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Grateful Dead
Today In History
June 11th
Years
1995
30.1k
PlaybackListensHours
48h53772
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2k258
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.2k284
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.3k175
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3k423
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h9.4k1.2k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.7k328
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.1k134
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.1k244
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h920103
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k197
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.5k645
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.1k148
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k151
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h1.9k245
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.4k275
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.6k224
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.8k251
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h15.6k2.1k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12.5k1.7k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h35037
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h3.7k495
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11.2k1.5k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2k259
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.6k182
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.7k194
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k161
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h64582
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h9014
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h40725
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h544
7d1076
30d59534
2 shows
2 tapes
1981
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] October 17, 2025
2:40:15
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 17, 2025
SHNID:
gd1981-05-02.174714.sbd.healy.bradt.miller.phase.repair.flac1648
Source:
SBD > Cassette Master > Cassette (dbx)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DxII Codec > Adobe Audition 2025 > Samplitude Pro X6 Suite > iZotope RX11 Advanced > FLAC/24
Taper Notes:
View NotesConverted and downsampled from 24bit/96kHz to 16bit/48kHz in Foobar2000 w/dBPoweramp/SSRC plugin by Tyler/MrCompletely Notes: -- I isolated the vocals and repaired the phase issue -- Tapes supplied by Bill Bradt and Kathy Weir Bradt -- I wrote a high school report about being dosed at this show -- Thanks to Doug Mow and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Tapes supplied by Bill Bradt and Kathy Weir Bradt
2:40:15
SBD
Taper:
Tapes supplied by Bill Bradt and Kathy Weir Bradt
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 17, 2025
SHNID:
gd1981-05-02.174687.sbd.healy.bradt.miller.phase.repair.flac2496
Source:
SBD > Cassette Master > Cassette (dbx)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DxII Codec > Adobe Audition 2025 > Samplitude Pro X6 Suite > iZotope RX11 Advanced > FLAC/24
Taper Notes:
View NotesNotes: -- I isolated the vocals and repaired the phase issue -- Tapes supplied by Bill Bradt and Kathy Weir Bradt -- I wrote a high school report about being dosed at this show -- Thanks to Doug Mow and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Tapes supplied by Bill Bradt and Kathy Weir Bradt
2:40:15
SBD
Taper:
Tapes supplied by Bill Bradt and Kathy Weir Bradt
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 13, 2025
SHNID:
gd1981-05-02.174671.sbd.healy.bradt.miller.flac1648
Source:
SBD > Cassette Master > Cassette (dbx)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DxII Codec > Adobe Audition 2025 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View Notes-- Tapes supplied by Bill Bradt and Kathy Weir Bradt -- The instruments are in-phase but the vocals are not -- I wrote a high school report about being dosed at this show -- Thanks to Doug Mow and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction
Taper: Tapes supplied by Bill Bradt and Kathy Weir Bradt
2:40:15
SBD
Taper:
Tapes supplied by Bill Bradt and Kathy Weir Bradt
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 13, 2025
SHNID:
gd1981-05-02.174642.sbd.healy.bradt.miller.flac2496
Source:
SBD > Cassette Master > Cassette (dbx)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DxII Codec > Adobe Audition 2025 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Tapes supplied by Bill Bradt and Kathy Weir Bradt -- The instruments are in-phase but the vocals are not -- I wrote a high school report about being dosed at this show -- Thanks to Doug Mow and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Matrix by Dave Usborne
2:40:33
SBD
Rating:
8.40 / 5 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1981-05-02.135559.mtx.dusborne.flac16
Source:
2 source matrix by Dusborne; Soundboard (shnid:30152) Recording Info: SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat; Transfer Info: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude v7.02 Professional -> FLAC,Transferred By Joe Samaritano,Patched and Edited By Charlie Miller; Audience (shnid:134759)Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder, Location: Soundboard,Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96],Recording,Editing & Processing by Jim Wise,Transfer by David Minches
Taper Notes:
View NotesMatrix by dusborne 04-27-2016 ------------------------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 04-27-2016
Transferrer: Joe Samaritano & Charlie Miller
2:36:13
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Joe Samaritano & Charlie Miller
SHNID:
gd81-05-02.sbd.miller.30152.sbeok.flacf
Source:
Soundboard
Lineage:
SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat
Taper Notes:
View Notes<b>flac16</b>; SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat Transferred By Joe Samaritano Patched and Edited By Charlie Miller
Source 7 of 13
2:38:44
SBD
Rating:
8.57 / 7 ratings
SHNID:
gd81-05-02.sbd.samaritano-miller.22310.sbeok.shnf
Source:
Soundboard
Lineage:
Soundboard -> Cassette Master -> 1/2 track 7.5 Reel -> DAT. DAT -> ZA2 -> SoundForge -> .wav -> mkw -> SHN. Patch Lineage: (Jim Wise FOB) Sennheiser 421 -> Cassette Master (Sony TCD5M) -> Dat -> CD -> EAC -> SHN
Taper Notes:
View NotesMain Lineage: Soundboard -> Cassette Master -> 1/2 track 7.5 Reel -> DAT. DAT -> ZA2 -> SoundForge -> .wav -> mkw -> SHN.<br /> Patch Lineage: (Jim Wise FOB) Sennheiser 421 -> Cassette Master (Sony TCD5M) -> Dat -> CD -> EAC -> SHN. Patch and patchwork provided by Charlie Miller. Soundboard seed and transfer by Joe Samaritano
Taper: Jim Wise
2:39:27
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-02.142848.senn421.wise.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Doug Mow and Alex Ford for the shnid28304 Nakamichi 300 source which supplies a 1:17 patch in the transition between "Terrapin Station" and "Drums" - Another fine capture Mastered by Scott Clugston July 2018
Taper: Jim Wise
2:39:27
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-05-02.142847.senn421.wise.miller.clugston.flac2496
Source:
Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to the Doug Mow and Alex Ford for the shnid28304 Nakamichi 300 source which supplies a 1:17 patch in "Drums" - Another nice capture Mastered by Scott Clugston July 2018
Taper: Jim Wise
2:37:01
Rating:
7.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
David Minches
SHNID:
gd1981-05-02.134759.aud.wise.minches.flac24
Source:
Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000 (DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing (Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging (Tag & Re-name); All Editing & Processing by Jim Wise
Taper: Doug Mow
2:40:50
Rating:
8.55 / 11 ratings
Taper:
Doug Mow
Transferrer:
Alex Ford
SHNID:
gd81-05-02.dmow.28304.sbeok.flacf
Source:
Audience Recording: 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape. (Jeff Silberman's guns on Howard Shame's bodies);
Lineage:
Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16
Taper Notes:
View Notes<b>flac16</b>; 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape. (Jeff Silberman's guns on Howard Shame's bodies); Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; Taped, transferred: Doug Mow; CD> FLAC by Alex Ford
Taper: Jim Wise
2:37:31
Rating:
8.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
Jim Wise
SHNID:
gd1981-05-02.wise.fink.15981.sbeok.shnf
Source:
FOB Senn 421 > Sony TC-D5M > MAC > DAT > CD
Lineage:
CD > EAC > SHN
Taper Notes:
View NotesExtraction, Retracking and SHN encoding by Alan J Fink ([email protected]) Thanks to Charlie Miller for the seeds
Taper: Jim Wise
2:32:32
Rating:
8.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
Willy
SHNID:
gd1981-05-02.senn421.willy.7463.shnf
Source:
(FOB) Senn 421> Cm> Dat> CD
Lineage:
CD > EAC > SHN
Taper Notes:
View NotesNasty cut in the middle of d1t02 (Sugaree, 5:48)