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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.1k423
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h69497
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3.4k461
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k130
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k228
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.6k339
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.9k488
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k139
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k283
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h953106
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.9k220
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k199
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k191
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k212
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.9k563
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.4k190
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.4k1.1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.7k2.1k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h10.6k1.5k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h76170
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h4.1k540
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.9k360
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k248
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h6.4k616
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h3.1k500
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h52966
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14820
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h50038
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h372
7d1468
30d57134
2 shows
2 tapes
1972
8/27/72
Introduction
4:15
The Promised Land
3:35
Sugaree
9:17
Me and My Uncle
3:28
Deal
4:40
Black Throated Wind
7:11
China Cat Sunflower >
7:54
I Know You Rider
7:12
Mexicali Blues
3:45
Bertha
6:11
Playin In The Band
20:48
He's Gone
9:20
Jack Straw
5:06
Bird Song
13:02
Greatest Story Ever Told
6:27
Dark Star >
31:26
El Paso
4:28
Sing Me Back Home
11:26
Sugar Magnolia
10:45
Casey Jones
6:15
One More Saturday Night
4:39
Closing Banter
7:10
FIN
View on archive.org
Sources
Source 1 of 7
3:08:20
SBDREMASTER
Rating:
8.77 / 15 ratings
SHNID:
gd72-08-27.sbd.bertha-ashley.21619.sbeok.shnf
Source:
Bertha Remaster of the <a href= "/shninfo_detail.php?shnid=16582">Braverman/Dank 16 track source</a>.SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A(Between songs from the two-track master reels)
Taper Notes:
View NotesBertha Remaster of the <a href="/shninfo_detail.php?shnid=16582" rel="ugc nofollow">Braverman/Dank 16 track source</a>. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A (Between songs from the two-track master reels)
Source 2 of 7
3:08:22
SBD
Rating:
9.85 / 57 ratings
SHNID:
gd72-08-27.sbd.braverman.16582.sbefail.shnf
Source:
Soundboard
Lineage:
SBD>16 Track Master Reels>[email protected]>DAT>DAT>WAV>SHN
Taper Notes:
View NotesThe songs from the reels were originally edited down to DAT very tightly, almost no banter is present in this version. Known Flaws: the first few notes of Sugar Magnolia were missing and were patched in from the circulating Gans CD source. The following spots were edited using pencil tool in Soundforge (small bits of analog static removed): d1t1, 2:18 - left channel click - smoothed, still slightly audible d1t1, 2:20-2:23 - left channel static - smoothed, still slightly audible d1t06, 2:12 - pop - fixed d2t01, 14:28 - right channel crackle - fixed d2t05, 3:37 - right channel click - fixed d2t05, 4:13 right channel click - fixed d2t05, 04:18 - right channel static - smoothed, still audible d2t05, 04:45 - right channel static - fixed d2t05, 04:00-05:00 - some other static, smoothed, but still audible d2t05, 5:05 - right channel click- still slightly audible d3t01, 0:28 - two right channel clicks - fixed d3t01, 0:38 - right channel click - fixed d3t01, 8:06, 8:11 - right channel crackles - fixed d3t01, 26:29 - right channel click - fixed There are a few other minor analog anomalies that were left alone: d1t01, 2:02 click in right channel d1t01, 2:26 slight pop d1t07, 3:48 click d2t01, 6:00 faint click d2t04, 10:12 pop d2t05, 3:36 click d2t05, 3:42 click d3t01, 28:24 click d3t04, 5:10-7:50 intermittent analog buzzing in right channel There's probably some more to be found, however, all are quite minor
Transferrer: Jay Serafin
3:20:07
SBD
Rating:
8.80 / 11 ratings
Transferrer:
Jay Serafin
SHNID:
gd1972-08-27.sbd.serafin.8045.sbefail.shnf
Source:
(SET I and II) SBD > Re-Mixed Master RTR > DAT > SSSB. (SET III) SBD > Re-Mixed Master RTR > PCM (via analog inputs and outputs) > DAT > SSSB
Taper Notes:
View NotesJAY'S PERSONAL COMMENTS: I have to say this was probably one of the most difficult shows I ever had to work on... EVER! Many reasons for this are able to be disclosed (which they will be), but some are verified confidential information which came from my Marin County source who sent me the best possible masters for this show. Set I and II: Due to the tape reels being plastic, rather than the usual metal type, when the tapes were archived to PCM, there were static problems which occurred due to the ambient electrical charges which occur when tape reels are fast forwarded and fast rewound to "loosen up" the tape. The static discharged through the tape layers, rather than through the metal reels, so the audio wound up becoming filled with little "pops, ticks, and crackles" throughout a lot of the layers of tape. To eliminate these very annoying (and very audible!) noises, I had to MANUALLY do and edit them out. Close to 3,000 total edits were performed for Set I and almost 2,500 edits for this same problem for Set II. This is why it took close to 8 weeks of work to get this show completed. Of course, I was working on other shows as well, but 90% of the time spent on this wonderful show was on literally looking at every second of audio, scrolling slowly forward, to find these problems. It would have been "nicer" if the static pops were almost identical in their waveform, as I could have had the editing software find them for me, and I would just edit them out. But, they varied to much in the way they appeared in the audio, that there was no "automatic" way to find these little buggers. I spent close to 120 hours on finding these items, but then I was done, I only had to "eliminate" less than 45 total seconds from the entire show, due to my not being able to correct the static noise by simply removing the offending part of the sample (each static "pop" was approximately 0.00025 seconds in length, so just eliminating the deformed part of the waveform too very little time away from the entire show), but having to eliminate an entire sample or part of a waveform (about 0.001 seconds in length). But the elimination of these annoying parts did not affect the way the end result audio sounds. There's no "stuttering" or noticeable missing audio. By performing the editing the way I did, it eliminated all of this "unwanted perverting" of the audio. There are only a few very minor pops left, which could not be eliminated without affecting the audio as a whole, so I simply lowered the volume of the offending noise, so it's just barely perceptible. With the usual amount of original RTR analog tape hiss from the decks being used at the slow speed, plus the analog transfer of the RTR > PCM (they did not do it in the digital domain for reasons I cannot divulge here), there was a fair amount of hiss throughout Sets I and II. I was able to reduce the amount by more than 85%, but there is still a very slight amount of hiss left, which is only noticeable during the between-song lulls, tunings, and the stage announcement, and ONLY if you have your audio cranked up REALLY HIGH! The amount of hiss I was able to remove, without affecting the audio, was so "massive", there were parts of the between song lulls where the band members were talking amongst themselves, etc., and that could not be heard at all, due to the original hiss. Now, you are able to hear EVERYTHING that was originally fed into the RTR decks! Set III: This came from a totally different set of archive tapes, which had more underlying hiss to them (due to the extra PCM transfer in the lineage), but the overall audio was better them most of the versions out there. So, even more noise reduction using different techniques, was used, and the result was close (and to a slight degree, even better than the Set I/II reduction!). There was a point, beginning with "Sing Me Back Home", where you could hear that someone did some adjustment to the RTR deck, and this hiss rose dramatically from that point to the end of the show. So, not only was I faced with a "different" type of hiss, I had to now "match" the EQ curve of the audio to anything prior to that song! It was a lot of work, but it was also a lot of fun, as this was one of my most challenging releases of a show I had ever attempted. Overall, there is a LOT more total show audio than in almost all of the versions in circulation. Close to 10 minutes of "additional material" is in this release. To perform all of the special static noise, I had to revert to converting the show from it's usual 16-bit/48.0 kHz data rate to the highest rates my software, sound card, and digital mixer can handle, which is 32-bit / 192 kHz sampling rate! This is better than DVD's audio, which is 24-bit/96 kHz sampling. But I needed to see more of the waveform, and to be able to manipulate the waveforms in such a precise manner. When I "down-converted" the audio to the standard for CD's, which is 16-bit / 44.1 kHz, I was able to move the quantization noise up into the 20 kHz range, which is well past the point if human hearing. Also, since this show contained very little in the way of high levels of audio above 14 kHz, it did not affect the "harmonics" and the subtle nuances which a lot of people would hear up in the 18-20 kHz audio range with a lot of music. So, everyone will hear all of the audio just as is was recorded onto the RTR decks, only with a much cleaner sound. I had to perform very little in the way of "trimming" of the show's audio for the reel flips and the PCM tape changes. From my editing notes, I was able to remove just under 50 total seconds of total show audio to perform the necessary crossfades. This is the best I could do with the masters I received, and I hope that everyone is happy with the results. I certainly was, and I am never totally happy with my "final release" versions of any show I've ever worked on! Uploaded exclusively to GDLive.com by: John "Jay" Serafin, owner/audio engineer @ Serafin Station Studio B "Making Kindness Dubs For Everyone!" No Profits Or Copyright Infringements EVER! Web Info: http://members.home.com/kinddubs E-Mail: [email protected]
Taper: Reel>DAT transfer by Dick Latvala
2:44:02
SBD
Rating:
9.75 / 8 ratings
Taper:
Reel>DAT transfer by Dick Latvala
Transferrer:
DAT clone supplied by Rob Eaton, 6/2001 DAT>SHN by Jamie Lutch, 6/2001
SHNID:
gd1972-08-27.sbd.latvala-eaton-lutch-dankseed.4682.shnf
Source:
SBD>16 Track Master Reels>[email protected]>DAT>DAT>WAV>SHN
Lineage:
DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f
Taper Notes:
View NotesThe songs from the reels were originally edited down to DAT very tightly, almost no banter is present in this version. Known Flaws: the first few notes of Sugar Magnolia were missing and were patched in from the circulating Gans CD source. The following spots were edited using pencil tool in Soundforge (small bits of analog static removed): d1t1, 2:18 - left channel click - smoothed, still slightly audible d1t1, 2:20-2:23 - left channel static - smoothed, still slightly audible d1t06, 2:12 - pop - fixed d2t01, 14:28 - right channel crackle - fixed d2t05, 3:37 - right channel click - fixed d2t05, 4:13 right channel click - fixed d2t05, 04:18 - right channel static - smoothed, still audible d2t05, 04:45 - right channel static - fixed d2t05, 04:00-05:00 - some other static, smoothed, but still audible d2t05, 5:05 - right channel click- still slightly audible d3t01, 0:28 - two right channel clicks - fixed d3t01, 0:38 - right channel click - fixed d3t01, 8:06, 8:11 - right channel crackles - fixed d3t01, 26:29 - right channel click - fixed There are a few other minor analog anomalies that were left alone: d1t01, 2:02 click in right channel d1t01, 2:26 slight pop d1t07, 3:48 click d2t01, 6:00 faint click d2t04, 10:12 pop d2t05, 3:36 click d2t05, 3:42 click d3t01, 28:24 click d3t04, 5:10-7:50 intermittent analog buzzing in right channel There's probably some more to be found, however, all are quite minor
Source 5 of 7
3:08:18
SBD
Rating:
9.90 / 80 ratings
SHNID:
gd72-08-27.sbd.orf.3328.sbeok.shnf
Source:
SBD-> two-track MR-> DAT-> Sonic Solutions-> CDR-> EAC-> Sound Forge Edit (analog pop removal using pencil tool)-> Sound Forge Pitch Shift (antialias filter followed by pitch shift of +19 cents)
Taper Notes:
View NotesSBD-> two-track MR-> DAT-> Sonic Solutions-> CDR-> EAC-> Sound Forge Edit (analog pop removal using pencil tool)-> Sound Forge Pitch Shift (antialias filter followed by pitch shift of +19 cents); stemming from David Gans seed, via Adam Jerugim to Leigh Orf, who fixed up (see details in info file); d3 trackd for 80 min; note previous shn sets have been Betty Board sourced- this is not
Source 6 of 7
3:22:01
SBD
Rating:
10.00 / 6 ratings
SHNID:
gd1972-08-27.sbd.hollister.2199.sbeok.shnf
Source:
Master Betty reel > PCM > DAT > ZA2 > CD > EAC > SHN
Taper: Unknown
3:15:34
SBD
Rating:
9.50 / 4 ratings
Transferrer:
Seth Kaplan, G. Hamilton
SHNID:
gd1972-08-27.sbd.kaplan-hamilton.152.shnf
Source:
SBD > Master Reel
Lineage:
MR> DAT> CDR> EAC> SHN
Taper Notes:
View NotesI am deeply indebted to Seth Kaplan for this copy of this epic show. I have had several different copies over the past five years, and this is the cleanest I've heard. Notably, it lacks the small clicks/pops in Dark Star that mar most circulating copies. It also has both encores. Known flaws: There are moments of sound system disortion/buzziness at places, such as the beginning of Promised Land, which are present on all versions I've heard. Specific glitches: D1t07 (Rider): Subsecond dropout @ 11:14 D2t06 (Greatest): Subsecond discontinuity @ 3:36; may be sound system. Brief bit of static @ 5:07. D3t01/02: 2 second elision between Dark Star and El Paso