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Bands
Grateful Dead
Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h56776
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.5k403
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2.3k299
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.2k301
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h3k395
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.2k427
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.8k358
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.3k152
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h7.6k967
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h904103
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h3.4k407
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h4.7k557
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.2k159
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.6k196
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k233
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h7.9k921
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.4k197
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.7k234
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h9.9k1.4k
7d32.8k4.5k
30d278k38.4k
64 shows
418 tapes
1976
85.9k
PlaybackListensHours
48h11.5k1.6k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h47448
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.6k451
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.9k639
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h3k377
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.5k158
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.8k213
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.8k283
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h846103
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h11316
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h25418
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h352
7d1128
30d63237
2 shows
2 tapes
1971
Sources
Transferrer: Charlie Miller
3:12:13
SBD
Rating:
10.00 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-12-31.142742.sbd.miller.flac1648
Source:
SBD > Master Reel > Dat (48k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 >Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- This is a fix of shnid=142681 (Playing In The Band) -- Most of the first set tunings were edited out on Rob's Dat -- The mix for El Paso is all over the place -- Donna's first show (One More Saturday Night) -- The patch source for The Other One has a cut 3 seconds into it -- The patch source was remastered to better match the soundboard -- Thanks to Rob Eaton for the Dats -- Thanks to Tim Dalton and SIRMick for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Charlie Miller
3:12:12
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-12-31.142681.sbd.miller.flac1648
Source:
SBD > Master Reel > Dat (48k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 >Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- Most of the first set tunings were edited out on Rob's Dat -- The mix for El Paso is all over the place -- Donna's first show (One More Saturday Night) -- The patch source for The Other One has a cut 3 seconds into it -- The patch source was remastered to better match the soundboard -- Thanks to Rob Eaton for the Dats -- Thanks to Tim Dalton and SIRMick for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Recording by Bob Menke
3:30:49
Taper:
Recording by Bob Menke
Transferrer:
Transfer by Bob Menke Mastering by Charlie Miller [email protected] September 21, 2024
SHNID:
gd1971-12-31.168858.fm.ksan.menke.miller.fixed.flac2496
Source:
FM (KSAN-FM) > Master Reel (Teac/3.75ips)
Lineage:
Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16
Taper Notes:
View NotesNotes: -- Fixed a dropout in Big River -- Thanks to Bob Menke for sharing his recording -- Thanks to Joe B. Jones for confirming the pitch
Taper: Recording by Bob Menke
3:30:49
Taper:
Recording by Bob Menke
Transferrer:
Transfer by Bob Menke Mastering by Charlie Miller [email protected] September 21, 2024
SHNID:
gd1971-12-31.168857.fm.ksan.menke.miller.fixed.flac1648
Source:
FM (KSAN-FM) > Master Reel (Teac/3.75ips)
Lineage:
Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16
Taper Notes:
View NotesNotes: -- Fixed a dropout in Big River -- Thanks to Bob Menke for sharing his recording -- Thanks to Joe B. Jones for confirming the pitch
Taper: Bob Menke
3:30:49
Taper:
Bob Menke
Transferrer:
Transfer by Bob Menke Mastering by Charlie Miller [email protected] September 18, 2024
SHNID:
gd1971-12-31.168844.fm.ksan.menke.miller.flac2496
Source:
FM (KSAN-FM) > Master Reel (Teac/3.75ips)
Lineage:
Transfer Info: Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Bob Menke for sharing his recording -- Thanks to Joe B. Jones for confirming the pitch
Taper: Bob Menke
3:30:49
Taper:
Bob Menke
Transferrer:
Transfer by Bob Menke Mastering by Charlie Miller [email protected] September 18, 2024
SHNID:
gd1971-12-31.168843.fm.ksan.menke.miller.flac1648
Source:
FM (KSAN-FM) > Master Reel (Teac/3.75ips)
Lineage:
Transfer Info: Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Bob Menke for sharing his recording -- Thanks to Joe B. Jones for confirming the pitch
Taper: Tim Dalton
3:18:00
Rating:
10.00 / 3 ratings
Taper:
Tim Dalton
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1971-12-31.142687.fm.dalton.miller.sirmick.flac1644
Source:
Source: KSAN > FM Master reel > cassette > pcm ( Sony ESX HiFi l-750) - Provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2018
Taper Notes:
View NotesComments - During Set I Weir explained that the organ and piano weren't in tune with each other, and they were going to have to decide which to tune to. Hence the constant tuning breaks. - With Donna Jean Godchaux, her first performance with the boys (1) Notes: - This is a remaster of shnid 141329. - It became apparent when Charlie Miller was preparing the sbd for this show that Set II of this source was a little off pitch. That has now been corrected. - I found a small cut in "The Other One" which has now been patched with the sbd. - Pre-Emphasis has now been added to this source Thanks to Joe B. Jones for advice in respect of pitch correction and Rob Eaton for providing the sbd source. Thanks to Tim Dalton for this knockout upgrade and to Charlie Miller for the transfer and subsequent help. edited and remastered SIRMick July 2018
Taper: Tim Dalton
3:16:47
Rating:
10.00 / 2 ratings
Taper:
Tim Dalton
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1971-12-31.141329.fm.dalton.miller.sirmick.flac1644
Source:
Source: KSAN > FM Master reel > cassette > pcm ( Sony ESX HiFil-750) - Provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick
Taper Notes:
View NotesComments - During Set I Weir explained that the organ and piano weren't in tune with each other, and they were going to have to decide which to tune to. Hence the constant tuning breaks. - With Donna Jean Godchaux, her first performance with the boys (1) Notes: - DC offset removed. - Low level hum attentuated. - Patches Several small patches have been made for continuity purposes. "Next Time You See Me" - first 5 seconds "Not Fade Away" through to the end of the show were missing and have been patched on. It was necessary to pitch correct the patches which, of course, come from the only other source in circulation - Thank you George Lanum and Brian Proctor. They also needed to be inverted - During "GDTRFB" and towards the end of "Not Fade Away (reprise)" there is some tape flutter. It's still there but I have been able to reduce it. Thanks to Tim Dalton for this knockout upgrade and to Charlie Miller for the transfer. edited and mastered SIRMick March 2018
Source 9 of 9
2:56:26
Rating:
9.17 / 52 ratings
SHNID:
gd71-12-31.fm.lanum.135.sbeok.shnf
Source:
Soundboard - FM
Lineage:
FM > Reel > Dat > CDR
Taper Notes:
View NotesFM > Reel > Dat > CDR; via G. Lanum