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Bands
Grateful Dead
Today In History
June 9th
9 shows
89 tapes
Years
1995
29.8k
PlaybackListensHours
48h62484
7d4k544
30d29.8k4.2k
49 shows
341 tapes
1994
8.4k
PlaybackListensHours
48h1.6k201
7d1.4k195
30d8.4k1.2k
85 shows
460 tapes
1993
38.1k
PlaybackListensHours
48h2.9k361
7d8k1.1k
30d38.1k5k
83 shows
656 tapes
1992
35.9k
PlaybackListensHours
48h2.2k291
7d4k503
30d35.9k4.8k
57 shows
539 tapes
1991
38.5k
PlaybackListensHours
48h3.1k455
7d11k1.5k
30d38.5k5.2k
78 shows
973 tapes
1990
34.4k
PlaybackListensHours
48h8.8k1.1k
7d5.6k731
30d34.4k4.5k
78 shows
1,139 tapes
1989
46.7k
PlaybackListensHours
48h2.3k283
7d7.2k909
30d46.7k5.8k
78 shows
1,017 tapes
1988
21.1k
PlaybackListensHours
48h1.1k127
7d2.7k310
30d21.1k2.4k
82 shows
882 tapes
1987
33.6k
PlaybackListensHours
48h1.7k193
7d5.2k565
30d33.6k3.7k
88 shows
1,025 tapes
1986
12k
PlaybackListensHours
48h66074
7d1.9k211
30d12k1.4k
47 shows
683 tapes
1985
21.3k
PlaybackListensHours
48h1.3k155
7d3.9k464
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h2.4k283
7d2.8k363
30d15.3k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.1k153
7d3.2k413
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k145
7d3.7k457
30d41.6k5.2k
63 shows
753 tapes
1981
49.2k
PlaybackListensHours
48h1.4k172
7d4.6k599
30d49.2k6.2k
92 shows
868 tapes
1980
69.6k
PlaybackListensHours
48h5.3k589
7d11.8k1.3k
30d69.6k8.1k
91 shows
794 tapes
1979
24.5k
PlaybackListensHours
48h1.4k204
7d2.8k389
30d24.5k3.4k
79 shows
600 tapes
1978
53.2k
PlaybackListensHours
48h1.7k227
7d11k1.4k
30d53.2k7.3k
87 shows
592 tapes
1977
286k
PlaybackListensHours
48h19.5k2.7k
7d35.1k4.7k
30d286k39.4k
64 shows
419 tapes
1976
49.6k
PlaybackListensHours
48h5.3k761
7d14.8k2.1k
30d49.6k6.7k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h58958
7d1.7k157
30d6.2k638
25 shows
63 tapes
1974
98.7k
PlaybackListensHours
48h7.3k960
7d9.1k1.1k
30d98.7k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.3k674
7d9.2k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
69.8k
PlaybackListensHours
48h2.2k274
7d6.8k831
30d69.8k8.5k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.6k172
7d4.5k500
30d33.5k3.8k
82 shows
357 tapes
1970
44.4k
PlaybackListensHours
48h2.1k232
7d16.6k1.7k
30d44.4k4.7k
101 shows
376 tapes
1969
25.9k
PlaybackListensHours
48h1.8k298
7d5.7k931
30d25.9k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h887120
7d991122
30d6.7k831
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13718
7d26437
30d1.5k202
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h26614
7d76858
30d7.9k532
32 shows
78 tapes
1965
579
PlaybackListensHours
48h332
7d925
30d57934
2 shows
2 tapes
1981
Sources
Taper: Joani Walker
1:47:49
SBD
Rating:
8.00 / 1 rating
Taper:
Joani Walker
Transferrer:
Scott Clugston and Charlie Miller and Paul Scotton
SHNID:
gd1981-12-26.143445.sbd.set2.walker.scotton.miller.clugston.flac2496
Source:
Joani Walker's Master Soundboard Cassettes; Nakamichi 550(Maxell UDXLII-90)
Lineage:
Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker & Paul Scotton for the master cassettes (this 2nd set was Joani's first soundboard patch) - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Steve Martin for the shnid23897 Nakamichi 700 source which supplies an 0:18 patch in "He's Gone", a 0:13 patch in "Black Peter", as well as an 0:08 patch in "Around & Around" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston October 2018
Taper: Joani Walker
1:47:49
SBD
Rating:
8.00 / 1 rating
Taper:
Joani Walker
Transferrer:
Scott Clugston and Charlie Miller and Paul Scotton
SHNID:
gd1981-12-26.143444.sbd.set2.walker.scotton.miller.clugston.flac1648
Source:
Joani Walker's Master Soundboard Cassettes; Nakamichi 550(Maxell UDXLII-90)
Lineage:
Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker & Paul Scotton for the master cassettes (this 2nd set was Joani's first soundboard patch) - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Steve Martin for the shnid23897 Nakamichi 700 source which supplies an 0:18 patch in "He's Gone", a 0:13 patch in "Black Peter", as well as an 0:08 patch in "Around & Around" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston October 2018
Transferrer: Charlie Miller
3:00:32
SBD
Rating:
9.09 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-12-26.sbd.miller.84265.sbeok.flac16
Source:
Set 1: SBD -> Cassette Master -> Cassette -> LynxOne -> CD DSet 2: SBD -> Cassette Master (Maxell UDXLII-90) D
Lineage:
CD -> Samplitude Professional v9.02 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) 2 Nakamichi CM700's 1 Shure Mic -> Cassette Master He's Gone (10:31 - 10:50) Black Peter (9:08 - 9:21) Around And Around (0:03 - 0:10) -- Set 1 was not Dolby decoded properly, has many issues -- Set 2 is seamless -- Set 2 was pitch adjusted +3.7% -- Thanks to Paul Scotton and Joani Walker for the Set 2 tapes -- Thanks to Joe B. Jones for his help with this project -- Patch source recorded by Steve Martin (shnid=23897) -- This version has the 2 drop outs in d3t02 fixed
Transferrer: Charlie Miller
3:00:33
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-12-26.sbd.miller.83996.sbeok.flac16
Source:
Set 1: SBD -> Cassette Master -> Cassette -> LynxOne -> CD DSet 2: SBD -> Cassette Master (Maxell UDXLII-90) D
Lineage:
CD -> Samplitude Professional v9.02 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) 2 Nakamichi CM700's 1 Shure Mic -> Cassette Master He's Gone (10:31 - 10:50) Black Peter (9:08 - 9:21) Around And Around (0:03 - 0:10) -- Set 1 was not Dolby decoded properly, has many issues -- Set 2 is seamless -- Set 2 was pitch adjusted +3.7% -- Thanks to Paul Scotton and Joani Walker for the Set 2 tapes -- Thanks to Joe B. Jones for his help with this project -- Patch source recorded by Steve Martin (shnid=23897)
Taper: Joani Walker patched out of Jim Voss
3:00:44
Taper:
Joani Walker patched out of Jim Voss
Transferrer:
Scott Clugston and Charlie Miller and Paul Scotton
SHNID:
gd1981-12-26.143447.senn421.walker.scotton.miller.clugston.flac2496
Source:
1st Set: Joani Walker's Master Audience Cassettes; Sennheiser 421 mics > Nakamichi 550(Maxell UDXLII-90)(patched out of Jim Voss, located at the soundboard)) 2nd Set: Joani Walker's 1st generation Audience Cassettes; Sennheiser 421 mics > Nakamichi 550 (Maxell UDXLII-90)(copy of Jim Voss's Sennheiser 421 master, located at the soundboard)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker & Paul Scotton for the cassettes (the 2nd set was Joani's first soundboard patch, Jim Voss provided Joani with a 1st generation copy of the 2nd set after the show) - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Steve Martin for the shnid23897 Nakamichi 700 source which supplies an 0:13 patch in "He's Gone", as well as a 0:16 patch in "Black Peter" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston October 2018
Taper: Joani Walker patched out of Jim Voss
3:00:44
Taper:
Joani Walker patched out of Jim Voss
Transferrer:
Scott Clugston and Charlie Miller and Paul Scotton
SHNID:
gd1981-12-26.143446.senn421.walker.scotton.miller.clugston.flac1648
Source:
1st Set: Joani Walker's Master Audience Cassettes; Sennheiser 421 mics > Nakamichi 550(Maxell UDXLII-90)(patched out of Jim Voss, located at the soundboard)) 2nd Set: Joani Walker's 1st generation Audience Cassettes; Sennheiser 421 mics > Nakamichi 550 (Maxell UDXLII-90)(copy of Jim Voss's Sennheiser 421 master, located at the soundboard)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker & Paul Scotton for the cassettes (the 2nd set was Joani's first soundboard patch, Jim Voss provided Joani with a 1st generation copy of the 2nd set after the show) - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Steve Martin for the shnid23897 Nakamichi 700 source which supplies an 0:13 patch in "He's Gone", as well as a 0:16 patch in "Black Peter" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston October 2018
Taper: Brian Schley
2:58:30
Rating:
10.00 / 1 rating
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1981-12-26.136898.nak300.schley.flac1644
Source:
AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XL-II (S1 + Encore) and Sony UCX-S (S2), FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2016
Taper Notes:
View NotesSome close-up clap-n-yak, not too bad. ID-120368 patches; Scarlet 0:00 > 0:19, crowd at end of FOTM 12:23 > Estimated 0:03, Drums 1:30 > Space 2:30. ID-10533 patch, He's Gone 10:10 > 10:41. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: n hoey
2:56:12
Taper:
n hoey
Transferrer:
n hoey
SHNID:
gd1981-12-26.nak300.nhoey.120368.flac16
Source:
Audience Cassette Master, Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(Set 1-encore Maxell UDXL-IIS 90)(Set II TDK MA C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(transferred @ 44.1/24[soft limit] dithered to 44.1/16 bit) > (Peak 7 OS X editing-dithering) > xACT
Taper Notes:
View NotesTwo other audiences sources also circulate and I had the chance to get familiar with them as I prepared this. Both of them are well recorded and all three are of comparable quality. I noticed that each one has better sounding moments along with less good moments as well. It was clear that no single source is of definitively superior quality throughout. However, shnid 10533 runs fast compared to shnid 23897 and this one, which are about the same, leading me to believe it's the one most likely in need of pitch correction.
Taper: Steven Martin
2:58:19
Rating:
8.33 / 7 ratings
Taper:
Steven Martin
SHNID:
gd81-12-26.nak700-martin.23897.sbeok.flacf
Source:
Audience Recording: Nak CM700's
Lineage:
Master audience cassette (2 modified Nakamichi CM-700 mics with boost + 1 Shure mic without boost > Sony TC-D5M on Maxell metal tape, about 20' in front of the soundboard) > Nak Dragon playback > Cardas audiophile cables > HHB CDR
Taper Notes:
View NotesMaster audience cassette (Taped by Steven Martin, 2 modified Nakamichi CM-700 mics with boost + 1 Shure mic without boost > Sony TC-D5M on Maxell metal tape, about 20' in front of the soundboard) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding
Taper: Bob Menke
2:59:57
Rating:
6.80 / 5 ratings
Taper:
Bob Menke
SHNID:
gd1981-12-26.menke.glyde.10533.sbeok.shnf
Source:
Audience Recording: Sennheiser 421's
Lineage:
AUD> MC> R> DAT> CDR> EAC> SHN
Taper Notes:
View NotesKnown flaws: d1t03 6:29 drop out left channel d2t02 splice @ 0:18 occational skips next 30 secs & skipping from 4:24 to 4:55 d2t05 7:55 cut