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June 16th
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1971
4/7/71
tuning
2:33
Me and My Uncle
3:26
Next Time You See Me
4:14
Casey Jones
9:57
Playin' in the Band
5:18
Loser
7:38
Me And Bobby McGee
6:12
Hard To Handle
10:00
Sugar Magnolia
6:53
China Cat Sunflower >
7:18
I Know You Rider
5:48
St Stephen >
6:19
Drums >
2:53
Jam >
2:26
Not Fade Away >
2:41
Goin' Down The Road Feeling Bad >
6:59
Not Fade Away
1:58
Johnny B. Goode
4:26
FIN
View on archive.org
Sources
Taper: Betty Cantor and Tim Dalton
1:36:17
SBD
Rating:
9.00 / 2 ratings
Taper:
Betty Cantor and Tim Dalton
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1971-04-07.141029.betty.dalton.miller.sirmick.flac1644
Source:
Source: sbd > master reel > pcm > dolby A decoded dat > pcm (Sony beta HG) - recorded by Betty Cantor and provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1 - transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018
Taper Notes:
View NotesComments: This was a short show due to curfew restrictions. Notes: - I remixed the first 1:20 of "China Cat" as it was inconsistent with the rest of the track. - I decided to track this as one set as there is no evidence of a set break. Thanks to Tim for providing this source and Charlie for taking care of the transfer edited and mastered SIRMick February 2018
Taper: Betty Cantor
1:36:54
SBD
Rating:
8.00 / 3 ratings
Taper:
Betty Cantor
Transferrer:
Bill Koucky
SHNID:
gd1971-04-07.sbd.cantor.gmb.96225.flac16
Source:
7" two track reel w@ 7 1/2 ips> PCM501ES @ 44.055 kHz CM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz
Lineage:
Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac
Taper Notes:
View NotesSource/Mastering Notes: Reel Changes are undetectable aside from the unfortunate cut in the Jam after Drums and into Not Fade Away. All source info and Dead Base document this show as having two normal sets. Yet there is no clear point in which the fist set ends or when the band returns for a second set. There is tuning after Sugar Magnolia and before China Cat, which indicates to this listener that there was a single set that night. Jerry mentions to the audience that they have to cut the show short after J.B. Goode due to the curfew. Perhaps the band chose to do one long set rather than two. The discs are therefore seamless.