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Bands
Grateful Dead
Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h51768
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.3k204
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h2.8k375
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h4.5k600
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h4.8k617
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.8k369
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k363
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.4k164
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h7k823
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1.1k125
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.7k203
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h5k577
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.5k188
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.5k182
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h1.8k225
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h8.9k1.1k
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.8k244
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h1.9k266
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9.1k1.3k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h16.5k2.2k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h37439
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.8k494
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.3k709
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.9k368
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k205
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.6k192
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k192
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h48360
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14520
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h32923
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h161
7d1268
30d63237
2 shows
2 tapes
1981
Sources
Transferrer: Charlie Miller
2:52:59
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1981-08-30.sbd.miller.105216.flac16
Source:
SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD
Lineage:
CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- This is a re-master of shnid=30118 -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:56:18
SBD
Rating:
8.00 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd81-08-30.sbd.miller.30118.sbeok.flacf
Source:
Soundboard
Lineage:
SBD > Cassette Master > Cassette > Cassette > DAT > CD > EAC > Samplitude v7.02 Professional > FLAC16
Taper Notes:
View NotesThere are a few patches in the 1st Set (due to diginoise) with SBD>Cm>?>Cass>CD. There is a split-second of noise in GDTRFB that I couldn't patch. There are also patches in Roses, Might As Well, He's Gone, Drums, Good Lovin and all of Don't Ease Me In from (FOB)Neumann KM84>Cass Master>Dat>Cool Edit Pro>CD. (It's not as bad as it looks) -- Seamless transition between discs 2 and 3. -- Thanks to Andy Lemieux and Joe Browning for their help with this project.
Transferrer: JR Fishman
2:51:19
SBD
Rating:
10.00 / 3 ratings
Transferrer:
JR Fishman
SHNID:
gd1981-08-30.sbd.miller.fishman.repitch-30118.78602.sbefail.flac16
Source:
SBD > Cassette Master > Cassette > Cassette > Dat > CD D
Lineage:
CD > EAC > Samplitude v7.02 Professional > FLAC
Taper Notes:
View Notes-- Seamless transition between discs 2 and 3. -- Thanks to Andy Lemieux and Joe Browning for their help with this project. -- Pitch and Tempo adjusted by JR Fishman to 96.92% using audience recording
Taper: Jim Vita
2:46:20
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-08-30.152724.nak304.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the (FOB) Sennheiser 441 source which supplies the crowd and beginning of "Tennessee Jed (0:49 total), the crowd and first few notes of "Samson & Delilah" (0:09 total), a 0:40 patch in the Jam after "He's Gone", as well as a 2:17 patch in "Drums" - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:05 patch in the "Cumberland Blues > Looks Like Rain" transition, as well as a secondary 6:48 patch in "Drums" - Other One space included in "The Other One" - Pitch verified Mastered by Scott Clugston May 2021
Taper: Jim Vita
2:46:20
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-08-30.152723.nak304.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the (FOB) Sennheiser 441 source which supplies the crowd and beginning of "Tennessee Jed (0:49 total), the crowd and first few notes of "Samson & Delilah" (0:09 total), a 0:40 patch in the Jam after "He's Gone", as well as a 2:17 patch in "Drums" - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:05 patch in the "Cumberland Blues > Looks Like Rain" transition, as well as a secondary 6:48 patch in "Drums" - Other One space included in "The Other One" - Pitch verified Mastered by Scott Clugston May 2021
Taper: Mark Severson
2:52:39
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-08-30.144668.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the shnid104973 (FOB) Nakamichi 700 source which supplies the "Crowd" and first few notes of "Samson & Delilah" (0:31 total), a 0:03 patch in "He's Gone", as well as a 0:04 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:52:39
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-08-30.144667.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the shnid104973 (FOB) Nakamichi 700 source which supplies the "Crowd" and first few notes of "Samson & Delilah" (0:31 total), a 0:03 patch in "He's Gone", as well as a 0:04 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston January 2019
Taper: Frank Streeter
2:47:23
Rating:
10.00 / 1 rating
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1981-08-30.139997.fob.senn421.streeter.miller.clugston.flac2496
Source:
Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid1049796 nak700 source which supplies "Samson & Delilah" in its entirety, as well as a 0:49 patch in "Drums" - Between song transitions smoothed - "Other One" space included in "The Other One"
Taper: Frank Streeter
2:47:23
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1981-08-30.139996.fob.senn421.streeter.miller.clugston.flac1644
Source:
Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid1049796 nak700 source which supplies "Samson & Delilah" in its entirety, as well as a 0:49 patch in "Drums" - Between song transitions smoothed - "Other One" space included in "The Other One"
Taper: Bob Wagner
2:51:48
Rating:
10.00 / 3 ratings
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1981-08-30.fob.nak700.wagner.miller.104976.flac24
Source:
(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Bob Wagner for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Bob Wagner
2:51:48
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1981-08-30.fob.nak700.wagner.miller.104973.flac16
Source:
(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Bob Wagner for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Doug Lamarre
2:35:20
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-08-30.136728.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; set up left of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper Notes:
View Notesthis is a new transfer of the source tape from shnid 9707. The previous seed was mislabeled, as Doug did not get his senn 441’s until a few months after this show.
Taper: Doug Lamarre
2:35:20
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-08-30.136727.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; set up left of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper Notes:
View Notesthis is a new transfer of the source tape from shnid 9707. The previous seed was mislabeled, as Doug did not get his senn 441’s until a few months after this show.
Source 14 of 14
2:35:49
Rating:
8.75 / 8 ratings
SHNID:
gd81-08-30.senn441.munder.9707.sbeok.shnf
Source:
Audience Recording: Sennheiser 441's
Lineage:
FOB Senn 441's> SonyTC-150> CM> DAT> CD
Taper Notes:
View NotesFOB Senn 441's>SonyTC-150>CM>DAT>CD; via Mike Rogers; Seeded to etree by Willy