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Bands
Grateful Dead
Today In History
June 7th
Years
1995
29.5k
PlaybackListensHours
48h773107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h63389
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4k525
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k356
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.1k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k339
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k371
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k155
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h90199
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k146
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k204
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k222
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k300
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6k642
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k290
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.1k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k506
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h79278
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k592
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k426
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k229
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k366
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42351
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23318
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1981
Sources
Taper: David McGee and Chief
3:01:57
SBD
Taper:
David McGee and Chief
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1981-02-28.176099.sbd.phase.repaired.mcgee.chief.miller.clugston.flac1644
Source:
Master Soundboard Cassette > ? > DAT (16/44.1k)
Lineage:
DAT (Sony PCM-R500) > Tascam DA-3000 (16/44.1k) > Adobe Audition 2020 > TLH flac16 > iZotope RX11 Advanced (vocal phase repair) > Adobe Audition 2026 > flac16
Taper Notes:
View NotesNotes: - Thanks to David McGee and Chief for the source DAT - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Eaton and the folks responsible for the alternate soundboard source supplies a 0:15 patch in "Terrapin Station", as well as a 0:16 patch in "Space" - Other One space included in "The Other One" - Pitch verified Mastered by Scott Clugston February 2021 Vocal Phase Repair by Charlie Miller December 2025 Mastered by Scott Clugston January 2026
Taper: David McGee and Chief
3:01:57
SBD
Taper:
David McGee and Chief
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-02-28.151914.sbd.mcgee.chief.miller.clugston.flac16
Source:
Master Soundboard Cassette > ? > DAT (16/44.1k)
Lineage:
DAT (Sony PCM-R500) > Tascam DA-3000 (16/44.1k) > Adobe Audition 2020 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to David McGee and Chief for the source DAT - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Eaton and the folks responsible for the alternate soundboard source supplies a 0:15 patch in "Terrapin Station", as well as a 0:16 patch in "Space" - Other One space included in "The Other One" - Pitch verified Mastered by Scott Clugston February 2021
Taper: Rob Eaton
3:00:04
SBD
Taper:
Rob Eaton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-02-28.151913.sbd.eaton.miller.clugston.updated.flac16
Source:
This is an updated version of shnid142412 using an alternate soundboard source for patching rather than an audience source Recording Info: Master Soundboard Cassette > Dat (Panasonic SV-3700 16/48k) > CDR > Dat (Sony PCM R-700 16/44.1k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 2020 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to David McGee and Chief for the alternate soundboard source which supplies a 0:10 patch in the Jam out of "Terrapin Station" (previously not patched), an 0:08 patch in "Drums", as well as the final 0:57 of "Good Lovin'" - The beginnings of "Jack Straw", "Althea" and "Ship Of Fools" are intact - Other One space included in "The Other One" - Pitch verified Mastered by Scott Clugston February 2021
Taper: Rob Eaton
2:59:40
SBD
Taper:
Rob Eaton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-02-28.142412.sbd.eaton.miller.clugston.flac1644
Source:
Master Soundboard Cassette > Dat (Panasonic SV-3700 16/48k) > CDR > Dat (Sony PCM R-700 16/44.1k)
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer and coordinating this effort - First verifiable lineage in general circulation - No noise reduction has been used in this transcription - The beginnings of "Jack Straw", "Althea" and "Ship Of Fools" are intact - Thanks to Barry Glassberg, John Steinthal, Mark Cohen and Matt Vernon for the shnid20345 Nakamichi 700 source which supplies a few seconds of crowd before "Jack Straw", a 0:05 patch in "Drums", as well as the final 0:58 of "Good Lovin'" - Other One space included in "The Other One" - Between song transitions smoothed Mastered by Scott Clugston June 24, 2018
Transferrer: Chris Chappell
3:06:53
SBD
Rating:
8.00 / 8 ratings
Transferrer:
Chris Chappell
SHNID:
gd1981-02-28.mtx.chappell.sb02c.28398.sbefail.flac16
Lineage:
Matrix of SBD(4668) and AUD(20345)
Transferrer: Dick Latvala
2:58:33
SBD
Rating:
7.82 / 23 ratings
Transferrer:
Dick Latvala
SHNID:
gd81-02-28.sbd.lutch.4668.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > Cassette Master > DAT(0)
Taper Notes:
View NotesSBD > Cassette Master > DAT(0) (Reel> DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > CDR Master (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes; d1 tracked for 80 min
Taper: Frank Streeter
1:45:08
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-02-28.143845.set2.beyer.m160.streeter.miller.clugston.flac2496
Source:
Frank Streeter's Master Audience Cassette; Beyer M-160 mics > Sony D5
Lineage:
Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the shnid20345 Nakamichi 700 source which supplies a 0:29 patch in "Terrapin Station", a 11:28 patch in "Drums", as well as some crowd and the beginning of "One More Saturday Night" (0:23 total) - Pitch corrected - 1st set tape lost Mastered by Scott Clugston November 2018
Taper: Frank Streeter
1:45:08
Rating:
8.00 / 1 rating
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-02-28.143844.set2.beyer.m160.streeter.miller.clugston.flac1648
Source:
Frank Streeter's Master Audience Cassette; Beyer M-160 mics > Sony D5
Lineage:
Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the shnid20345 Nakamichi 700 source which supplies a 0:29 patch in "Terrapin Station", a 11:28 patch in "Drums", as well as some crowd and the beginning of "One More Saturday Night" (0:23 total) - Pitch corrected - 1st set tape lost Mastered by Scott Clugston November 2018
Taper: Master Cassettes Recorded by Jon Bernstein
3:04:36
Rating:
8.00 / 1 rating
Taper:
Master Cassettes Recorded by Jon Bernstein
Transferrer:
Transfer by Ray Ackerman Edited & Mastered by Joe Noel September 09, 2025
SHNID:
gd1981-02-28.174920.Bernstein.MasterCassettes.t-flac2496
Source:
?? mics > ?? lead deck > ?? Deck > Master Cassettes
Lineage:
Master Cassettes > Nakamichi Cassette Deck 1 > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 > Adobe Audition > FLAC 2496
Taper Notes:
View NotesNotes; - the mics can't be recalled, but a quick listen reveals our taper was up front & centered. - All tape flips were x-faded Thanks to; - Jon Bernstein for his recording efforts & sharing his masters - Ray Ackerman for the quality transfer - Frank Streeter for the patch source
Source 10 of 12
3:10:37
SHNID:
gd1981-02-28.154897.mtx.seamons.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro
Lineage:
FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging
Taper Notes:
View NotesNotes: Jim Wise's SBD source via CDR had digital noise reduction. Levels are overall a little hotter and more brittle. Some light EQ helped throughout as needed. Set 1 + encore uses Barry Glassberg's recording for the matrix. Set 2 uses Frank Streeter's tape. Streeter's recording becomes muffled for the encore so Glassberg's tape was used instead. First 0:20 of Lost Sailor cut in the SBD. A splice edit repeated 0:10 of the recording during the Terrapin jam and was removed. 0:06 cut during Space. 0:05 cut at the beginning of Let It Grow in the AUD. 0:15 cut at the end of the Terrapin jam, now patched with Glassberg's tape. 1:11 cut during Drums (patched with SBD in the source).
Taper: Mason B. Taylor
3:17:08
Taper:
Mason B. Taylor
SHNID:
gd1981-02-28.naks.mason.128747.flac16
Source:
Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak550 properly
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"
Taper: Barry Glassberg
3:12:24
Rating:
8.50 / 4 ratings
Taper:
Barry Glassberg
Transferrer:
John Steinthal
SHNID:
gd81-02-28.glassberg.steinthal-cohen-vernon.20345.sbeok.shnf
Source:
Audience Recording: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B
Lineage:
AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge , CDwav> shn
Taper Notes:
View NotesTaped by Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B. Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal via Mark Cohen. Encoded by Matt Vernon