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Bands
Grateful Dead
Today In History
June 6th
Years
1995
29.2k
PlaybackListensHours
48h2.7k372
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h743104
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.4k599
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1k135
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h2.1k282
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.8k369
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h4.1k517
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.4k160
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.8k303
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h979109
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.6k203
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.6k206
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k239
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.3k296
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k691
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.4k193
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h8.2k1k
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h16.2k2.2k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h9k1.2k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h92879
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.5k561
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.5k589
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k390
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k250
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.5k730
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k584
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60576
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h15923
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h50036
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h443
7d1277
30d57234
2 shows
2 tapes
1981
Sources
Taper: Jim Vita
2:52:36
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-06.152950.nak500.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:13 patch in "Little Red Rooster", a 0:25 patch in Jam after "He's Gone", as well as a 0:16 patch in the "Goin' Down The Road Feeling Bad > Wharf Rat" transition - Other One space included in "The Other One" - "Good Lovin'" and the "Don't Ease Me In" encore are from a first generation cassette - Pitch Corrected Mastered by Scott Clugston July 2021
Taper: Jim Vita
2:52:36
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-06.152949.nak500.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:13 patch in "Little Red Rooster", a 0:25 patch in Jam after "He's Gone", as well as a 0:16 patch in the "Goin' Down The Road Feeling Bad > Wharf Rat" transition - Other One space included in "The Other One" - "Good Lovin'" and the "Don't Ease Me In" encore are from a first generation cassette - Pitch Corrected Mastered by Scott Clugston July 2021
Taper: Mark Severson
2:58:28
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-06.144701.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - on a handheld pole 30' from stage in the penalty box)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise for the Sennheiser 421 source which supplies an 0:08 patch in "Drums" - Pitch corrected - "He's Gone" dedicated to IRA hunger striker Bobby Sands - Other One space included in "The Other One" Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:58:28
Rating:
10.00 / 1 rating
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-06.144700.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - on a handheld pole 30' from stage in the penalty box)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise for the Sennheiser 421 source which supplies an 0:08 patch in "Drums" - Pitch corrected - "He's Gone" dedicated to IRA hunger striker Bobby Sands - Other One space included in "The Other One" Mastered by Scott Clugston January 2019
Taper: Jim Wise
2:49:10
Rating:
10.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller and David Minches
SHNID:
gd1981-05-06.140903.senn421.wise.minches.miller.clugston.flac2496
Source:
Source Info: Jim Wise's Master Audience Cassette w/ dolby B; Sennheiser 421's > Sony TC-D5; Transfer Info: Cassette Master (Nakamichi Dragon) w/ dolby B > KORG MR1000 (.wav 24 bit-96k) > Samplitude > Adobe Audition 3.0> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for the master recording - Thanks to David Minches for the transfer - Thanks to Charlie Miller for coordinating this effort - Evidently, Dan Healy was not feeling friendly toward tapers on this night and was shutting down any tapers he saw. For whatever reason, he allowed Jeff Hellman to set up his Sennheiser 421's in the sound booth, Ed Claridge patched out of Jeff Hellman and Jim Wise patched out of Ed Claridge - Thanks to the folks responsible for the shnid139786 Sennheiser 421 source which supplies a 0:16 patch in the Jam in "He's Gone", as well as a 0:18 patch in "Drums" - Transitions smoothed - "He's Gone" dedicated to Bobby Sands - noodle into "The Other One" included in "The Other One" Mastered by Scott Clugston and Charlie Miller February 2, 2018
Taper: Jim Wise
2:49:10
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller and David Minches
SHNID:
gd1981-05-06.140902.senn421.wise.minches.miller.clugston.flac1644
Source:
Source Info: Jim Wise's Master Audience Cassette w/ dolby B; Sennheiser 421's > Sony TC-D5; Transfer Info: Cassette Master (Nakamichi Dragon) w/ dolby B > KORG MR1000 (.wav 24 bit-96k) > Samplitude > Adobe Audition 3.0> TLH flac2496; 24 bit > 16 bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for the master recording - Thanks to David Minches for the transfer - Thanks to Charlie Miller for coordinating this effort - Evidently, Dan Healy was not feeling friendly toward tapers on this night and was shutting down any tapers he saw. For whatever reason, he allowed Jeff Hellman to set up his Sennheiser 421's in the sound booth, Ed Claridge patched out of Jeff Hellman and Jim Wise patched out of Ed Claridge - Thanks to the folks responsible for the shnid139786 Sennheiser 421 source which supplies a 0:16 patch in the Jam in "He's Gone", as well as a 0:18 patch in "Drums" - Transitions smoothed - "He's Gone" dedicated to Bobby Sands - noodle into "The Other One" included in "The Other One" Mastered by Scott Clugston and Charlie Miller February 2, 2018
Taper: Frank Streeter
1:38:27
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid82368 sennheiser 421 source which supplies the first 0:15 of "New Minglewood Blues", from 15:50 thru 16:13 of "He's Gone", from 0:34 thru 7:06 of "Drums", as well as the "Don't Ease Me In" encore - Transitions smoothed - "He's Gone" dedicated to Bobby Sands - "He's Gone" clocks in at 27:05 - noodling into "The Other One" included in "The Other One" - This set is seamless Transfer by Charlie Miller Mastered by Scott Clugston Date 11/12/17
Taper: Frank Streeter
1:38:27
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Scott Clugston
Taper Notes:
View Notes- Thanks to Frank Streeter for the master recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid82368 sennheiser 421 source which supplies the first 0:15 of "New Minglewood Blues", from 15:50 thru 16:13 of "He's Gone", from 0:34 thru 7:06 of "Drums", as well as the "Don't Ease Me In" encore - Transitions smoothed - "He's Gone" dedicated to Bobby Sands - "He's Gone" clocks in at 27:05 - noodling into "The Other One" included in "The Other One" - This set is seamless
Taper: Master Cassettes Recorded by Jon Bernstein
2:48:30
Taper:
Master Cassettes Recorded by Jon Bernstein
Transferrer:
Transfer, Mastering by Ray Ackerman Edited, Processed w/ add'l Mastering by Joe Noel December 11, 2025
SHNID:
gd1981-05-06.175894.aud.bernstein.ackerman.noel.flac2496
Source:
?? mics > ?? lead deck > ?? Deck > Master Cassettes
Lineage:
Master Cassettes > Nakamichi Cassette Deck 1 > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 > Adobe Audition > FLAC 2496
Taper Notes:
View NotesNotes; - Show originally scheduled for 5/7/81 * Dedicated to Bobby Sands - Officially released as Dick's Picks 13 - The mics can't be recalled, but a quick listen reveals our taper was centered and up front - All tape flips were x-faded Thanks to; - Jon Bernstein for his recording efforts & sharing his masters - Ray Ackerman for the quality transfer - Jim Vita for the patch source
Taper: Brian Schley
2:53:59
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1981-05-06.150430.aud.schley.flac2448
Lineage:
Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesNote: It's a nice recording, apparently from the floor, and doesn't match current Auds. Unfortunately, there were some small issues with errant tape-flips, mic-cable drops, crowd intrusion, plus Drums was paused-out entirely. All these patched with ID-140903, listed below. Thanks Jon Pasternak & Charlie McGuth for organizing this project! Patch list: Rooster 0:00 > 0:30 and 8:48 > 8:53. Minglewood 4:17 > 4:23. High Time 0:00 > 0:04. Jam 5:11 > 5:37. Drums 0:09 > Space 0:10. GDTRFB 5:26 > 5:30. Wharf Rat 9:11 > 9:17.
Transferrer: Rob Berger
2:44:40
Transferrer:
Rob Berger
SHNID:
gd1981-05-06.136736.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper: Doug Lamarre
2:44:40
Rating:
10.00 / 1 rating
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-05-06.136735.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
Taper: Jim Wise
2:50:02
Taper:
Jim Wise
Transferrer:
Andrew F.
SHNID:
gd1981-05-06.senn421.wise.andrewf.82368.sbeok.flac16
Source:
Sennheiser 421's > Sony TC-D5 > MAC (> likely Nakamichi Dragon > HHB CDR) > CD
Lineage:
CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View Notes- The show was originally scheduled for 05-07-1981. - WavMerge and CD-Wave used to make new track-ID's. - Soundforge used for the patches, and to make fades. - TLH used for SBE-OK, lossless compression, and checksums. - Tape flips covered with patches taken from ShnID-17697. - Patch in Rooster (in crowd noise at track end), 9:17 > 9:54. - Patch in Dire Wolf, 0:00 > 0:08. - Patch in Jam, 0:39 > 0:55. - Patch in Drums, 6:30 > 6:37. - Because filler is from SBD, this AUD is currently streaming-only
Taper: Barry Glassberg
2:56:40
Rating:
9.03 / 33 ratings
Taper:
Barry Glassberg
SHNID:
gd81-05-06.glassberg.vernon.17697.sbeok.shnf
Source:
Audience Recording: Nak 700's
Lineage:
NAK-700's > SONY TC-D5M Dolby On, FOB
Taper Notes:
View NotesNAK-700's > SONY TC-D5M Dolby On taped by Barry Glassberg FOB via Mark Cohen, John Steinthal encoded by Matt Vernon; Note- - this version supercedes a <a href="http://db.etree.org/shninfo_detail.php?shnid=10379" rel="ugc nofollow">previous</a> shn set from this same source
Taper: Barry Glassberg
2:54:24
Rating:
8.00 / 1 rating
Taper:
Barry Glassberg
Transferrer:
Matt Vernon
SHNID:
gd1981-05-06.nak700.glassberg.vernon.10379.shnf
Source:
Nak 700's > Sony TC-D5M > MC > DAT > CD
Lineage:
CD > EAC(secure) > mkwact(seekable) > SHN
Taper Notes:
View NotesShow was originally scheduled for May 7. (1) dedicated to IRA hunger striker Bobby Sands. disk 2 & 3 can be rejoined for seamless play when longer media are available