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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1971
4/6/71
Bertha
9:22
Beat It On Down The Line
4:25
It Hurts Me Too
7:05
Me & Bobby McGee
8:17
Dire Wolf
5:23
Oh Boy
2:56
I'm A Hog For You Baby
5:45
Playin' In The //Band
7:38
In The Midnight Hour
10:16
Mama Tried
3:18
Cumberland Blues
5:26
Casey Jones
5:12
Take A Step Back
5:59
Greatest Story Ever Told >
2:52
Johnny B. Goode
6:54
//Loser
9:34
Good Lovin' > Drums > Good Lovin'
25:00
Sugar Magnolia
7:30
Not Fade Away >
3:38
Goin' Down The Road Feeling //Bad >
6:04
Not Fade Away >
2:18
Truckin'
8:30
FIN
View on archive.org
Sources
Taper: Rob Eaton, Steve Whitaker
2:33:22
SBD
Rating:
10.00 / 2 ratings
Taper:
Rob Eaton, Steve Whitaker
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1971-04-06.152611.sbd.betty.eaton.miller.clugston.flac16
Source:
Betty Cantor-Jackson's Master Soundboard Reels (7" 1/2 track @ 7 1/2 ips w/ dolby A) > Steve Whitaker's Sony PCM-501 (PCM/0); Steve Whitaker's PCM/0 (Sony PCM-601; digital out) > Rob Eaton's Panasonic SV-3700 DAT (16/44.1); Rob Eaton's DAT (16/44.1)(Panasonic SV-3700) > Dolby A361 > Rob Eaton's Panasonic SV-3700 (16/44.1)
Lineage:
DAT (16/44.1)(Tascam DA-40) > Tascam DA-3000 (16/44.1) > .wav (16/44.1) > Adobe Audition 2020 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the digital transfer of Steve Whitaker's PCM/0 source. Rob made this DAT for Dick Latvala, who later gave it to David Gans, who later gave it to Charlie Miller - Thanks to Charlie Miller for the DAT transfer and coordinating this effort - Tape flips in "Playin' In The Band", between "Johnny B. Goode" and "Loser" causing the beginning of "Loser" to be clipped, and "Goin' Down The Road Feeling Bad" - First "Oh Boy" - Thanks to Joe B. Jones for his assistance with the pitch correction
Taper: Betty Cantor
2:34:33
SBD
Rating:
10.00 / 1 rating
Taper:
Betty Cantor
Transferrer:
Steve Martin,Matt SMith, Sirmick, Scott Clugston
SHNID:
gd1971-04-06.154656.sbd.betty.martin.smith.clugston.sirmick.flac16
Source:
Original transfer Betty Cantor Jackson;s Master Reels ((7" 1/2 track @ 7 1/2 ips w/ dolby A)) > Sony TCD-D10 Pro DAT (Oade Brothers mod) > DAT (44k) Final transfer: DAT > Sony PCM-2600 > Tascam DA-3000 > wav 16/44.1
Lineage:
Lineage: wav 16/44.1 > iZotope RX 9 Advanced > CD Wave > flac 16
Taper Notes:
View NotesTHE BETTYS RESTORATION PROJECT Upon recognizing that the Betty tapes were Dolby and DBX encoded I gave out samples of the reencoded tape samples to the inner circle. When I got the original tapes to decode I decided to make safety copies with nothing decoded. It seemed to me that the technology would eventually improve and someday better copies could yet be made. I had a Japanese musician friend send me a Sony D-10 pro DAT deck at a wholesale price, there were no versions of this deck in the States at this point of time. Thus, I made copies with no decoding along with the decoded versions on PCM Beta. The versions I sent out to collectors at this point in 1987 were from the Beta sources decoded. I wore out a lot of decks making copies. Being a long time friend of Dick Latvala I told him about Betty's tapes being auctioned off. He thought at first I was full of shit. At that time I tried to get the tapes back to the Dead... I'm glad that eventually that happened. Meanwhile my DAT copies sat in their boxes. I made a very few copies of those tapes for a couple friends. Now in 2021 Matt Smith has gone to great lengths to repair and playback these DAT's. I thank him greatly for his hard work in striving for the greatest fidelity offered in these tapes. Turn up the volume and dance to these new copies you crazy hippies, I know I am. Oh yes, there is more music to come from Matt and I. Steven Martin This has turned out to be a restoration project as DAT tapes from 1987 have turned out to be extremely fragile. I’ve painstakingly repaired and spliced numerous tapes for them in order to play. I manually rewind instead of using the deck just to insure the tape won’t snap and sometimes they’ve snapped just doing that. What I’m hearing is IMHO the best sounding transfers of the Betty’s. Incredibly clean with crisp highs and better low end. Matt Smith - Pitch corrected - A number of small dropouts have been repaired - A small cluster of digital errors in "Truckin" have been patched with shn id 152611 - "PITB" and "Loser" have been patched with Jerry Moore's reel - Thanks to Rob Berger Original transfer - Steve Martin Final transfer - Matt Smith Pitch correction - Scott Clugston Editing and mastering - SIRMick December 2021
Transferrer: Jamie Waddell and Matt Smith
2:17:15
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Jamie Waddell and Matt Smith
SHNID:
gd1971-04-06.sbd.ifthir.smith.gems.109026.flac24
Taper: Betty Cantor
2:35:07
SBD
Rating:
10.00 / 8 ratings
Taper:
Betty Cantor
Transferrer:
Bill Koucky
SHNID:
gd1971-04-06.sbd.cantor.gmb.96299.flac16
Source:
7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz
Lineage:
Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac
Taper Notes:
View NotesSource/Mastering Notes: The unfortunate cuts in Playing In The Band, Loser and Goin' Down The Road remain but were edited by cutting out tape squeeze and smoothed over with very minor fades and no crossfades. Drop outs for other reel changes were removed and crossfaded before Dire Wolf, Loser and Not Fade Away
Transferrer: Dan Stephens
2:35:00
SBD
Rating:
8.33 / 12 ratings
Transferrer:
Dan Stephens
SHNID:
gd71-04-06.sbd.stephens.18735.sbeok.shnf
Source:
Soundboard
Lineage:
7inch 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz > analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) > PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4 > Audiophile 2496 > SoundForge 6.0 (48>44.1) > CD Wave > SHN
Taper Notes:
View Notes* first "Oh Boy" ** last "I'm A Hog For You Baby": 03/25/66 [634 shows] This seed is a direct copy from a DAT WBOTB (11/1996) source. No whine removal, no noise reduction, no remastering, no fades, jarring reel flips left intact.
Transferrer: Mike Lai
2:35:30
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Mike Lai
SHNID:
gd1971-04-06.sbd.lai.118.sbefail.shnf
Source:
Soundboard
Taper: Tape provided by Doug Lamarre
1:26:18
Taper:
Tape provided by Doug Lamarre
Transferrer:
Transfer By: Matt Vernon Mastering by: Andrew F
SHNID:
gd1971-04-06.170450.aud.lamarre.vernon.andrewF.flac2496
Taper Notes:
View NotesNotes: - Here's a listenable stereo AUD; unusual for the period, it includes the between-song turnings. - The taper is heard speaking softly on-mic before Dire Wolf, it appears he arrived late. - Small ID-100040 patches; PITB 3:22 > 3:24, Midnight Hour 7:38 > 7:40, Loser 5:29 > 5:32. - Minor speed issues remain, particularly in Midnight Hour and Loser. - About 6:30 missing from the end of Good Lovin', this was left unpatched. - Wavelab used for patching, slight EQ, speed & gain adjustments. Comment 'Dance Marathon' - Other artist(s): NRPS
Taper: Tape provided by Doug Lamarre
1:26:18
Taper:
Tape provided by Doug Lamarre
Transferrer:
Transfer By: Matt Vernon Mastering by: Andrew F
SHNID:
gd1971-04-06.170449.aud.lamarre.vernon.andrewF.flac1648
Taper Notes:
View NotesNotes: - Here's a listenable stereo AUD; unusual for the period, it includes the between-song turnings. - The taper is heard speaking softly on-mic before Dire Wolf, it appears he arrived late. - Small ID-100040 patches; PITB 3:22 > 3:24, Midnight Hour 7:38 > 7:40, Loser 5:29 > 5:32. - Minor speed issues remain, particularly in Midnight Hour and Loser. - About 6:30 missing from the end of Good Lovin', this was left unpatched. - Wavelab used for patching, slight EQ, speed & gain adjustments. Comment 'Dance Marathon' - Other artist(s): NRPS
Transferrer: Rob Berger
1:30:00
Rating:
6.00 / 1 rating
Transferrer:
Rob Berger
SHNID:
gd1971-04-06.aud.berger.100040.flac16
Lineage:
mono aud>?>7" reel @ 3.34 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac