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Today In History
June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h66089
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.8k231
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.3k406
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.4k308
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.2k470
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9.7k1.2k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.5k308
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k144
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k207
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h76685
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.6k179
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3k359
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k163
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.2k147
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.5k182
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h4.9k552
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.6k238
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.9k257
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h21.1k2.9k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h6.4k926
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h43346
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h7.4k974
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h6.4k814
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.4k311
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k196
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h2k217
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.7k281
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h949128
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13819
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29016
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h422
7d1076
30d59434
2 shows
2 tapes
1981
12/6/81
Samson & Delilah
8:11
To Lay Me Down
8:55
Estimated Prophet >
10:33
Eyes Of The World >
9:04
Drums >
8:07
Space >
5:14
Not Fade Away >
9:47
Wharf Rat >
9:14
Good Lovin'
8:31
E: Brokedown Palace
5:50
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:47:33
SBD
Rating:
7.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-12-06.133563.sbd.miller.flac16
Source:
SBD -> Cassette Master -> Dat
Lineage:
Dat -> Samplitude Professional v11.1 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless
Transferrer: Charlie Miller
2:47:40
SBD
Rating:
9.33 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-12-06.sbd.miller.108841.flac16
Source:
SBD -> Cassette Master -> Reel -> Dat (48k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless
Taper: Jim Vita
1:23:26
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1981-12-06.153911.2nd.set.senn421.nak304.blend.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Sennheiser 421's + Nakamichi 300 + CP4 capsule blend > Sony D5M (Maxell XLIIS 90)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Frank Streeter for the Sennheiser 421 source which supplies a 0:23 patch in "Drums" - Pitch corrected Mastered by Scott Clugston June 2021
Taper: Jim Vita
1:23:26
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1981-12-06.153910.2nd.set.senn421.nak304.blend.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Sennheiser 421's + Nakamichi 300 + CP4 capsule blend > Sony D5M (Maxell XLIIS 90)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Frank Streeter for the Sennheiser 421 source which supplies a 0:23 patch in "Drums" - Pitch corrected Mastered by Scott Clugston June 2021
Taper: Frank Streeter
2:41:05
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-06.148950.fob.senn421.streeter.miller.clugston.flac2496
Source:
Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90)
Lineage:
Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to George Bethke, Justin Lee and Dave Cohen for the shnid119584 (FOB) Sennheiser 421 source which supplies the end of "Candyman", "Little Red Rooster" and the beginning of "Tennessee Jed" (10:36 total), the "Crowd" and beginning of "Samson & Delilah" (0:41 total), as well as a 0:59 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston December 2018
Taper: Frank Streeter
2:41:05
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-06.148949.fob.senn421.streeter.miller.clugston.flac1648
Source:
Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90)
Lineage:
Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to George Bethke, Justin Lee and Dave Cohen for the shnid119584 (FOB) Sennheiser 421 source which supplies the end of "Candyman", "Little Red Rooster" and the beginning of "Tennessee Jed" (10:36 total), the "Crowd" and beginning of "Samson & Delilah" (0:41 total), as well as a 0:59 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston December 2018
Source 7 of 13
2:43:12
SHNID:
gd1981-12-06.158845.mtx.seamons.ht150.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) December 6, 2022
Taper Notes:
View NotesLikely Master Reel > Dat source beginning with Tennessee Jed, per Charlie Miller's note in the database. SBD dead air trimmed out. Two digital flaws removed in SBD Estimated Prophet. Clicks and pops removed in Not Fade Away and Good Lovin'. Some echoey effects kick in during Good Lovin'. The set 2 SBD patches were noticeably lesser quality than the set 1 patches, suggesting they might have different lineages. The set 1 patch sounded similar to the master reel source, and the set 2 patches more like a cassette transfer.
Taper: CraigL
2:39:56
Taper:
CraigL
Transferrer:
AndrewF
SHNID:
gd1981-12-06.139345.aud.craigl.flac1644
Source:
UD: First Set; Richie Stankiewicz's Beyer M160's FOB. Second Set; Nakamichi CM300's w/CP4 shotguns from the floor area. Both Sets; Lead decks(s) > Sony TC-D5 > Hitachi UD-90's. Recording by Craig L.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. 09/2017
Taper Notes:
View NotesP.A. static in Candyman. Some mic-bumps in the 2nd Set. ID-119584 patches; Tenn Jed 7:07 > 7:52, and Drums 6:49 > 7:32.
Taper: CraigL
2:39:56
Taper:
CraigL
Transferrer:
Andrew F.
SHNID:
gd1981-12-06.139344.aud.craigl.flac2448
Source:
UD: First Set; Richie Stankiewicz's Beyer M160's FOB. Second Set; Nakamichi CM300's w/CP4 shotguns from the floor area. Both Sets; Lead decks(s) > Sony TC-D5 > Hitachi UD-90's. Recording by Craig L.
Lineage:
Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2017
Taper Notes:
View NotesP.A. static in Candyman. Some mic-bumps in the 2nd Set. ID-119584 patches; Tenn Jed 7:07 > 7:52, and Drums 6:49 > 7:32.
Taper: George "Fingers" Bethke
2:36:07
Rating:
8.00 / 1 rating
Taper:
George "Fingers" Bethke
Transferrer:
Dave Cohen and Justin Lee
SHNID:
gd1981-12-06.senn421.bethke.lee.cohen.119584.flac16
Source:
Recorded by the late George "Fingers" Bethke; FOB, Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz); 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen February 2011
Source 11 of 13
2:43:21
Rating:
8.00 / 2 ratings
Lineage:
AUD Master Cass>DAT>HD-P2>Soundforge 6.0>CD Wave>FLAC Frontend>.flac
Taper: Doug Mow
2:37:16
Rating:
6.00 / 1 rating
Taper:
Doug Mow
Transferrer:
Alex Ford
SHNID:
gd1981-12-06.nak700.mow.ford.32317.sbeok.flac16
Source:
2 Nak 700 shotguns > Sony TC-D5M > Maxell MX 90
Lineage:
MAC > Sony TC-D5M > Edirol UA5 Custom Oade Mod > USB > IBM R40 > Sound Forge 5.0 > EAC (no errors) > WinXP Pro > Flac Frontend > FLAC16
Source 13 of 13
2:36:34
Rating:
7.83 / 12 ratings
SHNID:
gd81-12-06.aud.braverman.8200.sbeok.shnf
Source:
Audience Recording