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Bands
Grateful Dead
Today In History
June 12th
6 shows
73 tapes
Years
1995
30.1k
PlaybackListensHours
48h51770
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.2k153
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k430
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.8k369
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h5.3k665
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h5.9k747
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k344
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k133
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h3k344
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h1k113
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.7k200
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h3.7k434
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k176
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.1k140
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.1k265
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h3k346
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k209
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k259
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h9k1.2k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h19.5k2.5k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h22524
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.6k479
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h8.6k1.2k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2k255
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.6k174
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.5k178
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k165
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h48661
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h10614
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h46530
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h322
7d1368
30d63237
2 shows
2 tapes
1981
Sources
Taper: Joani Walker
1:47:49
SBD
Rating:
8.00 / 1 rating
Taper:
Joani Walker
Transferrer:
Scott Clugston and Charlie Miller and Paul Scotton
SHNID:
gd1981-12-26.143445.sbd.set2.walker.scotton.miller.clugston.flac2496
Source:
Joani Walker's Master Soundboard Cassettes; Nakamichi 550(Maxell UDXLII-90)
Lineage:
Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker & Paul Scotton for the master cassettes (this 2nd set was Joani's first soundboard patch) - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Steve Martin for the shnid23897 Nakamichi 700 source which supplies an 0:18 patch in "He's Gone", a 0:13 patch in "Black Peter", as well as an 0:08 patch in "Around & Around" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston October 2018
Taper: Joani Walker
1:47:49
SBD
Rating:
8.00 / 1 rating
Taper:
Joani Walker
Transferrer:
Scott Clugston and Charlie Miller and Paul Scotton
SHNID:
gd1981-12-26.143444.sbd.set2.walker.scotton.miller.clugston.flac1648
Source:
Joani Walker's Master Soundboard Cassettes; Nakamichi 550(Maxell UDXLII-90)
Lineage:
Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker & Paul Scotton for the master cassettes (this 2nd set was Joani's first soundboard patch) - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Steve Martin for the shnid23897 Nakamichi 700 source which supplies an 0:18 patch in "He's Gone", a 0:13 patch in "Black Peter", as well as an 0:08 patch in "Around & Around" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston October 2018
Transferrer: Charlie Miller
3:00:32
SBD
Rating:
9.09 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-12-26.sbd.miller.84265.sbeok.flac16
Source:
Set 1: SBD -> Cassette Master -> Cassette -> LynxOne -> CD DSet 2: SBD -> Cassette Master (Maxell UDXLII-90) D
Lineage:
CD -> Samplitude Professional v9.02 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) 2 Nakamichi CM700's 1 Shure Mic -> Cassette Master He's Gone (10:31 - 10:50) Black Peter (9:08 - 9:21) Around And Around (0:03 - 0:10) -- Set 1 was not Dolby decoded properly, has many issues -- Set 2 is seamless -- Set 2 was pitch adjusted +3.7% -- Thanks to Paul Scotton and Joani Walker for the Set 2 tapes -- Thanks to Joe B. Jones for his help with this project -- Patch source recorded by Steve Martin (shnid=23897) -- This version has the 2 drop outs in d3t02 fixed
Transferrer: Charlie Miller
3:00:33
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-12-26.sbd.miller.83996.sbeok.flac16
Source:
Set 1: SBD -> Cassette Master -> Cassette -> LynxOne -> CD DSet 2: SBD -> Cassette Master (Maxell UDXLII-90) D
Lineage:
CD -> Samplitude Professional v9.02 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) 2 Nakamichi CM700's 1 Shure Mic -> Cassette Master He's Gone (10:31 - 10:50) Black Peter (9:08 - 9:21) Around And Around (0:03 - 0:10) -- Set 1 was not Dolby decoded properly, has many issues -- Set 2 is seamless -- Set 2 was pitch adjusted +3.7% -- Thanks to Paul Scotton and Joani Walker for the Set 2 tapes -- Thanks to Joe B. Jones for his help with this project -- Patch source recorded by Steve Martin (shnid=23897)
Taper: Joani Walker patched out of Jim Voss
3:00:44
Taper:
Joani Walker patched out of Jim Voss
Transferrer:
Scott Clugston and Charlie Miller and Paul Scotton
SHNID:
gd1981-12-26.143447.senn421.walker.scotton.miller.clugston.flac2496
Source:
1st Set: Joani Walker's Master Audience Cassettes; Sennheiser 421 mics > Nakamichi 550(Maxell UDXLII-90)(patched out of Jim Voss, located at the soundboard)) 2nd Set: Joani Walker's 1st generation Audience Cassettes; Sennheiser 421 mics > Nakamichi 550 (Maxell UDXLII-90)(copy of Jim Voss's Sennheiser 421 master, located at the soundboard)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker & Paul Scotton for the cassettes (the 2nd set was Joani's first soundboard patch, Jim Voss provided Joani with a 1st generation copy of the 2nd set after the show) - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Steve Martin for the shnid23897 Nakamichi 700 source which supplies an 0:13 patch in "He's Gone", as well as a 0:16 patch in "Black Peter" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston October 2018
Taper: Joani Walker patched out of Jim Voss
3:00:44
Taper:
Joani Walker patched out of Jim Voss
Transferrer:
Scott Clugston and Charlie Miller and Paul Scotton
SHNID:
gd1981-12-26.143446.senn421.walker.scotton.miller.clugston.flac1648
Source:
1st Set: Joani Walker's Master Audience Cassettes; Sennheiser 421 mics > Nakamichi 550(Maxell UDXLII-90)(patched out of Jim Voss, located at the soundboard)) 2nd Set: Joani Walker's 1st generation Audience Cassettes; Sennheiser 421 mics > Nakamichi 550 (Maxell UDXLII-90)(copy of Jim Voss's Sennheiser 421 master, located at the soundboard)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker & Paul Scotton for the cassettes (the 2nd set was Joani's first soundboard patch, Jim Voss provided Joani with a 1st generation copy of the 2nd set after the show) - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Steve Martin for the shnid23897 Nakamichi 700 source which supplies an 0:13 patch in "He's Gone", as well as a 0:16 patch in "Black Peter" - Thanks to Joe B. Jones for his help with the pitch correction Mastered by Scott Clugston October 2018
Taper: Brian Schley
2:58:30
Rating:
10.00 / 1 rating
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1981-12-26.136898.nak300.schley.flac1644
Source:
AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XL-II (S1 + Encore) and Sony UCX-S (S2), FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2016
Taper Notes:
View NotesSome close-up clap-n-yak, not too bad. ID-120368 patches; Scarlet 0:00 > 0:19, crowd at end of FOTM 12:23 > Estimated 0:03, Drums 1:30 > Space 2:30. ID-10533 patch, He's Gone 10:10 > 10:41. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: n hoey
2:56:12
Taper:
n hoey
Transferrer:
n hoey
SHNID:
gd1981-12-26.nak300.nhoey.120368.flac16
Source:
Audience Cassette Master, Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(Set 1-encore Maxell UDXL-IIS 90)(Set II TDK MA C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(transferred @ 44.1/24[soft limit] dithered to 44.1/16 bit) > (Peak 7 OS X editing-dithering) > xACT
Taper Notes:
View NotesTwo other audiences sources also circulate and I had the chance to get familiar with them as I prepared this. Both of them are well recorded and all three are of comparable quality. I noticed that each one has better sounding moments along with less good moments as well. It was clear that no single source is of definitively superior quality throughout. However, shnid 10533 runs fast compared to shnid 23897 and this one, which are about the same, leading me to believe it's the one most likely in need of pitch correction.
Taper: Steven Martin
2:58:19
Rating:
8.33 / 7 ratings
Taper:
Steven Martin
SHNID:
gd81-12-26.nak700-martin.23897.sbeok.flacf
Source:
Audience Recording: Nak CM700's
Lineage:
Master audience cassette (2 modified Nakamichi CM-700 mics with boost + 1 Shure mic without boost > Sony TC-D5M on Maxell metal tape, about 20' in front of the soundboard) > Nak Dragon playback > Cardas audiophile cables > HHB CDR
Taper Notes:
View NotesMaster audience cassette (Taped by Steven Martin, 2 modified Nakamichi CM-700 mics with boost + 1 Shure mic without boost > Sony TC-D5M on Maxell metal tape, about 20' in front of the soundboard) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding
Taper: Bob Menke
2:59:57
Rating:
6.80 / 5 ratings
Taper:
Bob Menke
SHNID:
gd1981-12-26.menke.glyde.10533.sbeok.shnf
Source:
Audience Recording: Sennheiser 421's
Lineage:
AUD> MC> R> DAT> CDR> EAC> SHN
Taper Notes:
View NotesKnown flaws: d1t03 6:29 drop out left channel d2t02 splice @ 0:18 occational skips next 30 secs & skipping from 4:24 to 4:55 d2t05 7:55 cut