Bands
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Bands
Grateful Dead
Today In History
June 6th
Years
1995
29.2k
PlaybackListensHours
48h1.4k197
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h59083
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.8k786
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h2k261
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h4.6k606
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.8k366
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.3k404
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.2k143
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k273
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h82293
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k235
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k187
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k181
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k239
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k279
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k689
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k179
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h3.7k482
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.2k1.7k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h5.4k755
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85171
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.5k564
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.4k583
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.5k433
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k242
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h9.4k952
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k594
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59572
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13521
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30323
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h382
7d1277
30d57234
2 shows
2 tapes
1972
Sources
Transferrer: Charlie Miller
1:17:54
SBD
Rating:
9.20 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1972-10-21.set2-partial.sbd.miller.94409.sbeok.flac16
Source:
SBD -> Master Reel -> Dat -> CD D
Lineage:
CD -> Samplitude Professional v10.1 -> FLAC (1 Disc Audio / 1 Disc FLAC)
Taper Notes:
View NotesNotes: -- Possibly from a Master Cassette -- Didn't do much to this, just fixed levels and cleaned up cuts -- This has a horrible mix but it's better than nothing -- Tape flips in Greatest Story Ever Told and The Other One
Transferrer: Dan McDonald
1:11:46
SBD
Rating:
8.00 / 1 rating
Transferrer:
Dan McDonald
SHNID:
gd1972-10-21.122383.sbd-pset2.nr.rbbert.dan-fix.flac16
Source:
SBD -> Master Reel -> Dat -> CD -> DC8; this version uses noise reduction; see info file for details
Taper Notes:
View NotesRevision by Dan McDonald, Sept-Oct, 2012. Diamond Cut Forensics 8 was used to rearrange the audio. I used the spectral filter for equalization in several different ways. The main goal was to lower the prominence of the bass. Most of the bass was in the right channel, so that was just a reworking of the sonic profile for the left channel. Sometimes, the bass was in both channels. In those instances I either left it alone or lowered it (depending on what was going on at the time). Along the way I boosted the highs considerably in both channels. You should be able to hear quite a bit of difference. Booting highs lead to some increases in noise. I used a continuous noise artifact reduction filter as a last step to enhance listening pleasure for those who are bothered by nasty noise. If it doesn't bother you, there is a version without the noise reduction. My take is that no noise reduction is more vibrant sounding, but this version is definitely cleaner in sound. You should be able to hear the drums, guitars and vocals more prominently than earlier versions. I don't specify all the things I did because there were too many changes. I left the space (tape cut or tape flip in the original) as it was in the source I used. There's enough hiss that either the lineage is wrong or the signal was recorded at very low levels in the original. One fun note: Appears to be a "Rocky Top" tease from Phil at 8:13 into The Other One.
Transferrer: Dan McDonald
1:11:46
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Dan McDonald
SHNID:
gd1972-10-21.122342.sbd-pset2.rbbert.dan-fix.flac16
Source:
SBD -> Master Reel -> Dat -> CD -> DC8; Reworked version of shnID 94453
Taper Notes:
View NotesRevision by Dan McDonald, Sept-Oct, 2012. Diamond Cut Forensics 8 was used to rearrange the audio. I used the spectral filter for equalization in several different ways.The main goal was to lower the prominence of the bass. Most of the bass was in the right channel, so that was just a reworking of the sonic profile for the left channel. Sometimes, the bass was in both channels. In those instances I either left it alone or lowered it (depending on what was going on at the time). Along the way I boosted the highs considerably in both channels. You should be able to hear quite a bit of difference. Booting highs lead to some increases in noise. I decided not to use any noise reduction because the drums/cymbals were so low that their signal was about equivalent to the noise level at some points. In this version, you will notice the noise more between songs and when the songs are relatively quiet, but you'll also be able to hear the drums, guitars and vocals more prominently. I don't specify all the things I did because there were too many changes. I left the space (tape cut or tape flip in the original) as it was in the source I used. There's enough hiss that either the lineage is wrong or the signal was recorded at very low levels in the original.
Transferrer: rbbert
1:11:45
SBDREMASTER
Rating:
8.67 / 6 ratings
Transferrer:
rbbert
SHNID:
gd1972-10-21.set2-partial.sbd.rbbert.fix-94410.94453.flac16
Source:
SBD -> Master Reel -> Dat -> CD
Lineage:
CD -> Samplitude Professional v10.1 -> FLAC -> Remastering -> FLAC
Taper Notes:
View NotesI attempted to improve the most annoying aspects of this recording - Balanced the channels - improved the volume fluctuations in Truckin' - Lowered the bass slightly after about 3:44 in Truckin' - cut out some "dead air" Notes: -- Possibly from a Master Cassette -- Didn't do much to this, just fixed levels and cleaned up cuts -- This has a horrible mix but it's better than nothing -- Tape flips in Greatest Story Ever Told and The Other One
Transferrer: JerryRocks
1:18:02
SBD
Rating:
8.67 / 10 ratings
Transferrer:
JerryRocks
SHNID:
gd1972-10-21.sbd.pset2.91505.flac16
Source:
MSR>DAT>CDR>EAC>.WAV>TLH>.FLAC
Taper Notes:
View NotesFirst circulated 4/22/2008