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Today In History
June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h53271
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k194
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.9k384
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k280
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.4k550
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k947
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.9k351
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k130
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.5k283
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h949107
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k209
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k505
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k173
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k152
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k292
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k258
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k257
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.4k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h18.4k2.4k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h21323
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k487
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k241
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k179
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k164
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h56572
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h46830
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h554
7d895
30d58534
2 shows
2 tapes
1981
5/5/81
Feel Like A Stranger
7:30
Equipment break
1:26
Peggy-O >
6:21
El Paso
5:39
Ramble On Rose
7:00
CC Rider
7:45
Brown Eyed Women
5:31
Passenger
5:18
Althea
8:51
The Music Never Stopped >
7:33
Don't Ease Me In
3:11
Scarlet Begonias > Fire On The Mountain
22:44
Estimated Prophet >
10:46
Eyes Of The World >
10:09
Drums >
3:18
Space >
5:56
Uncle John's Band >
11:28
Truckin' >
11:31
Alabama Getaway >
5:19
Johnny B. Goode
4:00
Encore: U.S. Blues
5:15
FIN
View on archive.org
Sources
Taper: David Prescott
2:36:31
SBD
Taper:
David Prescott
Transferrer:
Kyle Holbrook
SHNID:
gd1981-05-05.152447.beyer201-prescott.holbrook.flac2448
Source:
Beyer m201c Recorder: Sony TCD5 Maxell UDXLII 90's Location: tape says: 'Mics in hat 2nd row reserved even with sbd' Meaning about 75 feet from stacks 5-7 feet off of the floor This Source: 1st Gen AUDCA
Lineage:
Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLIIc90 no nr Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity (reduced speed 3.47%)| cdwav editor | TLH | FLAC
Taper Notes:
View Notes* must have paused between tunes OR the copy was made from a master which started Scarlet on end of tape 1 side B + some drums cut to save tape (approximately 7 minutes) /// swapped back to tape 1, missed about 8 seconds JBG ** cut at end, master missing 1 minute 25 seconds; spliced from shnID 102023 https://archive.org/details/gd1981-05-05.fob.nak300.morris.102023.sbeok.flac16
Taper: David Prescott
2:36:32
SBD
Taper:
David Prescott
Transferrer:
Kyle Holbrook
SHNID:
gd1981-05-05.152446.beyer201-prescott.holbrook.flac1644
Source:
Beyer m201c Recorder: Sony TCD5 Maxell UDXLII 90's Location: tape says: 'Mics in hat 2nd row reserved even with sbd' Meaning about 75 feet from stacks 5-7 feet off of the floor This Source: 1st Gen AUDCA
Lineage:
Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLIIc90 no nr Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity (reduced speed 3.47%)| cdwav editor | TLH | FLAC
Taper Notes:
View Notes* must have paused between tunes OR the copy was made from a master which started Scarlet on end of tape 1 side B + some drums cut to save tape (approximately 7 minutes) /// swapped back to tape 1, missed about 8 seconds JBG ** cut at end, master missing 1 minute 25 seconds; spliced from shnID 102023 https://archive.org/details/gd1981-05-05.fob.nak300.morris.102023.sbeok.flac16
Taper: Bob Wagner
2:54:49
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1981-05-05.150659.cm.fob.nak700.miller.flac16
Source:
(FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-S/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Sennheiser 421 > Cassette Master (shnid=143043) supplies: Drums (7:53 - 8:24) Notes: -- Recorded by Bob Wagner -- There's a slight Spanish Jam after Truckin' -- Thanks to Jim Wise and Scott Clugston for the patch source -- This file set is 16 bit @ 44.1
Taper: Bob Wagner
2:54:49
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1981-05-05.150617.cm.fob.nak700.miller.flac24
Source:
(FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-S/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Sennheiser 421 > Cassette Master (shnid=143043) supplies: Drums (7:53 - 8:24) Notes: -- Recorded by Bob Wagner -- There's a slight Spanish Jam after Truckin' -- Thanks to Jim Wise and Scott Clugston for the patch source
Taper: Jim Wise
2:49:39
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-05.143044.senn421.wise.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Doug Lamarre and Rob Berger for the shnid135254 Arista mic source which supplies a 0:31 patch in "Drums", as well as a 0:05 patch at the end of "Truckin'" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston August 25, 2018
Taper: Jim Wise
2:49:39
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-05.143043.senn421.wise.miller.clugston.flac2496
Source:
Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Doug Lamarre and Rob Berger for the shnid135254 Arista mic source which supplies a 0:31 patch in "Drums", as well as a 0:05 patch at the end of "Truckin'" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston August 25, 2018
Taper: Doug Lamarre
2:38:57
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-05-05.135255.aud.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony D5, maxell ud-xlII90’s, dolby b; floor, near sound board; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
Taper Notes:
View Notesnotes: brief drop out at start of Estimated was patched, nice sound quality from the maiden voyage of Doug’s D5
Taper: Doug Lamarre
2:38:57
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1981-05-05.135254.aud.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; arista mics > sony D5, maxell ud-xlII90’s, dolby b; floor, near sound board; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
Taper Notes:
View Notesnotes: brief drop out at start of Estimated was patched, nice sound quality from the maiden voyage of Doug’s D5
Taper: Jim Wise
2:46:56
Taper:
Jim Wise
Transferrer:
David Minches
SHNID:
gd1981-05-05.134951.aud.wise.minches.flac24
Source:
Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing (Adobe Audition CC)-Mastering (iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing by Jim Wise
Taper: Unknown
1:41:12
Rating:
8.00 / 1 rating
Transferrer:
Ted Gidley and Andrew F
Lineage:
XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 10/2013
Taper Notes:
View NotesNotes: Does not match the AUDs currently in the database. Some audible tape damage first 90-seconds of Scarlet, smoothed with crossfades. Parts of Wise & Morris AUD recordings patched in to make the Drums complete.
Taper: Bob Morris
2:46:03
Rating:
6.00 / 3 ratings
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1981-05-05.fob.nak300.morris.102023.sbeok.flac16
Source:
(FOB) Nakamichi CM-300 Shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90) ; Recorded FOB from floor Section 105, Row H, Seat 10
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Doug Mow
2:43:23
Rating:
8.88 / 18 ratings
Taper:
Doug Mow
Transferrer:
Doug Mow
SHNID:
gd81-05-05.nak300-mow.ford.28356.sbeok.flac
Source:
Audience Recording: 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies)
Lineage:
Sony D5 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16
Taper Notes:
View Notes<b>flac16</b>; 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies); Mic Config: "primitive DIN" pointing the mics directly at the stacks forming a "Y"; Mic Location: first row behind the soundboard cage; Sony D5 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; taped and transferred byt Doug Mow; CDR> flac by Alex Ford
Taper: Jim Wise
2:47:52
Rating:
8.89 / 9 ratings
Taper:
Jim Wise
SHNID:
gd81-05-05.wise.clugston.8595.sbeok.shnf
Source:
Audience Recording: Sennheiser 421's
Lineage:
Master Audience Cassette:Sennheiser 421 mics > Sony TC-D5 > DAT> CDR
Taper Notes:
View NotesJim Wise's Master Audience Cassette: Sennheiser 421 mics > Sony TC-D5 > DAT> CDR; Seeded to etree by Scott Clugston