04
1971
Sources
Taper: Betty Cantor and Tim Dalton
2:41:33
SBD
Rating:
8.80 / 5 ratings
Taper:
Betty Cantor and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1971-04-08.141099.sbd.betty.pcm.dalton.miller.clugston.flac1644
Source:
Source Info: Betty's 7" two track reels @ 7 1/2 ips > PCM (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the source PCM - Thanks to Charlie Miller for the transfer - Numerous pops, clicks, ticks, gremlins and whatnot cleaned up - Level fluctuations smoothed - Right channel hum at spots, left as is, no noise reduction of any kind was applied - "Truckin'" clipped - Tape flip/shred in "Loser" occurs during a repeated chorus, the missing chorus was patched with an existing one and is virtually transparent - False start included in "Beat It On Down The Line" - Tape flip in "I Second That Emotion" smoothed - Tape flip in "Dark Star" smoothed - Tape flip in the transition between "Goin' Down The Road Feeeling Bad" and "Not Fade Away" smoothed - Tape flip in "Good Lovin'" smoothed Mastered by Scott Clugston February 18, 2018
Taper: Betty Cantor
2:42:11
SBD
Rating:
8.00 / 5 ratings
Taper:
Betty Cantor
Transferrer:
Bill Koucky
SHNID:
gd1971-04-08.sbd.cantor.gmb.96627.flac16
Source:
Betty Cantor 7" two track reel @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz
Lineage:
Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac
Taper Notes:
View NotesFirst I Second That Emotion Source / Mastering Notes: - There were multiple edits made for reel changes. Some were crossfaded and others were edited out. - Cuts were during I Second That Emotion, In Dark Star, during the Jam at the end of GDTBFB and in the beginning of Good Lovin'. - There are many audible conversations between Ramrod and others between tunes. Which may indicate that this is a monitor mix. - A buzz is intermittent in the right channel that was reduced Steinberg Denoiser. - Speed adjustments were made for the first set as the beginning portion was fast and after the cut in I Second That Emotion was slow.
Source 3 of 6
2:42:22
SBD
Rating:
8.83 / 12 ratings
SHNID:
gd1971-04-08.sbd.deibert.83756.sbeok.flac16
Source:
7" Betty Board Reel > PCM501ES analog out > Dolby A Decoder > Analog in PCMF1 PCM501ES analog out > Fostex D5 optical S/PDIF out > disk
Taper Notes:
View NotesNOTES: * Sound Forge 6.0 * Hum and hum bursts due to equipment problems that night. * Tuning and intersong banter at end of tracks. notes from trailmix 3-25-07 WBOTB Project these were wavs that Tim had backed up from the transfer in 2002. They were SBE fixed (by set), then encoded to flac16 (level 6). The process was repeated with identical results. originally tracked for 3 discs, but fits on 2 with a little overburn Known Flaws: d1t09 dropout @ 1:11 volume raised @ 1:24 reel splice(?)@ 2:59 d2t01 dropout @ 6:26 (2 second dropout) @ 14:49 ("Lady in velvet recedes in the night//the transitive nightfall of diamonds") d2t06 reel change(?) @ 0:32