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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h1.1k158
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h63590
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.5k874
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.6k329
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h5.7k744
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3k389
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.4k423
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k159
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k297
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h87197
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k246
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k185
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.9k242
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.4k313
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6k698
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.3k190
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.2k420
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h11.9k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k706
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87272
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.8k594
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.8k625
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k471
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.3k258
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.4k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k620
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h50961
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12018
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h31822
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h443
7d1066
30d56034
2 shows
2 tapes
1981
8/30/81
Tuning
4:02
Mississippi Half-Step Uptown Toodeloo ->
8:29
Franklin's Tower ->
9:18
New Minglewood Blues
8:13
Tennessee Jed
8:25
Mama Tried ->
2:38
Mexicali Blues
5:17
It Must Have Been The Roses
6:49
Beat It On Down The Line
3:25
Cumberland Blues ->
5:28
Looks Like Rain
8:19
Might As Well
4:37
Samson And Delilah
9:05
Ship Of Fools
8:05
Estimated Prophet ->
12:22
He's Gone ->
14:43
Drums ->
9:16
Space ->
5:00
The Other One ->
9:45
Stella Blue ->
10:12
Goin' Down The Road Feeling Bad ->
5:59
Good Lovin'
8:58
Don't Ease Me In
3:23
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:52:59
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1981-08-30.sbd.miller.105216.flac16
Source:
SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD
Lineage:
CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- This is a re-master of shnid=30118 -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:56:18
SBD
Rating:
8.00 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd81-08-30.sbd.miller.30118.sbeok.flacf
Source:
Soundboard
Lineage:
SBD > Cassette Master > Cassette > Cassette > DAT > CD > EAC > Samplitude v7.02 Professional > FLAC16
Taper Notes:
View NotesThere are a few patches in the 1st Set (due to diginoise) with SBD>Cm>?>Cass>CD. There is a split-second of noise in GDTRFB that I couldn't patch. There are also patches in Roses, Might As Well, He's Gone, Drums, Good Lovin and all of Don't Ease Me In from (FOB)Neumann KM84>Cass Master>Dat>Cool Edit Pro>CD. (It's not as bad as it looks) -- Seamless transition between discs 2 and 3. -- Thanks to Andy Lemieux and Joe Browning for their help with this project.
Transferrer: JR Fishman
2:51:19
SBD
Rating:
10.00 / 3 ratings
Transferrer:
JR Fishman
SHNID:
gd1981-08-30.sbd.miller.fishman.repitch-30118.78602.sbefail.flac16
Source:
SBD > Cassette Master > Cassette > Cassette > Dat > CD D
Lineage:
CD > EAC > Samplitude v7.02 Professional > FLAC
Taper Notes:
View Notes-- Seamless transition between discs 2 and 3. -- Thanks to Andy Lemieux and Joe Browning for their help with this project. -- Pitch and Tempo adjusted by JR Fishman to 96.92% using audience recording
Taper: Jim Vita
2:46:20
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-08-30.152724.nak304.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the (FOB) Sennheiser 441 source which supplies the crowd and beginning of "Tennessee Jed (0:49 total), the crowd and first few notes of "Samson & Delilah" (0:09 total), a 0:40 patch in the Jam after "He's Gone", as well as a 2:17 patch in "Drums" - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:05 patch in the "Cumberland Blues > Looks Like Rain" transition, as well as a secondary 6:48 patch in "Drums" - Other One space included in "The Other One" - Pitch verified Mastered by Scott Clugston May 2021
Taper: Jim Vita
2:46:20
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-08-30.152723.nak304.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the (FOB) Sennheiser 441 source which supplies the crowd and beginning of "Tennessee Jed (0:49 total), the crowd and first few notes of "Samson & Delilah" (0:09 total), a 0:40 patch in the Jam after "He's Gone", as well as a 2:17 patch in "Drums" - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:05 patch in the "Cumberland Blues > Looks Like Rain" transition, as well as a secondary 6:48 patch in "Drums" - Other One space included in "The Other One" - Pitch verified Mastered by Scott Clugston May 2021
Taper: Mark Severson
2:52:39
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-08-30.144668.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the shnid104973 (FOB) Nakamichi 700 source which supplies the "Crowd" and first few notes of "Samson & Delilah" (0:31 total), a 0:03 patch in "He's Gone", as well as a 0:04 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:52:39
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-08-30.144667.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the shnid104973 (FOB) Nakamichi 700 source which supplies the "Crowd" and first few notes of "Samson & Delilah" (0:31 total), a 0:03 patch in "He's Gone", as well as a 0:04 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston January 2019
Taper: Frank Streeter
2:47:23
Rating:
10.00 / 1 rating
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1981-08-30.139997.fob.senn421.streeter.miller.clugston.flac2496
Source:
Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid1049796 nak700 source which supplies "Samson & Delilah" in its entirety, as well as a 0:49 patch in "Drums" - Between song transitions smoothed - "Other One" space included in "The Other One"
Taper: Frank Streeter
2:47:23
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1981-08-30.139996.fob.senn421.streeter.miller.clugston.flac1644
Source:
Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid1049796 nak700 source which supplies "Samson & Delilah" in its entirety, as well as a 0:49 patch in "Drums" - Between song transitions smoothed - "Other One" space included in "The Other One"
Taper: Bob Wagner
2:51:48
Rating:
10.00 / 3 ratings
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1981-08-30.fob.nak700.wagner.miller.104976.flac24
Source:
(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Bob Wagner for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Bob Wagner
2:51:48
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1981-08-30.fob.nak700.wagner.miller.104973.flac16
Source:
(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Bob Wagner for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Doug Lamarre
2:35:20
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-08-30.136728.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; set up left of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper Notes:
View Notesthis is a new transfer of the source tape from shnid 9707. The previous seed was mislabeled, as Doug did not get his senn 441’s until a few months after this show.
Taper: Doug Lamarre
2:35:20
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-08-30.136727.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; set up left of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper Notes:
View Notesthis is a new transfer of the source tape from shnid 9707. The previous seed was mislabeled, as Doug did not get his senn 441’s until a few months after this show.
Source 14 of 14
2:35:49
Rating:
8.75 / 8 ratings
SHNID:
gd81-08-30.senn441.munder.9707.sbeok.shnf
Source:
Audience Recording: Sennheiser 441's
Lineage:
FOB Senn 441's> SonyTC-150> CM> DAT> CD
Taper Notes:
View NotesFOB Senn 441's>SonyTC-150>CM>DAT>CD; via Mike Rogers; Seeded to etree by Willy