Goin’ Down The Road Feelin’ Bad > | 1981-05-06 | Grateful Dead

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:13 patch in "Little Red Rooster", a 0:25 patch in Jam after "He's Gone", as well as a 0:16 patch in the "Goin' Down The Road Feeling Bad > Wharf Rat" transition
- Other One space included in "The Other One"
- "Good Lovin'" and the "Don't Ease Me In" encore are from a first generation cassette
- Pitch Corrected

Mastered by Scott Clugston
July 2021

Taper: Jim Vita

2:52:36

Taper:

Jim Vita

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1981-05-06.152949.nak500.vita.miller.clugston.flac1648

Source:

Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII)

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:13 patch in "Little Red Rooster", a 0:25 patch in Jam after "He's Gone", as well as a 0:16 patch in the "Goin' Down The Road Feeling Bad > Wharf Rat" transition
- Other One space included in "The Other One"
- "Good Lovin'" and the "Don't Ease Me In" encore are from a first generation cassette
- Pitch Corrected

Mastered by Scott Clugston
July 2021

Taper: Mark Severson

Scott Clugston and Charlie Miller

SHNID:

gd1981-05-06.144701.fob.nak700.severson.miller.clugston.flac2496

Source:

Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - on a handheld pole 30' from stage in the penalty box)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX)

Lineage:

Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jim Wise for the Sennheiser 421 source which supplies an 0:08 patch in "Drums"
- Pitch corrected
- "He's Gone" dedicated to IRA hunger striker Bobby Sands
- Other One space included in "The Other One"

Mastered by Scott Clugston
January 2019

Taper: Mark Severson

Scott Clugston and Charlie Miller

SHNID:

gd1981-05-06.144700.fob.nak700.severson.miller.clugston.flac1648

Source:

Lineage:

Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jim Wise for the Sennheiser 421 source which supplies an 0:08 patch in "Drums"
- Pitch corrected
- "He's Gone" dedicated to IRA hunger striker Bobby Sands
- Other One space included in "The Other One"

Mastered by Scott Clugston
January 2019

Taper: Jim Wise

Scott Clugston and Charlie Miller and David Minches

SHNID:

gd1981-05-06.140903.senn421.wise.minches.miller.clugston.flac2496

Source:

Source Info: Jim Wise's Master Audience Cassette w/ dolby B; Sennheiser 421's > Sony TC-D5; Transfer Info: Cassette Master (Nakamichi Dragon) w/ dolby B > KORG MR1000 (.wav 24 bit-96k) > Samplitude > Adobe Audition 3.0> TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Wise for the master recording
- Thanks to David Minches for the transfer
- Thanks to Charlie Miller for coordinating this effort
- Evidently, Dan Healy was not feeling friendly toward tapers on this night and was shutting down any tapers he saw. For whatever reason, he allowed Jeff Hellman to set up his Sennheiser 421's in the sound booth, Ed Claridge patched out of Jeff Hellman and Jim Wise patched out of Ed Claridge
- Thanks to the folks responsible for the shnid139786 Sennheiser 421 source which supplies a 0:16 patch in the Jam in "He's Gone", as well as a 0:18 patch in "Drums"
- Transitions smoothed
- "He's Gone" dedicated to Bobby Sands
- noodle into "The Other One" included in "The Other One"

Mastered by Scott Clugston and Charlie Miller
February 2, 2018

Taper: Jim Wise

Scott Clugston and Charlie Miller and David Minches

SHNID:

gd1981-05-06.140902.senn421.wise.minches.miller.clugston.flac1644

Source:

Taper Notes:

View NotesNotes:
- Thanks to Jim Wise for the master recording
- Thanks to David Minches for the transfer
- Thanks to Charlie Miller for coordinating this effort
- Evidently, Dan Healy was not feeling friendly toward tapers on this night and was shutting down any tapers he saw. For whatever reason, he allowed Jeff Hellman to set up his Sennheiser 421's in the sound booth, Ed Claridge patched out of Jeff Hellman and Jim Wise patched out of Ed Claridge
- Thanks to the folks responsible for the shnid139786 Sennheiser 421 source which supplies a 0:16 patch in the Jam in "He's Gone", as well as a 0:18 patch in "Drums"
- Transitions smoothed
- "He's Gone" dedicated to Bobby Sands
- noodle into "The Other One" included in "The Other One"

Mastered by Scott Clugston and Charlie Miller
February 2, 2018

Taper: Frank Streeter

Charlie Miller and Scott Clugston

Taper Notes:

View NotesNotes:
- Thanks to Frank Streeter for the master recording
- Thanks to Charlie Miller for the transfer
- Thanks to the folks responsible for the shnid82368 sennheiser 421 source which supplies the first 0:15 of "New Minglewood Blues", from 15:50 thru 16:13 of "He's Gone", from 0:34 thru 7:06 of "Drums", as well as the "Don't Ease Me In" encore  
- Transitions smoothed
- "He's Gone" dedicated to Bobby Sands
- "He's Gone" clocks in at 27:05
- noodling into "The Other One" included in "The Other One"
- This set is seamless

Transfer by Charlie Miller
Mastered by Scott Clugston
Date 11/12/17

Taper: Frank Streeter

Charlie Miller and Scott Clugston

Taper Notes:

View Notes- Thanks to Frank Streeter for the master recording
- Thanks to Charlie Miller for the transfer
- Thanks to the folks responsible for the shnid82368 sennheiser 421 source which supplies the first 0:15 of "New Minglewood Blues", from 15:50 thru 16:13 of "He's Gone", from 0:34 thru 7:06 of "Drums", as well as the "Don't Ease Me In" encore  
- Transitions smoothed
- "He's Gone" dedicated to Bobby Sands
- "He's Gone" clocks in at 27:05
- noodling into "The Other One" included in "The Other One"
- This set is seamless

Taper: Master Cassettes Recorded by Jon Bernstein

2:48:30

Taper:

Master Cassettes Recorded by Jon Bernstein

Transferrer:

Transfer, Mastering by Ray Ackerman Edited, Processed w/ add'l Mastering by Joe Noel December 11, 2025

SHNID:

gd1981-05-06.175894.aud.bernstein.ackerman.noel.flac2496

Source:

?? mics > ?? lead deck > ?? Deck > Master Cassettes

Lineage:

Master Cassettes > Nakamichi Cassette Deck 1 > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 > Adobe Audition > FLAC 2496

Taper Notes:

View NotesNotes;
- Show originally scheduled for 5/7/81
* Dedicated to Bobby Sands
- Officially released as Dick's Picks 13
- The mics can't be recalled, but a quick listen reveals our taper was centered and up front
- All tape flips were x-faded

Thanks to;
- Jon Bernstein for his recording efforts & sharing his masters
- Ray Ackerman for the quality transfer
- Jim Vita for the patch source

Taper: Brian Schley

gd1981-05-06.150430.aud.schley.flac2448

Lineage:

Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

Taper Notes:

View NotesNote: It's a nice recording, apparently from the floor, and doesn't
match current Auds. Unfortunately, there were some small issues with
errant tape-flips, mic-cable drops, crowd intrusion, plus Drums was
paused-out entirely. All these patched with ID-140903, listed below.
Thanks Jon Pasternak & Charlie McGuth for organizing this project!

Patch list:
Rooster 0:00 > 0:30 and 8:48 > 8:53.
Minglewood 4:17 > 4:23.
High Time 0:00 > 0:04.
Jam 5:11 > 5:37.
Drums 0:09 > Space 0:10.
GDTRFB 5:26 > 5:30.
Wharf Rat 9:11 > 9:17.

Transferrer: Rob Berger

gd1981-05-06.136736.aud.lamarre.berger.flac16

Source:

source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger

Taper: Doug Lamarre

gd1981-05-06.136735.aud.lamarre.berger.flac24

Taper: Jim Wise

gd1981-05-06.senn421.wise.andrewf.82368.sbeok.flac16

Source:

Sennheiser 421's > Sony TC-D5 > MAC (> likely Nakamichi Dragon > HHB CDR) > CD

Lineage:

CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC

Taper Notes:

View Notes- The show was originally scheduled for 05-07-1981.
- WavMerge and CD-Wave used to make new track-ID's.
- Soundforge used for the patches, and to make fades.
- TLH used for SBE-OK, lossless compression, and checksums.
- Tape flips covered with patches taken from ShnID-17697.
- Patch in Rooster (in crowd noise at track end), 9:17 > 9:54.
- Patch in Dire Wolf, 0:00 > 0:08.
- Patch in Jam, 0:39 > 0:55.
- Patch in Drums, 6:30 > 6:37.
- Because filler is from SBD, this AUD is currently streaming-only

Taper: Barry Glassberg

gd81-05-06.glassberg.vernon.17697.sbeok.shnf

Source:

Audience Recording: Nak 700's

Lineage:

NAK-700's > SONY TC-D5M Dolby On, FOB

Taper Notes:

View NotesNAK-700's > SONY TC-D5M Dolby On taped by Barry Glassberg FOB via Mark Cohen, John Steinthal encoded by Matt Vernon; Note- - this version supercedes a <a href="http://db.etree.org/shninfo_detail.php?shnid=10379" rel="ugc nofollow">previous</a> shn set from this same source

Taper: Barry Glassberg

gd1981-05-06.nak700.glassberg.vernon.10379.shnf

Source:

Nak 700's > Sony TC-D5M > MC > DAT > CD

Lineage:

CD > EAC(secure) > mkwact(seekable) > SHN

Taper Notes:

View NotesShow was originally scheduled for May 7. 
(1) dedicated to IRA hunger striker Bobby Sands.

disk 2 & 3 can be rejoined for seamless play when longer media are available