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Bands
Grateful Dead
Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h59179
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.5k398
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2.3k292
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.2k299
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h3k391
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.2k423
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.8k351
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.3k150
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h7.4k935
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h894101
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h3.4k407
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h4.6k546
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.2k157
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.6k194
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k232
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h7.7k889
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.4k194
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.7k231
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h9.8k1.4k
7d32.8k4.5k
30d278k38.4k
64 shows
418 tapes
1976
85.9k
PlaybackListensHours
48h11.4k1.6k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h42342
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.5k437
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.8k629
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h2.9k368
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.4k154
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.7k209
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.8k280
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h825101
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h11316
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h24718
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h352
7d1128
30d63237
2 shows
2 tapes
1981
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] October 17, 2025
2:40:15
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 17, 2025
SHNID:
gd1981-05-02.174714.sbd.healy.bradt.miller.phase.repair.flac1648
Source:
SBD > Cassette Master > Cassette (dbx)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DxII Codec > Adobe Audition 2025 > Samplitude Pro X6 Suite > iZotope RX11 Advanced > FLAC/24
Taper Notes:
View NotesConverted and downsampled from 24bit/96kHz to 16bit/48kHz in Foobar2000 w/dBPoweramp/SSRC plugin by Tyler/MrCompletely Notes: -- I isolated the vocals and repaired the phase issue -- Tapes supplied by Bill Bradt and Kathy Weir Bradt -- I wrote a high school report about being dosed at this show -- Thanks to Doug Mow and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Tapes supplied by Bill Bradt and Kathy Weir Bradt
2:40:15
SBD
Taper:
Tapes supplied by Bill Bradt and Kathy Weir Bradt
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 17, 2025
SHNID:
gd1981-05-02.174687.sbd.healy.bradt.miller.phase.repair.flac2496
Source:
SBD > Cassette Master > Cassette (dbx)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DxII Codec > Adobe Audition 2025 > Samplitude Pro X6 Suite > iZotope RX11 Advanced > FLAC/24
Taper Notes:
View NotesNotes: -- I isolated the vocals and repaired the phase issue -- Tapes supplied by Bill Bradt and Kathy Weir Bradt -- I wrote a high school report about being dosed at this show -- Thanks to Doug Mow and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Tapes supplied by Bill Bradt and Kathy Weir Bradt
2:40:15
SBD
Taper:
Tapes supplied by Bill Bradt and Kathy Weir Bradt
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 13, 2025
SHNID:
gd1981-05-02.174671.sbd.healy.bradt.miller.flac1648
Source:
SBD > Cassette Master > Cassette (dbx)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DxII Codec > Adobe Audition 2025 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View Notes-- Tapes supplied by Bill Bradt and Kathy Weir Bradt -- The instruments are in-phase but the vocals are not -- I wrote a high school report about being dosed at this show -- Thanks to Doug Mow and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction
Taper: Tapes supplied by Bill Bradt and Kathy Weir Bradt
2:40:15
SBD
Taper:
Tapes supplied by Bill Bradt and Kathy Weir Bradt
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 13, 2025
SHNID:
gd1981-05-02.174642.sbd.healy.bradt.miller.flac2496
Source:
SBD > Cassette Master > Cassette (dbx)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DxII Codec > Adobe Audition 2025 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Tapes supplied by Bill Bradt and Kathy Weir Bradt -- The instruments are in-phase but the vocals are not -- I wrote a high school report about being dosed at this show -- Thanks to Doug Mow and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Matrix by Dave Usborne
2:40:33
SBD
Rating:
8.40 / 5 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1981-05-02.135559.mtx.dusborne.flac16
Source:
2 source matrix by Dusborne; Soundboard (shnid:30152) Recording Info: SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat; Transfer Info: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude v7.02 Professional -> FLAC,Transferred By Joe Samaritano,Patched and Edited By Charlie Miller; Audience (shnid:134759)Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder, Location: Soundboard,Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96],Recording,Editing & Processing by Jim Wise,Transfer by David Minches
Taper Notes:
View NotesMatrix by dusborne 04-27-2016 ------------------------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 04-27-2016
Transferrer: Joe Samaritano & Charlie Miller
2:36:13
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Joe Samaritano & Charlie Miller
SHNID:
gd81-05-02.sbd.miller.30152.sbeok.flacf
Source:
Soundboard
Lineage:
SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat
Taper Notes:
View Notes<b>flac16</b>; SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat Transferred By Joe Samaritano Patched and Edited By Charlie Miller
Source 7 of 13
2:38:44
SBD
Rating:
8.57 / 7 ratings
SHNID:
gd81-05-02.sbd.samaritano-miller.22310.sbeok.shnf
Source:
Soundboard
Lineage:
Soundboard -> Cassette Master -> 1/2 track 7.5 Reel -> DAT. DAT -> ZA2 -> SoundForge -> .wav -> mkw -> SHN. Patch Lineage: (Jim Wise FOB) Sennheiser 421 -> Cassette Master (Sony TCD5M) -> Dat -> CD -> EAC -> SHN
Taper Notes:
View NotesMain Lineage: Soundboard -> Cassette Master -> 1/2 track 7.5 Reel -> DAT. DAT -> ZA2 -> SoundForge -> .wav -> mkw -> SHN.<br /> Patch Lineage: (Jim Wise FOB) Sennheiser 421 -> Cassette Master (Sony TCD5M) -> Dat -> CD -> EAC -> SHN. Patch and patchwork provided by Charlie Miller. Soundboard seed and transfer by Joe Samaritano
Taper: Jim Wise
2:39:27
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-02.142848.senn421.wise.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Doug Mow and Alex Ford for the shnid28304 Nakamichi 300 source which supplies a 1:17 patch in the transition between "Terrapin Station" and "Drums" - Another fine capture Mastered by Scott Clugston July 2018
Taper: Jim Wise
2:39:27
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-02.142847.senn421.wise.miller.clugston.flac2496
Source:
Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to the Doug Mow and Alex Ford for the shnid28304 Nakamichi 300 source which supplies a 1:17 patch in "Drums" - Another nice capture Mastered by Scott Clugston July 2018
Taper: Jim Wise
2:37:01
Rating:
7.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
David Minches
SHNID:
gd1981-05-02.134759.aud.wise.minches.flac24
Source:
Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000 (DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing (Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging (Tag & Re-name); All Editing & Processing by Jim Wise
Taper: Doug Mow
2:40:50
Rating:
8.55 / 11 ratings
Taper:
Doug Mow
Transferrer:
Alex Ford
SHNID:
gd81-05-02.dmow.28304.sbeok.flacf
Source:
Audience Recording: 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape. (Jeff Silberman's guns on Howard Shame's bodies);
Lineage:
Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16
Taper Notes:
View Notes<b>flac16</b>; 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape. (Jeff Silberman's guns on Howard Shame's bodies); Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; Taped, transferred: Doug Mow; CD> FLAC by Alex Ford
Taper: Jim Wise
2:37:31
Rating:
8.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
Jim Wise
SHNID:
gd1981-05-02.wise.fink.15981.sbeok.shnf
Source:
FOB Senn 421 > Sony TC-D5M > MAC > DAT > CD
Lineage:
CD > EAC > SHN
Taper Notes:
View NotesExtraction, Retracking and SHN encoding by Alan J Fink ([email protected]) Thanks to Charlie Miller for the seeds
Taper: Jim Wise
2:32:32
Rating:
8.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
Willy
SHNID:
gd1981-05-02.senn421.willy.7463.shnf
Source:
(FOB) Senn 421> Cm> Dat> CD
Lineage:
CD > EAC > SHN
Taper Notes:
View NotesNasty cut in the middle of d1t02 (Sugaree, 5:48)