paul Scotton
SHNID:
gd1981-12-26.143446.senn421.walker.scotton.miller.clugston.flac1648
Source:
1st Set: Joani Walker's Master Audience Cassettes; Sennheiser 421 mics > Nakamichi 550(Maxell UDXLII-90)(patched out of Jim Voss, located at the soundboard)) 2nd Set: Joani Walker's 1st generation Audience Cassettes; Sennheiser 421 mics > Nakamichi 550 (Maxell UDXLII-90)(copy of Jim Voss's Sennheiser 421 master, located at the soundboard)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker & Paul Scotton for the cassettes (the 2nd set was Joani's first soundboard patch, Jim Voss provided Joani with a 1st generation copy of the 2nd set after the show) - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Steve Martin for the shnid23897 Nakamichi 700 source which supplies an 0:13 patch in "He's Gone", as well as a 0:16 patch in "Black Peter" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston October 2018
Taper: Brian Schley
2:58:30
Rating:
10.00 / 1 rating
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1981-12-26.136898.nak300.schley.flac1644
Source:
AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XL-II (S1 + Encore) and Sony UCX-S (S2), FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2016
Taper Notes:
View NotesSome close-up clap-n-yak, not too bad. ID-120368 patches; Scarlet 0:00 > 0:19, crowd at end of FOTM 12:23 > Estimated 0:03, Drums 1:30 > Space 2:30. ID-10533 patch, He's Gone 10:10 > 10:41. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: n hoey
2:56:12
Taper:
n hoey
Transferrer:
n hoey
SHNID:
gd1981-12-26.nak300.nhoey.120368.flac16
Source:
Audience Cassette Master, Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(Set 1-encore Maxell UDXL-IIS 90)(Set II TDK MA C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(transferred @ 44.1/24[soft limit] dithered to 44.1/16 bit) > (Peak 7 OS X editing-dithering) > xACT
Taper Notes:
View NotesTwo other audiences sources also circulate and I had the chance to get familiar with them as I prepared this. Both of them are well recorded and all three are of comparable quality. I noticed that each one has better sounding moments along with less good moments as well. It was clear that no single source is of definitively superior quality throughout. However, shnid 10533 runs fast compared to shnid 23897 and this one, which are about the same, leading me to believe it's the one most likely in need of pitch correction.
Taper: Steven Martin
2:58:19
Rating:
8.33 / 7 ratings
Taper:
Steven Martin
SHNID:
gd81-12-26.nak700-martin.23897.sbeok.flacf
Source:
Audience Recording: Nak CM700's
Lineage:
Master audience cassette (2 modified Nakamichi CM-700 mics with boost + 1 Shure mic without boost > Sony TC-D5M on Maxell metal tape, about 20' in front of the soundboard) > Nak Dragon playback > Cardas audiophile cables > HHB CDR
Taper Notes:
View NotesMaster audience cassette (Taped by Steven Martin, 2 modified Nakamichi CM-700 mics with boost + 1 Shure mic without boost > Sony TC-D5M on Maxell metal tape, about 20' in front of the soundboard) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding
Taper: Bob Menke
2:59:57
Rating:
6.80 / 5 ratings
Taper:
Bob Menke
SHNID:
gd1981-12-26.menke.glyde.10533.sbeok.shnf
Source:
Audience Recording: Sennheiser 421's
Lineage:
AUD> MC> R> DAT> CDR> EAC> SHN
Taper Notes:
View NotesKnown flaws: d1t03 6:29 drop out left channel d2t02 splice @ 0:18 occational skips next 30 secs & skipping from 4:24 to 4:55 d2t05 7:55 cut