RELISTENTOTHE Grateful Dead
Re
09
Bands
Featured
Bands
Grateful Dead
YearsRecentTopVenuesSongsTours
Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1981
9/11/81
Happy Birthday Mickey (with Joan Baez)
1:56
New Minglewood Blues
6:56
They Love Each Other
7:13
Mama Tried >
2:31
Mexicali Blues
5:11
Candyman >
6:39
Little Red Rooster
8:11
Cumberland Blues >
4:40
Beat It On Down The Line
3:19
Althea
9:11
Lost Sailor >
7:23
Saint Of Circumstance >
7:07
Deal
8:06
Feel Like A Stranger >
8:16
Franklin's Tower
14:12
Man Smart (Woman Smarter)
5:48
He's Gone >
12:32
Truckin' >
12:23
Drums >
7:59
Space >
5:36
The Other One >
11:16
Morning Dew >
10:56
Johnny B. Goode
4:45
Don't Ease Me In
3:18
FIN
View on archive.org
Sources
Taper: Mark Severson
2:57:47
Rating:
10.00 / 1 rating
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-09-11.148624.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 80 degree angle; 6db bass EQ, omni center pointed straight at stage, 45' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the (FOB) Nakamichi 700 source which supplies a 0:11 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Mark Severson
2:57:47
Rating:
6.00 / 1 rating
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-09-11.148623.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 80 degree angle; 6db bass EQ, omni center pointed straight at stage, 45' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the (FOB) Nakamichi 700 source which supplies a 0:11 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston December 2019
Source 4 of 8
2:55:18
Rating:
8.00 / 1 rating
SHNID:
gd1981-09-11.nak300.hoey.125676.flac16
Source:
Recorded, Transferred and Mastered by N. Hoey (tagged version)(flac16); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(TDK SA-X C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing, sample rate conversion, dithering) > xACT (flac-tagging)
Taper Notes:
View NotesA straight transfer, no DSP at all. minimal editing consisting of cross fades at pause breaks, insertion of patches, a few small level adjustments. track 17 - 2.30 seconds from shnid 7090 added at the beginning (late unpausing) track 18 - 7.12 second from shnid 95290 patch at 05:52 (master flip) tracks 22-23 - 6.12 second from shnid 95290 patch bridging between them (master tape change)
Taper: n hoey
2:55:18
Rating:
8.00 / 1 rating
Taper:
n hoey
Transferrer:
n hoey
SHNID:
gd1981-09-11.123665.nak300.hoey.flac24
Source:
Recorded, Transferred and Mastered by N. Hoey (tagged version) 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(TDK SA-X C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing) > xACT (flac-tagging)
Taper Notes:
View NotesNotes: A straight transfer, no DSP at all. minimal editing consisting of cross fades at pause breaks, insertion of patches, a few small level adjustments. track 17 - 2.30 seconds from shnid 7090 added at the beginning (late unpausing) track 18 - 7.12 second from shnid 95290 patch at 05:52 (master flip) tracks 22-23 - 6.12 second from shnid 95290 patch bridging between them (master tape change) Not cdr track listing for this 24 bit file set.
Taper: anonymous taper, Jamie Poris, Mark Severson
2:53:24
Rating:
10.00 / 2 ratings
Taper:
anonymous taper, Jamie Poris, Mark Severson
Transferrer:
Brian Green and Evan K.
SHNID:
gd1981-09-11.nak700.anon-poris-severson.LMPP.95290.flac16
Source:
3 Nakamich 700's (left and right Cardiod at 100 Deg, center omni 45 deg up) 45 feet from stage, dead center > Hand made 3 mic mixer > Sony D5 > MAC (dolby B)
Lineage:
MAC (dolby B) > Nakamichi CR-5A (Dolby B) > Tascam HD-P2 > 24/96 Wave > WL 5 > plugins > r8brain pro > 16/44.1 wave > CD wave > flac lvl 8 (TLH)
Taper Notes:
View NotesNotes: - After the Egypt sources, the anonymous taper contacted me to talk about transferring and editing some more masters from his collection. These Greek Theater shows were a tapers choice, a run he holds near and dear. These tapes were made by a group of friends. The taper explained how he had spent the majority of the weekend waiting in line just to get to the sweet spot inside the venue where he knew the sound would be at its best. He didn't want to see these tapes (and many others) that represent wonderful moments in music history, deteriorate without ever being circulated. For him, these tapes represent really great times, where friendships were made by individuals from different backgrounds and talents with a common goal of trying to capture the sense of being there. You'll notice a special mention of two names as below: Jamie Poris and Mark Severson. From what I've been told, these three worked as team, along with many others, to get these great pulls. Thanks to them and their friends for putting in the effort to make these tapes! The three Nak 700 mix gives a very full sound. This source and the circulating sources all have there pros and con's. I'll let you as a listener decide which suits your ear. Take what you want and leave the rest. Hopefully many more to follow. - Between song banter patched in between new Minglewood and They Love Each other from shnID31791 - Drums/space patched from shnID3179 - All tape flips and non invasive pauses between songs are cross faded - There is a slight blemish in the vocals in a few spots of candyman and althea, Very minimal. - Slight blemishes in Women Are Smarter and He's Gone. very minor, left as is. - This is a very nice recording. Very full. An absolute pleasure to work on. Happy b-day and minglewood are a little muffled compared to the rest of the source so stay tuned through these to get a real feel for the show. - Thanks to MOTB for the use of the HD-p2