The Music Never Stopped > | 1981-05-05 | Grateful Dead

View Notes* must have paused between tunes OR the copy was made from a master which started Scarlet on end   of tape 1 side B
+   some drums cut to save tape (approximately 7 minutes)
/// swapped back to tape 1, missed about 8 seconds JBG
**  cut at end, master missing 1 minute 25 seconds; spliced from shnID 102023 https://archive.org/details/gd1981-05-05.fob.nak300.morris.102023.sbeok.flac16

Taper: David Prescott

2:36:32

SBD

gd1981-05-05.152446.beyer201-prescott.holbrook.flac1644

Source:

Lineage:

Taper Notes:

View Notes* must have paused between tunes OR the copy was made from a master which started Scarlet on end   of tape 1 side B
+   some drums cut to save tape (approximately 7 minutes)
/// swapped back to tape 1, missed about 8 seconds JBG
**  cut at end, master missing 1 minute 25 seconds; spliced from shnID 102023 https://archive.org/details/gd1981-05-05.fob.nak300.morris.102023.sbeok.flac16

Taper: Bob Wagner

gd1981-05-05.150659.cm.fob.nak700.miller.flac16

Source:

(FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-S/Dolby B)

Lineage:

Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24

Taper Notes:

View NotesPatch Info:
Sennheiser 421 > Cassette Master (shnid=143043) supplies:
Drums (7:53 - 8:24)

Notes:
-- Recorded by Bob Wagner
-- There's a slight Spanish Jam after Truckin'
-- Thanks to Jim Wise and Scott Clugston for the patch source
-- This file set is 16 bit @ 44.1

Taper: Bob Wagner

gd1981-05-05.150617.cm.fob.nak700.miller.flac24

Source:

(FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-S/Dolby B)

Lineage:

Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24

Taper Notes:

View NotesPatch Info:
Sennheiser 421 > Cassette Master (shnid=143043) supplies:
Drums (7:53 - 8:24)

Notes:
-- Recorded by Bob Wagner
-- There's a slight Spanish Jam after Truckin'
-- Thanks to Jim Wise and Scott Clugston for the patch source

Taper: Jim Wise

Scott Clugston and Charlie Miller

SHNID:

gd1981-05-05.143044.senn421.wise.miller.clugston.flac1648

Source:

<b>flac16/48kHz</b>; Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp

Taper Notes:

View NotesNotes:
- Thanks to Jim Wise for recording the show and the fresh transcription of his audience master
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Doug Lamarre and Rob Berger for the shnid135254 Arista mic source which supplies a 0:31 patch in "Drums", as well as a 0:05 patch at the end of "Truckin'"
- Thanks to Joe B. Jones for his assistance with the pitch correction

Mastered by Scott Clugston
August  25, 2018

Taper: Jim Wise

Scott Clugston and Charlie Miller

SHNID:

gd1981-05-05.143043.senn421.wise.miller.clugston.flac2496

Source:

Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Wise for recording the show and the fresh transcription of his audience master
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Doug Lamarre and Rob Berger for the shnid135254 Arista mic source which supplies a 0:31 patch in "Drums", as well as a 0:05 patch at the end of "Truckin'"
- Thanks to Joe B. Jones for his assistance with the pitch correction

Mastered by Scott Clugston
August  25, 2018

Taper: Doug Lamarre

gd1981-05-05.135255.aud.flac16

Source:

source: aud cassette master; taped by Doug Lamarre; arista mics > sony D5, maxell ud-xlII90’s, dolby b; floor, near sound board; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger

Taper Notes:

View Notesnotes: brief drop out at start of Estimated was patched,
nice sound quality from the maiden voyage of Doug’s D5

Taper: Doug Lamarre

gd1981-05-05.135254.aud.flac24

Source:

Taper Notes:

View Notesnotes: brief drop out at start of Estimated was patched,
nice sound quality from the maiden voyage of Doug’s D5

Taper: Jim Wise

gd1981-05-05.134951.aud.wise.minches.flac24

Source:

Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing (Adobe Audition CC)-Mastering (iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing by Jim Wise

Taper: Unknown

Ted Gidley and Andrew F

Lineage:

XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 10/2013

Taper Notes:

View NotesNotes: Does not match the AUDs currently in the database. Some 
audible tape damage first 90-seconds of Scarlet, smoothed with 
crossfades. Parts of Wise & Morris AUD recordings patched in 
to make the Drums complete.

Taper: Bob Morris

gd1981-05-05.fob.nak300.morris.102023.sbeok.flac16

Source:

(FOB) Nakamichi CM-300 Shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90) ; Recorded FOB from floor Section 105, Row H, Seat 10

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper: Doug Mow

gd81-05-05.nak300-mow.ford.28356.sbeok.flac

Source:

Audience Recording: 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies)

Lineage:

Sony D5 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16

Taper Notes:

View Notes<b>flac16</b>; 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies); Mic Config: "primitive DIN" pointing the mics directly at the stacks forming a "Y"; Mic Location: first row behind the soundboard cage; Sony D5 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; taped and transferred byt Doug Mow; CDR> flac by Alex Ford

Taper: Jim Wise

gd81-05-05.wise.clugston.8595.sbeok.shnf

Source:

Audience Recording: Sennheiser 421's

Lineage:

Master Audience Cassette:Sennheiser 421 mics > Sony TC-D5 > DAT> CDR

Taper Notes:

View NotesJim Wise's Master Audience Cassette:
Sennheiser 421 mics > Sony TC-D5 > DAT> CDR; Seeded to etree by Scott Clugston