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June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h65991
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h756103
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.3k441
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.7k341
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h8.7k1.2k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h2.7k359
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.9k362
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k149
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.1k237
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h89098
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.7k198
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1k138
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k197
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k218
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.2k286
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.4k687
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.2k179
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h1.9k258
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.3k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.4k468
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h86284
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.5k579
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.3k562
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.2k388
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2k216
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h8.6k871
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.3k358
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h36144
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h11516
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23418
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h352
7d1026
30d57334
2 shows
2 tapes
1981
12/6/81
Samson & Delilah
8:11
To Lay Me Down
8:55
Estimated Prophet >
10:33
Eyes Of The World >
9:04
Drums >
8:07
Space >
5:14
Not Fade Away >
9:47
Wharf Rat >
9:14
Good Lovin'
8:31
E: Brokedown Palace
5:50
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:47:33
SBD
Rating:
7.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-12-06.133563.sbd.miller.flac16
Source:
SBD -> Cassette Master -> Dat
Lineage:
Dat -> Samplitude Professional v11.1 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless
Transferrer: Charlie Miller
2:47:40
SBD
Rating:
9.33 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1981-12-06.sbd.miller.108841.flac16
Source:
SBD -> Cassette Master -> Reel -> Dat (48k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless
Taper: Jim Vita
1:23:26
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1981-12-06.153911.2nd.set.senn421.nak304.blend.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Sennheiser 421's + Nakamichi 300 + CP4 capsule blend > Sony D5M (Maxell XLIIS 90)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Frank Streeter for the Sennheiser 421 source which supplies a 0:23 patch in "Drums" - Pitch corrected Mastered by Scott Clugston June 2021
Taper: Jim Vita
1:23:26
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1981-12-06.153910.2nd.set.senn421.nak304.blend.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Sennheiser 421's + Nakamichi 300 + CP4 capsule blend > Sony D5M (Maxell XLIIS 90)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Frank Streeter for the Sennheiser 421 source which supplies a 0:23 patch in "Drums" - Pitch corrected Mastered by Scott Clugston June 2021
Taper: Frank Streeter
2:41:05
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-06.148950.fob.senn421.streeter.miller.clugston.flac2496
Source:
Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90)
Lineage:
Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to George Bethke, Justin Lee and Dave Cohen for the shnid119584 (FOB) Sennheiser 421 source which supplies the end of "Candyman", "Little Red Rooster" and the beginning of "Tennessee Jed" (10:36 total), the "Crowd" and beginning of "Samson & Delilah" (0:41 total), as well as a 0:59 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston December 2018
Taper: Frank Streeter
2:41:05
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-12-06.148949.fob.senn421.streeter.miller.clugston.flac1648
Source:
Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90)
Lineage:
Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to George Bethke, Justin Lee and Dave Cohen for the shnid119584 (FOB) Sennheiser 421 source which supplies the end of "Candyman", "Little Red Rooster" and the beginning of "Tennessee Jed" (10:36 total), the "Crowd" and beginning of "Samson & Delilah" (0:41 total), as well as a 0:59 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston December 2018
Source 7 of 13
2:43:12
SHNID:
gd1981-12-06.158845.mtx.seamons.ht150.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) December 6, 2022
Taper Notes:
View NotesLikely Master Reel > Dat source beginning with Tennessee Jed, per Charlie Miller's note in the database. SBD dead air trimmed out. Two digital flaws removed in SBD Estimated Prophet. Clicks and pops removed in Not Fade Away and Good Lovin'. Some echoey effects kick in during Good Lovin'. The set 2 SBD patches were noticeably lesser quality than the set 1 patches, suggesting they might have different lineages. The set 1 patch sounded similar to the master reel source, and the set 2 patches more like a cassette transfer.
Taper: CraigL
2:39:56
Taper:
CraigL
Transferrer:
AndrewF
SHNID:
gd1981-12-06.139345.aud.craigl.flac1644
Source:
UD: First Set; Richie Stankiewicz's Beyer M160's FOB. Second Set; Nakamichi CM300's w/CP4 shotguns from the floor area. Both Sets; Lead decks(s) > Sony TC-D5 > Hitachi UD-90's. Recording by Craig L.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. 09/2017
Taper Notes:
View NotesP.A. static in Candyman. Some mic-bumps in the 2nd Set. ID-119584 patches; Tenn Jed 7:07 > 7:52, and Drums 6:49 > 7:32.
Taper: CraigL
2:39:56
Taper:
CraigL
Transferrer:
Andrew F.
SHNID:
gd1981-12-06.139344.aud.craigl.flac2448
Source:
UD: First Set; Richie Stankiewicz's Beyer M160's FOB. Second Set; Nakamichi CM300's w/CP4 shotguns from the floor area. Both Sets; Lead decks(s) > Sony TC-D5 > Hitachi UD-90's. Recording by Craig L.
Lineage:
Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2017
Taper Notes:
View NotesP.A. static in Candyman. Some mic-bumps in the 2nd Set. ID-119584 patches; Tenn Jed 7:07 > 7:52, and Drums 6:49 > 7:32.
Taper: George "Fingers" Bethke
2:36:07
Rating:
8.00 / 1 rating
Taper:
George "Fingers" Bethke
Transferrer:
Dave Cohen and Justin Lee
SHNID:
gd1981-12-06.senn421.bethke.lee.cohen.119584.flac16
Source:
Recorded by the late George "Fingers" Bethke; FOB, Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz); 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen February 2011
Source 11 of 13
2:43:21
Rating:
8.00 / 2 ratings
Lineage:
AUD Master Cass>DAT>HD-P2>Soundforge 6.0>CD Wave>FLAC Frontend>.flac
Taper: Doug Mow
2:37:16
Rating:
6.00 / 1 rating
Taper:
Doug Mow
Transferrer:
Alex Ford
SHNID:
gd1981-12-06.nak700.mow.ford.32317.sbeok.flac16
Source:
2 Nak 700 shotguns > Sony TC-D5M > Maxell MX 90
Lineage:
MAC > Sony TC-D5M > Edirol UA5 Custom Oade Mod > USB > IBM R40 > Sound Forge 5.0 > EAC (no errors) > WinXP Pro > Flac Frontend > FLAC16
Source 13 of 13
2:36:34
Rating:
7.83 / 12 ratings
SHNID:
gd81-12-06.aud.braverman.8200.sbeok.shnf
Source:
Audience Recording