Bands
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Bands
Grateful Dead
Today In History
June 8th
9 shows
70 tapes
Years
1995
29.8k
PlaybackListensHours
48h55272
7d6.7k904
30d29.8k4.2k
49 shows
341 tapes
1994
8.3k
PlaybackListensHours
48h1.1k142
7d1.3k189
30d8.3k1.2k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h2.3k291
7d7.4k999
30d37.2k4.9k
83 shows
656 tapes
1992
35.1k
PlaybackListensHours
48h2.1k265
7d3.5k452
30d35.1k4.7k
57 shows
539 tapes
1991
37.3k
PlaybackListensHours
48h5.8k808
7d7.1k946
30d37.3k5.1k
78 shows
972 tapes
1990
34k
PlaybackListensHours
48h6k755
7d5.6k727
30d34k4.5k
78 shows
1,139 tapes
1989
46.2k
PlaybackListensHours
48h2.7k335
7d7.3k920
30d46.2k5.8k
78 shows
1,013 tapes
1988
21.2k
PlaybackListensHours
48h1.2k140
7d2.7k307
30d21.2k2.4k
82 shows
882 tapes
1987
34k
PlaybackListensHours
48h1.7k193
7d5.5k591
30d34k3.7k
88 shows
1,025 tapes
1986
13.8k
PlaybackListensHours
48h80489
7d1.9k211
30d13.8k1.6k
47 shows
683 tapes
1985
21.1k
PlaybackListensHours
48h1.4k167
7d4k474
30d21.1k2.5k
73 shows
1,356 tapes
1984
15.2k
PlaybackListensHours
48h982127
7d2.8k362
30d15.2k2k
67 shows
1,075 tapes
1983
32.9k
PlaybackListensHours
48h1.4k192
7d3k387
30d32.9k4.4k
71 shows
1,069 tapes
1982
41.1k
PlaybackListensHours
48h1.6k194
7d3.6k451
30d41.1k5.1k
63 shows
753 tapes
1981
51k
PlaybackListensHours
48h1.8k232
7d4.5k586
30d51k6.4k
92 shows
868 tapes
1980
68.2k
PlaybackListensHours
48h8.3k885
7d8.6k992
30d68.2k8k
91 shows
794 tapes
1979
25k
PlaybackListensHours
48h1.5k208
7d2.7k378
30d25k3.5k
79 shows
600 tapes
1978
55.4k
PlaybackListensHours
48h1.7k229
7d11.3k1.4k
30d55.4k7.6k
87 shows
592 tapes
1977
286.7k
PlaybackListensHours
48h22.3k3.1k
7d28k3.8k
30d286.7k39.5k
64 shows
419 tapes
1976
48.8k
PlaybackListensHours
48h2.8k390
7d26.1k3.6k
30d48.8k6.6k
45 shows
298 tapes
1975
5.8k
PlaybackListensHours
48h86984
7d1.4k132
30d5.8k599
25 shows
63 tapes
1974
97.7k
PlaybackListensHours
48h7.1k914
7d9.3k1.2k
30d97.7k12.3k
42 shows
324 tapes
1973
78.3k
PlaybackListensHours
48h3.8k489
7d8.9k1.2k
30d78.3k10k
75 shows
445 tapes
1972
72.7k
PlaybackListensHours
48h2.6k318
7d6.7k830
30d72.7k8.8k
88 shows
361 tapes
1971
33.4k
PlaybackListensHours
48h1.5k168
7d4.9k544
30d33.4k3.8k
82 shows
357 tapes
1970
41.4k
PlaybackListensHours
48h4.5k448
7d13.9k1.4k
30d41.4k4.5k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.5k388
7d5k818
30d25.4k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h65490
7d1.1k134
30d6.7k832
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13218
7d26938
30d1.5k201
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h20614
7d89659
30d7.9k525
32 shows
78 tapes
1965
561
PlaybackListensHours
48h422
7d845
30d56133
2 shows
2 tapes
1972
Sources
Transferrer: Charlie Miller
1:17:54
SBD
Rating:
9.20 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1972-10-21.set2-partial.sbd.miller.94409.sbeok.flac16
Source:
SBD -> Master Reel -> Dat -> CD D
Lineage:
CD -> Samplitude Professional v10.1 -> FLAC (1 Disc Audio / 1 Disc FLAC)
Taper Notes:
View NotesNotes: -- Possibly from a Master Cassette -- Didn't do much to this, just fixed levels and cleaned up cuts -- This has a horrible mix but it's better than nothing -- Tape flips in Greatest Story Ever Told and The Other One
Transferrer: Dan McDonald
1:11:46
SBD
Rating:
8.00 / 1 rating
Transferrer:
Dan McDonald
SHNID:
gd1972-10-21.122383.sbd-pset2.nr.rbbert.dan-fix.flac16
Source:
SBD -> Master Reel -> Dat -> CD -> DC8; this version uses noise reduction; see info file for details
Taper Notes:
View NotesRevision by Dan McDonald, Sept-Oct, 2012. Diamond Cut Forensics 8 was used to rearrange the audio. I used the spectral filter for equalization in several different ways. The main goal was to lower the prominence of the bass. Most of the bass was in the right channel, so that was just a reworking of the sonic profile for the left channel. Sometimes, the bass was in both channels. In those instances I either left it alone or lowered it (depending on what was going on at the time). Along the way I boosted the highs considerably in both channels. You should be able to hear quite a bit of difference. Booting highs lead to some increases in noise. I used a continuous noise artifact reduction filter as a last step to enhance listening pleasure for those who are bothered by nasty noise. If it doesn't bother you, there is a version without the noise reduction. My take is that no noise reduction is more vibrant sounding, but this version is definitely cleaner in sound. You should be able to hear the drums, guitars and vocals more prominently than earlier versions. I don't specify all the things I did because there were too many changes. I left the space (tape cut or tape flip in the original) as it was in the source I used. There's enough hiss that either the lineage is wrong or the signal was recorded at very low levels in the original. One fun note: Appears to be a "Rocky Top" tease from Phil at 8:13 into The Other One.
Transferrer: Dan McDonald
1:11:46
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Dan McDonald
SHNID:
gd1972-10-21.122342.sbd-pset2.rbbert.dan-fix.flac16
Source:
SBD -> Master Reel -> Dat -> CD -> DC8; Reworked version of shnID 94453
Taper Notes:
View NotesRevision by Dan McDonald, Sept-Oct, 2012. Diamond Cut Forensics 8 was used to rearrange the audio. I used the spectral filter for equalization in several different ways.The main goal was to lower the prominence of the bass. Most of the bass was in the right channel, so that was just a reworking of the sonic profile for the left channel. Sometimes, the bass was in both channels. In those instances I either left it alone or lowered it (depending on what was going on at the time). Along the way I boosted the highs considerably in both channels. You should be able to hear quite a bit of difference. Booting highs lead to some increases in noise. I decided not to use any noise reduction because the drums/cymbals were so low that their signal was about equivalent to the noise level at some points. In this version, you will notice the noise more between songs and when the songs are relatively quiet, but you'll also be able to hear the drums, guitars and vocals more prominently. I don't specify all the things I did because there were too many changes. I left the space (tape cut or tape flip in the original) as it was in the source I used. There's enough hiss that either the lineage is wrong or the signal was recorded at very low levels in the original.
Transferrer: rbbert
1:11:45
SBDREMASTER
Rating:
8.67 / 6 ratings
Transferrer:
rbbert
SHNID:
gd1972-10-21.set2-partial.sbd.rbbert.fix-94410.94453.flac16
Source:
SBD -> Master Reel -> Dat -> CD
Lineage:
CD -> Samplitude Professional v10.1 -> FLAC -> Remastering -> FLAC
Taper Notes:
View NotesI attempted to improve the most annoying aspects of this recording - Balanced the channels - improved the volume fluctuations in Truckin' - Lowered the bass slightly after about 3:44 in Truckin' - cut out some "dead air" Notes: -- Possibly from a Master Cassette -- Didn't do much to this, just fixed levels and cleaned up cuts -- This has a horrible mix but it's better than nothing -- Tape flips in Greatest Story Ever Told and The Other One
Transferrer: JerryRocks
1:18:02
SBD
Rating:
8.67 / 10 ratings
Transferrer:
JerryRocks
SHNID:
gd1972-10-21.sbd.pset2.91505.flac16
Source:
MSR>DAT>CDR>EAC>.WAV>TLH>.FLAC
Taper Notes:
View NotesFirst circulated 4/22/2008