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Bands
Grateful Dead
Today In History
June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h62584
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.7k221
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.1k381
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.2k284
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.1k451
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9.1k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.5k306
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k136
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k199
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h71280
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.5k171
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3.2k381
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k156
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.1k141
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.4k175
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h4.1k472
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.6k228
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k249
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h19.7k2.7k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h6.7k964
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h44246
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h6.3k843
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h6.5k833
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.2k282
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k190
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.8k196
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.6k251
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h875117
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13117
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h28816
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h463
7d1076
30d59434
2 shows
2 tapes
1981
Sources
Taper: Jim Vita
2:52:36
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-06.152950.nak500.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:13 patch in "Little Red Rooster", a 0:25 patch in Jam after "He's Gone", as well as a 0:16 patch in the "Goin' Down The Road Feeling Bad > Wharf Rat" transition - Other One space included in "The Other One" - "Good Lovin'" and the "Don't Ease Me In" encore are from a first generation cassette - Pitch Corrected Mastered by Scott Clugston July 2021
Taper: Jim Vita
2:52:36
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-06.152949.nak500.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:13 patch in "Little Red Rooster", a 0:25 patch in Jam after "He's Gone", as well as a 0:16 patch in the "Goin' Down The Road Feeling Bad > Wharf Rat" transition - Other One space included in "The Other One" - "Good Lovin'" and the "Don't Ease Me In" encore are from a first generation cassette - Pitch Corrected Mastered by Scott Clugston July 2021
Taper: Mark Severson
2:58:28
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-06.144701.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - on a handheld pole 30' from stage in the penalty box)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise for the Sennheiser 421 source which supplies an 0:08 patch in "Drums" - Pitch corrected - "He's Gone" dedicated to IRA hunger striker Bobby Sands - Other One space included in "The Other One" Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:58:28
Rating:
10.00 / 1 rating
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-06.144700.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - on a handheld pole 30' from stage in the penalty box)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise for the Sennheiser 421 source which supplies an 0:08 patch in "Drums" - Pitch corrected - "He's Gone" dedicated to IRA hunger striker Bobby Sands - Other One space included in "The Other One" Mastered by Scott Clugston January 2019
Taper: Jim Wise
2:49:10
Rating:
10.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller and David Minches
SHNID:
gd1981-05-06.140903.senn421.wise.minches.miller.clugston.flac2496
Source:
Source Info: Jim Wise's Master Audience Cassette w/ dolby B; Sennheiser 421's > Sony TC-D5; Transfer Info: Cassette Master (Nakamichi Dragon) w/ dolby B > KORG MR1000 (.wav 24 bit-96k) > Samplitude > Adobe Audition 3.0> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for the master recording - Thanks to David Minches for the transfer - Thanks to Charlie Miller for coordinating this effort - Evidently, Dan Healy was not feeling friendly toward tapers on this night and was shutting down any tapers he saw. For whatever reason, he allowed Jeff Hellman to set up his Sennheiser 421's in the sound booth, Ed Claridge patched out of Jeff Hellman and Jim Wise patched out of Ed Claridge - Thanks to the folks responsible for the shnid139786 Sennheiser 421 source which supplies a 0:16 patch in the Jam in "He's Gone", as well as a 0:18 patch in "Drums" - Transitions smoothed - "He's Gone" dedicated to Bobby Sands - noodle into "The Other One" included in "The Other One" Mastered by Scott Clugston and Charlie Miller February 2, 2018
Taper: Jim Wise
2:49:10
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller and David Minches
SHNID:
gd1981-05-06.140902.senn421.wise.minches.miller.clugston.flac1644
Source:
Source Info: Jim Wise's Master Audience Cassette w/ dolby B; Sennheiser 421's > Sony TC-D5; Transfer Info: Cassette Master (Nakamichi Dragon) w/ dolby B > KORG MR1000 (.wav 24 bit-96k) > Samplitude > Adobe Audition 3.0> TLH flac2496; 24 bit > 16 bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for the master recording - Thanks to David Minches for the transfer - Thanks to Charlie Miller for coordinating this effort - Evidently, Dan Healy was not feeling friendly toward tapers on this night and was shutting down any tapers he saw. For whatever reason, he allowed Jeff Hellman to set up his Sennheiser 421's in the sound booth, Ed Claridge patched out of Jeff Hellman and Jim Wise patched out of Ed Claridge - Thanks to the folks responsible for the shnid139786 Sennheiser 421 source which supplies a 0:16 patch in the Jam in "He's Gone", as well as a 0:18 patch in "Drums" - Transitions smoothed - "He's Gone" dedicated to Bobby Sands - noodle into "The Other One" included in "The Other One" Mastered by Scott Clugston and Charlie Miller February 2, 2018
Taper: Frank Streeter
1:38:27
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid82368 sennheiser 421 source which supplies the first 0:15 of "New Minglewood Blues", from 15:50 thru 16:13 of "He's Gone", from 0:34 thru 7:06 of "Drums", as well as the "Don't Ease Me In" encore - Transitions smoothed - "He's Gone" dedicated to Bobby Sands - "He's Gone" clocks in at 27:05 - noodling into "The Other One" included in "The Other One" - This set is seamless Transfer by Charlie Miller Mastered by Scott Clugston Date 11/12/17
Taper: Frank Streeter
1:38:27
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
Taper Notes:
View Notes- Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid82368 sennheiser 421 source which supplies the first 0:15 of "New Minglewood Blues", from 15:50 thru 16:13 of "He's Gone", from 0:34 thru 7:06 of "Drums", as well as the "Don't Ease Me In" encore - Transitions smoothed - "He's Gone" dedicated to Bobby Sands - "He's Gone" clocks in at 27:05 - noodling into "The Other One" included in "The Other One" - This set is seamless
Taper: Master Cassettes Recorded by Jon Bernstein
2:48:30
Taper:
Master Cassettes Recorded by Jon Bernstein
Transferrer:
Transfer, Mastering by Ray Ackerman Edited, Processed w/ add'l Mastering by Joe Noel December 11, 2025
SHNID:
gd1981-05-06.175894.aud.bernstein.ackerman.noel.flac2496
Source:
?? mics > ?? lead deck > ?? Deck > Master Cassettes
Lineage:
Master Cassettes > Nakamichi Cassette Deck 1 > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 > Adobe Audition > FLAC 2496
Taper Notes:
View NotesNotes; - Show originally scheduled for 5/7/81 * Dedicated to Bobby Sands - Officially released as Dick's Picks 13 - The mics can't be recalled, but a quick listen reveals our taper was centered and up front - All tape flips were x-faded Thanks to; - Jon Bernstein for his recording efforts & sharing his masters - Ray Ackerman for the quality transfer - Jim Vita for the patch source
Taper: Brian Schley
2:53:59
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1981-05-06.150430.aud.schley.flac2448
Lineage:
Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesNote: It's a nice recording, apparently from the floor, and doesn't match current Auds. Unfortunately, there were some small issues with errant tape-flips, mic-cable drops, crowd intrusion, plus Drums was paused-out entirely. All these patched with ID-140903, listed below. Thanks Jon Pasternak & Charlie McGuth for organizing this project! Patch list: Rooster 0:00 > 0:30 and 8:48 > 8:53. Minglewood 4:17 > 4:23. High Time 0:00 > 0:04. Jam 5:11 > 5:37. Drums 0:09 > Space 0:10. GDTRFB 5:26 > 5:30. Wharf Rat 9:11 > 9:17.
Transferrer: Rob Berger
2:44:40
Transferrer:
Rob Berger
SHNID:
gd1981-05-06.136736.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper: Doug Lamarre
2:44:40
Rating:
10.00 / 1 rating
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-05-06.136735.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper: Jim Wise
2:50:02
Taper:
Jim Wise
Transferrer:
Andrew F.
SHNID:
gd1981-05-06.senn421.wise.andrewf.82368.sbeok.flac16
Source:
Sennheiser 421's > Sony TC-D5 > MAC (> likely Nakamichi Dragon > HHB CDR) > CD
Lineage:
CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View Notes- The show was originally scheduled for 05-07-1981. - WavMerge and CD-Wave used to make new track-ID's. - Soundforge used for the patches, and to make fades. - TLH used for SBE-OK, lossless compression, and checksums. - Tape flips covered with patches taken from ShnID-17697. - Patch in Rooster (in crowd noise at track end), 9:17 > 9:54. - Patch in Dire Wolf, 0:00 > 0:08. - Patch in Jam, 0:39 > 0:55. - Patch in Drums, 6:30 > 6:37. - Because filler is from SBD, this AUD is currently streaming-only
Taper: Barry Glassberg
2:56:40
Rating:
9.03 / 33 ratings
Taper:
Barry Glassberg
SHNID:
gd81-05-06.glassberg.vernon.17697.sbeok.shnf
Source:
Audience Recording: Nak 700's
Lineage:
NAK-700's > SONY TC-D5M Dolby On, FOB
Taper Notes:
View NotesNAK-700's > SONY TC-D5M Dolby On taped by Barry Glassberg FOB via Mark Cohen, John Steinthal encoded by Matt Vernon; Note- - this version supercedes a <a href="http://db.etree.org/shninfo_detail.php?shnid=10379" rel="ugc nofollow">previous</a> shn set from this same source
Taper: Barry Glassberg
2:54:24
Rating:
8.00 / 1 rating
Taper:
Barry Glassberg
Transferrer:
Matt Vernon
SHNID:
gd1981-05-06.nak700.glassberg.vernon.10379.shnf
Source:
Nak 700's > Sony TC-D5M > MC > DAT > CD
Lineage:
CD > EAC(secure) > mkwact(seekable) > SHN
Taper Notes:
View NotesShow was originally scheduled for May 7. (1) dedicated to IRA hunger striker Bobby Sands. disk 2 & 3 can be rejoined for seamless play when longer media are available