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Bands
Grateful Dead
Today In History
June 13th
Years
1995
29.8k
PlaybackListensHours
48h49365
7d1.2k163
30d29.8k4.2k
49 shows
343 tapes
1994
10.4k
PlaybackListensHours
48h1.5k246
7d3.4k427
30d10.4k1.4k
85 shows
460 tapes
1993
38.7k
PlaybackListensHours
48h2.7k357
7d6.3k804
30d38.7k5.1k
83 shows
656 tapes
1992
39.6k
PlaybackListensHours
48h4.4k586
7d4.6k600
30d39.6k5.2k
57 shows
539 tapes
1991
38.2k
PlaybackListensHours
48h4.2k549
7d8.2k1.1k
30d38.2k5.2k
78 shows
973 tapes
1990
47.3k
PlaybackListensHours
48h2.8k374
7d17.4k2.2k
30d47.3k6.1k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.9k363
7d5.5k686
30d47.8k6k
78 shows
1,017 tapes
1988
20k
PlaybackListensHours
48h1.5k173
7d2.4k279
30d20k2.3k
82 shows
882 tapes
1987
33.8k
PlaybackListensHours
48h7.5k898
7d4.5k506
30d33.8k3.7k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1.1k125
7d1.7k195
30d11.7k1.3k
47 shows
684 tapes
1985
22.2k
PlaybackListensHours
48h1.7k204
7d3.4k397
30d22.2k2.6k
73 shows
1,357 tapes
1984
20.7k
PlaybackListensHours
48h5.4k624
7d7.2k858
30d20.7k2.6k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.4k182
7d2.7k353
30d21.3k2.8k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.5k189
7d2.6k318
30d41.5k5.1k
63 shows
753 tapes
1981
41.1k
PlaybackListensHours
48h1.8k227
7d4k496
30d41.1k5.1k
92 shows
868 tapes
1980
64.1k
PlaybackListensHours
48h9.6k1.1k
7d8.1k911
30d64.1k7.4k
91 shows
794 tapes
1979
20.6k
PlaybackListensHours
48h1.8k243
7d3.2k455
30d20.6k2.9k
79 shows
608 tapes
1978
43.4k
PlaybackListensHours
48h2k275
7d3.8k525
30d43.4k5.9k
87 shows
592 tapes
1977
277.7k
PlaybackListensHours
48h9.4k1.3k
7d33.4k4.6k
30d277.7k38.3k
64 shows
419 tapes
1976
70.7k
PlaybackListensHours
48h15.5k2.1k
7d24.8k3.3k
30d70.7k9.6k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h38840
7d83384
30d6.3k643
25 shows
63 tapes
1974
91.3k
PlaybackListensHours
48h3.9k505
7d11.5k1.5k
30d91.3k11.6k
42 shows
324 tapes
1973
86.8k
PlaybackListensHours
48h5.4k713
7d16.6k2.3k
30d86.8k11.1k
75 shows
445 tapes
1972
64.6k
PlaybackListensHours
48h2.9k375
7d4.5k574
30d64.6k7.8k
88 shows
361 tapes
1971
32.9k
PlaybackListensHours
48h1.9k208
7d3.4k384
30d32.9k3.8k
82 shows
357 tapes
1970
40.3k
PlaybackListensHours
48h1.8k203
7d4k453
30d40.3k4.3k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.5k203
7d3.2k488
30d27.1k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h50463
7d1.5k202
30d7.4k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14621
7d23132
30d1.6k213
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30223
7d77947
30d7.9k523
32 shows
78 tapes
1965
619
PlaybackListensHours
48h262
7d956
30d61936
2 shows
2 tapes
1972
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] November 26, 2022
2:51:42
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 26, 2022
SHNID:
gd1972-11-26.158749.sbd.menke.miller.fix.flac16
Source:
SBD > Master Reel > Reel > PCM > DAT (44.1k)
Lineage:
DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC
Taper Notes:
View NotesNotes: -- Thanks to Bob Menke for the source
Transferrer: acetboy 2021-07-07
2:48:12
SBDREMASTER
Transferrer:
acetboy 2021-07-07
SHNID:
gd1972-11-26.152827.sbd-remaster.acetboy.flac1644
Source:
remaster of shn #9248 with short patches from shn #123022.
Taper Notes:
View NotesThe lineage for this is originally given in shn #9248 as: 1st set: SBD>MR>?>D>CD>EAC>SHN 2nd set: SBD>MR>C>D>CD>EAC>SHN In the notes for shn #127478 an earlier remaster it is stated that some kind of cassette deck with ALC (automatic level control) must have been used. When one looks at all of this closely one can see that the possibly ALC sourced tracks are actually the first 16 songs. Not just the first set but also tracks 15 and 16. Then the rest of the show, tracks 17-25 have a different source. The ALC is basically compression. Tracks 17-25 have no compression like the first 16 tracks. So I'm guessing that the original tape was fine, no compression. And then somewhere along the line the show was copied with a deck that added the ALC. Or the compression, whatever it was for sure. The first 16 tracks are very hissy from several cassette generations. One of those generations must have been where the compression entered into it. Tracks 17-25 are also somewhat hissy. But not like the first 16. In the original share you can hear during the first 16 tracks that the in-between songs and the beginnings of songs have the hiss a bit louder. Then when the track hits a certain volume level and the ALC/compression kicks in the level of hiss lessens. You can still hear hints of that here and there. The vocals and instruments get loud and bury the hiss a bit. Something like that.... lol. So anyway, I don't ever use noise reduction but here during the first 16 songs I have used a bit. I did it initially at one level and then scrapped that and pulled it back a bit. I don't want to hear any artifacts. So the other big issue with the first 16 songs is that they had serious phase problems. So serious that it makes me think that during one of the cassette generations one stereo side got inverted. shn # 9248 can sound better by inverting one of the channels. But it needs more fine tuning than just a simple inversion. So that is fixed now. The mix of the show once this is all sorted out is pretty decent although the vocals mostly hang over towards the right side, sometimes they center up a bit. And throughout the show the mix occasionally gets adjusted. For much of the show Jerry's guitar is mostly to the left and Bob's guitar is over in the right channel. Although after awhile and I think it's in the middle of some tune Jerry gets more centered and Bob is suddenly in the far left channel. The bass sometimes favors one side or the other but is centered up also sometimes. The bass comes through very clearly though. Basically everything can be heard pretty well. Piano comes through good. The vocals are sometimes maybe too loud and a bit trebly. But you can't eq them without obviously affecting the rest of the musical elements. Jerry's guitar is also quite loud sometimes. The idea was to get as much of the frequency spectrum nice and leveled out up to the hiss. There's no high-end air on this recording, that's up there in the hiss. About 20 minutes into Dark Star there was a patch. It could have been fine except you can hear like a click and a jump going into and out of the patch. So not so fine. Then towards the beginning of Me and Bobby McGee there was a gap with a chunk of the song missing. I have re-patched Dark Star and also patched Me and Bobby McGee. shn #123022 has two different versions of the complete Dark Star and Me and Bobby McGee. One version is the same tracks from shn #9248 only re-patched. And the same for Me and Bobby McGee. And then there is a second so called alternative version of the two tracks. The interesting thing is that the alternative version of the two tracks is from the same source as tracks 1-16. So the alternative has the same ALC-compression that the first 16 tracks has. But this alternative version does not have the cuts in Dark Star or Me and Bobby McGee. So I used that alternative version for the short patches that were needed. They're pretty seamless. I can't really find them without looking at a spectral view of the files. So I think this sounds pretty nice now. It's a fabulous show. Some of these songs are textbook examples of how good the Grateful Dead could be. On a side note, my antique iMac with my equally old version of Pro Tools Le has bit the dust. Gone, kaput, expired, ceased to be. I kind of want to get a new iMac or possibly a new M1 Mac Mini. Maybe get Pro Tools again or maybe not. I've thought about going with Logic or Audition. But I'm discovering that I can recreate my working procedures that I developed in Pro Tools using some other stuff that I have on my other iMac. The one that's just old. So all of this work was done in ocenaudio and Harrison Mixbus. If I get good at using Mixbus maybe that's all I need. Software like Pro Tools or Logic is really overkill for me. I don't ever use much of what they offer. That's one reason I'm thinking Audition might be the way to go. So, this is a remaster of shn #9248 with short patches from shn #123022. In the earlier notes for this show there is no mention of pitch correction. Let's just hope that it didn't need any. lol I'm sure they were in tune with the piano and the universe. At least the show is in better condition now than it was. Or I'll always think it should have been.....
Transferrer: Dan McDonald
2:53:49
SBD
Rating:
9.33 / 6 ratings
Transferrer:
Dan McDonald
SHNID:
gd1972-11-26.127478.sbd.restore.droncit.flac16
Source:
SBD
Lineage:
This is a restored version of SHNID 9248 combined with SHNID 123022 to produce the full show
Taper Notes:
View Notes*very small cut at the beginning **La Cucaracha opening _________________________________________________________________ The circulating sources are generally very hissy with very little high frequency material and Very little audience sound as well. So the recording is pretty dead-sounding. According to David Lemieux the only version of this show in the vault is a cassette, so the lineages of the original ShnIDs listing the orginal source as a master reel is most likely incorrect. The show sounds like it was recorded on a cassette player with a dirty record head and using Automatic Level Control. There is a lot of hiss and mechanical noise throughout. Most of it is gone now, but it's still noticeable. Playing in the Band probably has the worst mechanical noise during the quiet parts. That's the ALC doing its thing. For this version: 1. No more cut in Dark Star at "reason tatters" or splice to a different source at 20:00; no cut in Bobby McGee (I used different versions to get pieces that had no problems). I cut approximately 2 seconds out of the space at 14:14 because it didn't seem correct. I think there's a fade out just before that, but I didn't change that, in case I have it wrong. 2. Noisey and clickey pot adjustment in Bird Song was altered by converting to mono (right channel spread across both channels). Someone had overcompensated using the noisey pot, down to almost nothing on the left channel for about half a second. I don't think it's noticeable now. There is still one pot click just before the spot I adjusted, but it was difficult to fix so I left it alone. 3. Too many level and sound modifications and adjustments throughout the show to list. 4. There is a lot going on in this show. You will probably have to adjust each stereo you play it on to get the best sound. You may have to adjust it differently for the first and second sets. 5. Still not great sound, but the best I can do right now unless someone would like to give me access to the cassette masters and I could do a flat transfer. Thanks to: Gary Field, Germain, Dusborne, Frazer, Arfarf, Freak and the people who put the other sources out: Paul Bottiglio, J. Cotsman, and Scott Z. __________________________________________________________________ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. B. Proctor 3/26/2014
Transferrer: scottz
1:01:55
SBD
Rating:
10.00 / 1 rating
Transferrer:
scottz
SHNID:
gd1972-11-26.123022.sbd.flac
Taper Notes:
View NotesVersion One: This version is the same as db entry 9248, but has a much better patch done in the apex of the Dark Star (right after 20:00 min). Alternate Version: This alternate version has no cut in Dark Star, but is slightly hissier than the previous version. If you haven't heard this Dark Star, do yourself a favor and listen! The Feelin' Groovy jam that starts up around 19:30 is really unbelievable! Scott Z (metawhy AT yahoo.com) 11/30/12
Source 5 of 5
2:52:01
SBD
Rating:
7.83 / 12 ratings
SHNID:
gd72-11-26.sbd.cotsman.9248.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> (set 1 ?; set 2 C)> D> CD> EAC>SHN
Taper Notes:
View NotesSBD> MR> (set 1 ?; set 2 C)> D> CD> EAC>SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Paul Bottiglio