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Bands
Grateful Dead
Today In History
June 11th
Years
1995
30.1k
PlaybackListensHours
48h47565
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h1.8k229
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.1k269
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.4k188
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.3k441
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h8.7k1.1k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.6k315
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.1k131
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.1k234
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h921104
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k200
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.1k596
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.1k153
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k147
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h2.1k260
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.2k255
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.5k217
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.7k237
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h13.5k1.8k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h13.8k1.8k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h25827
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h3.6k473
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h10.6k1.5k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h1.9k248
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.5k173
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.7k189
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k150
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h59276
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8313
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h36824
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h574
7d1076
30d59534
2 shows
2 tapes
1981
Sources
Taper: Joani Walker
1:47:49
SBD
Rating:
8.00 / 1 rating
Taper:
Joani Walker
Transferrer:
Scott Clugston and Charlie Miller and Paul Scotton
SHNID:
gd1981-12-26.143445.sbd.set2.walker.scotton.miller.clugston.flac2496
Source:
Joani Walker's Master Soundboard Cassettes; Nakamichi 550(Maxell UDXLII-90)
Lineage:
Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker & Paul Scotton for the master cassettes (this 2nd set was Joani's first soundboard patch) - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Steve Martin for the shnid23897 Nakamichi 700 source which supplies an 0:18 patch in "He's Gone", a 0:13 patch in "Black Peter", as well as an 0:08 patch in "Around & Around" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston October 2018
Taper: Joani Walker
1:47:49
SBD
Rating:
8.00 / 1 rating
Taper:
Joani Walker
Transferrer:
Scott Clugston and Charlie Miller and Paul Scotton
SHNID:
gd1981-12-26.143444.sbd.set2.walker.scotton.miller.clugston.flac1648
Source:
Joani Walker's Master Soundboard Cassettes; Nakamichi 550(Maxell UDXLII-90)
Lineage:
Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker & Paul Scotton for the master cassettes (this 2nd set was Joani's first soundboard patch) - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Steve Martin for the shnid23897 Nakamichi 700 source which supplies an 0:18 patch in "He's Gone", a 0:13 patch in "Black Peter", as well as an 0:08 patch in "Around & Around" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston October 2018
Transferrer: Charlie Miller
3:00:32
SBD
Rating:
9.09 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-12-26.sbd.miller.84265.sbeok.flac16
Source:
Set 1: SBD -> Cassette Master -> Cassette -> LynxOne -> CD DSet 2: SBD -> Cassette Master (Maxell UDXLII-90) D
Lineage:
CD -> Samplitude Professional v9.02 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) 2 Nakamichi CM700's 1 Shure Mic -> Cassette Master He's Gone (10:31 - 10:50) Black Peter (9:08 - 9:21) Around And Around (0:03 - 0:10) -- Set 1 was not Dolby decoded properly, has many issues -- Set 2 is seamless -- Set 2 was pitch adjusted +3.7% -- Thanks to Paul Scotton and Joani Walker for the Set 2 tapes -- Thanks to Joe B. Jones for his help with this project -- Patch source recorded by Steve Martin (shnid=23897) -- This version has the 2 drop outs in d3t02 fixed
Transferrer: Charlie Miller
3:00:33
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-12-26.sbd.miller.83996.sbeok.flac16
Source:
Set 1: SBD -> Cassette Master -> Cassette -> LynxOne -> CD DSet 2: SBD -> Cassette Master (Maxell UDXLII-90) D
Lineage:
CD -> Samplitude Professional v9.02 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) 2 Nakamichi CM700's 1 Shure Mic -> Cassette Master He's Gone (10:31 - 10:50) Black Peter (9:08 - 9:21) Around And Around (0:03 - 0:10) -- Set 1 was not Dolby decoded properly, has many issues -- Set 2 is seamless -- Set 2 was pitch adjusted +3.7% -- Thanks to Paul Scotton and Joani Walker for the Set 2 tapes -- Thanks to Joe B. Jones for his help with this project -- Patch source recorded by Steve Martin (shnid=23897)
Taper: Joani Walker patched out of Jim Voss
3:00:44
Taper:
Joani Walker patched out of Jim Voss
Transferrer:
Scott Clugston and Charlie Miller and Paul Scotton
SHNID:
gd1981-12-26.143447.senn421.walker.scotton.miller.clugston.flac2496
Source:
1st Set: Joani Walker's Master Audience Cassettes; Sennheiser 421 mics > Nakamichi 550(Maxell UDXLII-90)(patched out of Jim Voss, located at the soundboard)) 2nd Set: Joani Walker's 1st generation Audience Cassettes; Sennheiser 421 mics > Nakamichi 550 (Maxell UDXLII-90)(copy of Jim Voss's Sennheiser 421 master, located at the soundboard)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker & Paul Scotton for the cassettes (the 2nd set was Joani's first soundboard patch, Jim Voss provided Joani with a 1st generation copy of the 2nd set after the show) - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Steve Martin for the shnid23897 Nakamichi 700 source which supplies an 0:13 patch in "He's Gone", as well as a 0:16 patch in "Black Peter" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston October 2018
Taper: Joani Walker patched out of Jim Voss
3:00:44
Taper:
Joani Walker patched out of Jim Voss
Transferrer:
Scott Clugston and Charlie Miller and Paul Scotton
SHNID:
gd1981-12-26.143446.senn421.walker.scotton.miller.clugston.flac1648
Source:
1st Set: Joani Walker's Master Audience Cassettes; Sennheiser 421 mics > Nakamichi 550(Maxell UDXLII-90)(patched out of Jim Voss, located at the soundboard)) 2nd Set: Joani Walker's 1st generation Audience Cassettes; Sennheiser 421 mics > Nakamichi 550 (Maxell UDXLII-90)(copy of Jim Voss's Sennheiser 421 master, located at the soundboard)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker & Paul Scotton for the cassettes (the 2nd set was Joani's first soundboard patch, Jim Voss provided Joani with a 1st generation copy of the 2nd set after the show) - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Steve Martin for the shnid23897 Nakamichi 700 source which supplies an 0:13 patch in "He's Gone", as well as a 0:16 patch in "Black Peter" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston October 2018
Taper: Brian Schley
2:58:30
Rating:
10.00 / 1 rating
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1981-12-26.136898.nak300.schley.flac1644
Source:
AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XL-II (S1 + Encore) and Sony UCX-S (S2), FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2016
Taper Notes:
View NotesSome close-up clap-n-yak, not too bad. ID-120368 patches; Scarlet 0:00 > 0:19, crowd at end of FOTM 12:23 > Estimated 0:03, Drums 1:30 > Space 2:30. ID-10533 patch, He's Gone 10:10 > 10:41. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: n hoey
2:56:12
Taper:
n hoey
Transferrer:
n hoey
SHNID:
gd1981-12-26.nak300.nhoey.120368.flac16
Source:
Audience Cassette Master, Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(Set 1-encore Maxell UDXL-IIS 90)(Set II TDK MA C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(transferred @ 44.1/24[soft limit] dithered to 44.1/16 bit) > (Peak 7 OS X editing-dithering) > xACT
Taper Notes:
View NotesTwo other audiences sources also circulate and I had the chance to get familiar with them as I prepared this. Both of them are well recorded and all three are of comparable quality. I noticed that each one has better sounding moments along with less good moments as well. It was clear that no single source is of definitively superior quality throughout. However, shnid 10533 runs fast compared to shnid 23897 and this one, which are about the same, leading me to believe it's the one most likely in need of pitch correction.
Taper: Steven Martin
2:58:19
Rating:
8.33 / 7 ratings
Taper:
Steven Martin
SHNID:
gd81-12-26.nak700-martin.23897.sbeok.flacf
Source:
Audience Recording: Nak CM700's
Lineage:
Master audience cassette (2 modified Nakamichi CM-700 mics with boost + 1 Shure mic without boost > Sony TC-D5M on Maxell metal tape, about 20' in front of the soundboard) > Nak Dragon playback > Cardas audiophile cables > HHB CDR
Taper Notes:
View NotesMaster audience cassette (Taped by Steven Martin, 2 modified Nakamichi CM-700 mics with boost + 1 Shure mic without boost > Sony TC-D5M on Maxell metal tape, about 20' in front of the soundboard) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding
Taper: Bob Menke
2:59:57
Rating:
6.80 / 5 ratings
Taper:
Bob Menke
SHNID:
gd1981-12-26.menke.glyde.10533.sbeok.shnf
Source:
Audience Recording: Sennheiser 421's
Lineage:
AUD> MC> R> DAT> CDR> EAC> SHN
Taper Notes:
View NotesKnown flaws: d1t03 6:29 drop out left channel d2t02 splice @ 0:18 occational skips next 30 secs & skipping from 4:24 to 4:55 d2t05 7:55 cut