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Today In History
June 7th
Years
1995
29.8k
PlaybackListensHours
48h822115
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h59985
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h4.5k599
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k353
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h8.1k1.1k
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.7k356
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h2.9k366
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k147
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.3k258
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h87296
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.8k212
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.1k140
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k189
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.8k220
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.3k301
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.6k618
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k172
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.3k306
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h15.9k2.2k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h3.8k523
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h79174
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.3k556
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.7k610
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.5k430
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2k225
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.4k965
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.3k386
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h41049
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10916
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23318
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h493
7d1066
30d56034
2 shows
2 tapes
1981
9/11/81
Happy Birthday Mickey (with Joan Baez)
1:56
New Minglewood Blues
6:56
They Love Each Other
7:13
Mama Tried >
2:31
Mexicali Blues
5:11
Candyman >
6:39
Little Red Rooster
8:11
Cumberland Blues >
4:40
Beat It On Down The Line
3:19
Althea
9:11
Lost Sailor >
7:23
Saint Of Circumstance >
7:07
Deal
8:06
Feel Like A Stranger >
8:16
Franklin's Tower
14:12
Man Smart (Woman Smarter)
5:48
He's Gone >
12:32
Truckin' >
12:23
Drums >
7:59
Space >
5:36
The Other One >
11:16
Morning Dew >
10:56
Johnny B. Goode
4:45
Don't Ease Me In
3:18
FIN
View on archive.org
Sources
Taper: Mark Severson
2:57:47
Rating:
10.00 / 1 rating
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-09-11.148624.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 80 degree angle; 6db bass EQ, omni center pointed straight at stage, 45' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the (FOB) Nakamichi 700 source which supplies a 0:11 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Mark Severson
2:57:47
Rating:
6.00 / 1 rating
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-09-11.148623.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 80 degree angle; 6db bass EQ, omni center pointed straight at stage, 45' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the (FOB) Nakamichi 700 source which supplies a 0:11 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Joani Walker and Paul Scotton
2:59:54
Rating:
9.43 / 8 ratings
Taper:
Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1981-09-11.fob.nak300.walker.scotton.miller.95743.sbeok.flac16
Source:
(FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-D5M/Maxell UDXLII)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Sennheiser 421 -> Cassette Master -> CD (shnid=7090) supplies: Space (4:11 - 4:20) Notes: -- Set 2 is seamless -- Recorded by Joani Walker -- Thanks to Paul Scotton and Joani Walker for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Source 4 of 8
2:55:18
Rating:
8.00 / 1 rating
SHNID:
gd1981-09-11.nak300.hoey.125676.flac16
Source:
Recorded, Transferred and Mastered by N. Hoey (tagged version)(flac16); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(TDK SA-X C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing, sample rate conversion, dithering) > xACT (flac-tagging)
Taper Notes:
View NotesA straight transfer, no DSP at all. minimal editing consisting of cross fades at pause breaks, insertion of patches, a few small level adjustments. track 17 - 2.30 seconds from shnid 7090 added at the beginning (late unpausing) track 18 - 7.12 second from shnid 95290 patch at 05:52 (master flip) tracks 22-23 - 6.12 second from shnid 95290 patch bridging between them (master tape change)
Taper: n hoey
2:55:18
Rating:
8.00 / 1 rating
Taper:
n hoey
Transferrer:
n hoey
SHNID:
gd1981-09-11.123665.nak300.hoey.flac24
Source:
Recorded, Transferred and Mastered by N. Hoey (tagged version) 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(TDK SA-X C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing) > xACT (flac-tagging)
Taper Notes:
View NotesNotes: A straight transfer, no DSP at all. minimal editing consisting of cross fades at pause breaks, insertion of patches, a few small level adjustments. track 17 - 2.30 seconds from shnid 7090 added at the beginning (late unpausing) track 18 - 7.12 second from shnid 95290 patch at 05:52 (master flip) tracks 22-23 - 6.12 second from shnid 95290 patch bridging between them (master tape change) Not cdr track listing for this 24 bit file set.
Taper: anonymous taper, Jamie Poris, Mark Severson
2:53:24
Rating:
10.00 / 2 ratings
Taper:
anonymous taper, Jamie Poris, Mark Severson
Transferrer:
Brian Green and Evan K.
SHNID:
gd1981-09-11.nak700.anon-poris-severson.LMPP.95290.flac16
Source:
3 Nakamich 700's (left and right Cardiod at 100 Deg, center omni 45 deg up) 45 feet from stage, dead center > Hand made 3 mic mixer > Sony D5 > MAC (dolby B)
Lineage:
MAC (dolby B) > Nakamichi CR-5A (Dolby B) > Tascam HD-P2 > 24/96 Wave > WL 5 > plugins > r8brain pro > 16/44.1 wave > CD wave > flac lvl 8 (TLH)
Taper Notes:
View NotesNotes: - After the Egypt sources, the anonymous taper contacted me to talk about transferring and editing some more masters from his collection. These Greek Theater shows were a tapers choice, a run he holds near and dear. These tapes were made by a group of friends. The taper explained how he had spent the majority of the weekend waiting in line just to get to the sweet spot inside the venue where he knew the sound would be at its best. He didn't want to see these tapes (and many others) that represent wonderful moments in music history, deteriorate without ever being circulated. For him, these tapes represent really great times, where friendships were made by individuals from different backgrounds and talents with a common goal of trying to capture the sense of being there. You'll notice a special mention of two names as below: Jamie Poris and Mark Severson. From what I've been told, these three worked as team, along with many others, to get these great pulls. Thanks to them and their friends for putting in the effort to make these tapes! The three Nak 700 mix gives a very full sound. This source and the circulating sources all have there pros and con's. I'll let you as a listener decide which suits your ear. Take what you want and leave the rest. Hopefully many more to follow. - Between song banter patched in between new Minglewood and They Love Each other from shnID31791 - Drums/space patched from shnID3179 - All tape flips and non invasive pauses between songs are cross faded - There is a slight blemish in the vocals in a few spots of candyman and althea, Very minimal. - Slight blemishes in Women Are Smarter and He's Gone. very minor, left as is. - This is a very nice recording. Very full. An absolute pleasure to work on. Happy b-day and minglewood are a little muffled compared to the rest of the source so stay tuned through these to get a real feel for the show. - Thanks to MOTB for the use of the HD-p2
Source 7 of 8
2:55:24
Rating:
8.00 / 3 ratings
Source:
2 nak 300 mics>Sony TC-5m(Dolby B)>MAC
Lineage:
MAC>Nak Dragon(dolby decoded)>Panasonic 3800 DAT (A-D)>Soundforge-CD Architect>cdr>roxio toast>Apple G4(Xact)
Taper: Jim Wise
2:56:05
Rating:
9.25 / 8 ratings
Taper:
Jim Wise
SHNID:
gd81-09-11.wise.munder.7090.sbeok.shnf
Source:
Audience Recording: Sennheiser 421's
Lineage:
Sennheiser 421 mics > Sony TC D-5
Taper Notes:
View NotesSennheiser 421 mics > Sony TC D-5, taped by Jim Wise (see his notes in info file); d3 tracked for 80 min; via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy