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Today In History
June 10th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h57077
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k257
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k301
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.6k1.2k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k308
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k135
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2.1k237
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h79591
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k194
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.5k637
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k157
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k148
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.9k236
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.6k300
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.5k210
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k254
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.8k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h33836
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k559
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.7k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k275
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k197
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k199
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k163
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h70688
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9114
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41726
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1971
4/6/71
Bertha
5:35
Beat It On Down The Line
3:17
It Hurts Me Too
5:33
Me And Bobby McGee
6:20
Dire Wolf
3:57
Oh Boy
3:01
I'm A Hog For You Baby
3:24
Playing In The Band
4:34
In The Midnight Hour
8:01
Mama Tried
2:26
Cumberland Blues
4:26
Casey Jones
5:31
The Greatest Story Ever Told
2:53
Johnny B. Goode
4:01
Loser
6:30
Good Lovin'
20:31
FIN
View on archive.org
Sources
Taper: Rob Eaton, Steve Whitaker
2:33:22
SBD
Rating:
10.00 / 2 ratings
Taper:
Rob Eaton, Steve Whitaker
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1971-04-06.152611.sbd.betty.eaton.miller.clugston.flac16
Source:
Betty Cantor-Jackson's Master Soundboard Reels (7" 1/2 track @ 7 1/2 ips w/ dolby A) > Steve Whitaker's Sony PCM-501 (PCM/0); Steve Whitaker's PCM/0 (Sony PCM-601; digital out) > Rob Eaton's Panasonic SV-3700 DAT (16/44.1); Rob Eaton's DAT (16/44.1)(Panasonic SV-3700) > Dolby A361 > Rob Eaton's Panasonic SV-3700 (16/44.1)
Lineage:
DAT (16/44.1)(Tascam DA-40) > Tascam DA-3000 (16/44.1) > .wav (16/44.1) > Adobe Audition 2020 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the digital transfer of Steve Whitaker's PCM/0 source. Rob made this DAT for Dick Latvala, who later gave it to David Gans, who later gave it to Charlie Miller - Thanks to Charlie Miller for the DAT transfer and coordinating this effort - Tape flips in "Playin' In The Band", between "Johnny B. Goode" and "Loser" causing the beginning of "Loser" to be clipped, and "Goin' Down The Road Feeling Bad" - First "Oh Boy" - Thanks to Joe B. Jones for his assistance with the pitch correction
Taper: Betty Cantor
2:34:33
SBD
Rating:
10.00 / 1 rating
Taper:
Betty Cantor
Transferrer:
Steve Martin,Matt SMith, Sirmick, Scott Clugston
SHNID:
gd1971-04-06.154656.sbd.betty.martin.smith.clugston.sirmick.flac16
Source:
Original transfer Betty Cantor Jackson;s Master Reels ((7" 1/2 track @ 7 1/2 ips w/ dolby A)) > Sony TCD-D10 Pro DAT (Oade Brothers mod) > DAT (44k) Final transfer: DAT > Sony PCM-2600 > Tascam DA-3000 > wav 16/44.1
Lineage:
Lineage: wav 16/44.1 > iZotope RX 9 Advanced > CD Wave > flac 16
Taper Notes:
View NotesTHE BETTYS RESTORATION PROJECT Upon recognizing that the Betty tapes were Dolby and DBX encoded I gave out samples of the reencoded tape samples to the inner circle. When I got the original tapes to decode I decided to make safety copies with nothing decoded. It seemed to me that the technology would eventually improve and someday better copies could yet be made. I had a Japanese musician friend send me a Sony D-10 pro DAT deck at a wholesale price, there were no versions of this deck in the States at this point of time. Thus, I made copies with no decoding along with the decoded versions on PCM Beta. The versions I sent out to collectors at this point in 1987 were from the Beta sources decoded. I wore out a lot of decks making copies. Being a long time friend of Dick Latvala I told him about Betty's tapes being auctioned off. He thought at first I was full of shit. At that time I tried to get the tapes back to the Dead... I'm glad that eventually that happened. Meanwhile my DAT copies sat in their boxes. I made a very few copies of those tapes for a couple friends. Now in 2021 Matt Smith has gone to great lengths to repair and playback these DAT's. I thank him greatly for his hard work in striving for the greatest fidelity offered in these tapes. Turn up the volume and dance to these new copies you crazy hippies, I know I am. Oh yes, there is more music to come from Matt and I. Steven Martin This has turned out to be a restoration project as DAT tapes from 1987 have turned out to be extremely fragile. I’ve painstakingly repaired and spliced numerous tapes for them in order to play. I manually rewind instead of using the deck just to insure the tape won’t snap and sometimes they’ve snapped just doing that. What I’m hearing is IMHO the best sounding transfers of the Betty’s. Incredibly clean with crisp highs and better low end. Matt Smith - Pitch corrected - A number of small dropouts have been repaired - A small cluster of digital errors in "Truckin" have been patched with shn id 152611 - "PITB" and "Loser" have been patched with Jerry Moore's reel - Thanks to Rob Berger Original transfer - Steve Martin Final transfer - Matt Smith Pitch correction - Scott Clugston Editing and mastering - SIRMick December 2021
Transferrer: Jamie Waddell and Matt Smith
2:17:15
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Jamie Waddell and Matt Smith
SHNID:
gd1971-04-06.sbd.ifthir.smith.gems.109026.flac24
Taper: Betty Cantor
2:35:07
SBD
Rating:
10.00 / 8 ratings
Taper:
Betty Cantor
Transferrer:
Bill Koucky
SHNID:
gd1971-04-06.sbd.cantor.gmb.96299.flac16
Source:
7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz
Lineage:
Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac
Taper Notes:
View NotesSource/Mastering Notes: The unfortunate cuts in Playing In The Band, Loser and Goin' Down The Road remain but were edited by cutting out tape squeeze and smoothed over with very minor fades and no crossfades. Drop outs for other reel changes were removed and crossfaded before Dire Wolf, Loser and Not Fade Away
Transferrer: Dan Stephens
2:35:00
SBD
Rating:
8.33 / 12 ratings
Transferrer:
Dan Stephens
SHNID:
gd71-04-06.sbd.stephens.18735.sbeok.shnf
Source:
Soundboard
Lineage:
7inch 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz > analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) > PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4 > Audiophile 2496 > SoundForge 6.0 (48>44.1) > CD Wave > SHN
Taper Notes:
View Notes* first "Oh Boy" ** last "I'm A Hog For You Baby": 03/25/66 [634 shows] This seed is a direct copy from a DAT WBOTB (11/1996) source. No whine removal, no noise reduction, no remastering, no fades, jarring reel flips left intact.
Transferrer: Mike Lai
2:35:30
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Mike Lai
SHNID:
gd1971-04-06.sbd.lai.118.sbefail.shnf
Source:
Soundboard
Taper: Tape provided by Doug Lamarre
1:26:18
Taper:
Tape provided by Doug Lamarre
Transferrer:
Transfer By: Matt Vernon Mastering by: Andrew F
SHNID:
gd1971-04-06.170450.aud.lamarre.vernon.andrewF.flac2496
Taper Notes:
View NotesNotes: - Here's a listenable stereo AUD; unusual for the period, it includes the between-song turnings. - The taper is heard speaking softly on-mic before Dire Wolf, it appears he arrived late. - Small ID-100040 patches; PITB 3:22 > 3:24, Midnight Hour 7:38 > 7:40, Loser 5:29 > 5:32. - Minor speed issues remain, particularly in Midnight Hour and Loser. - About 6:30 missing from the end of Good Lovin', this was left unpatched. - Wavelab used for patching, slight EQ, speed & gain adjustments. Comment 'Dance Marathon' - Other artist(s): NRPS
Taper: Tape provided by Doug Lamarre
1:26:18
Taper:
Tape provided by Doug Lamarre
Transferrer:
Transfer By: Matt Vernon Mastering by: Andrew F
SHNID:
gd1971-04-06.170449.aud.lamarre.vernon.andrewF.flac1648
Taper Notes:
View NotesNotes: - Here's a listenable stereo AUD; unusual for the period, it includes the between-song turnings. - The taper is heard speaking softly on-mic before Dire Wolf, it appears he arrived late. - Small ID-100040 patches; PITB 3:22 > 3:24, Midnight Hour 7:38 > 7:40, Loser 5:29 > 5:32. - Minor speed issues remain, particularly in Midnight Hour and Loser. - About 6:30 missing from the end of Good Lovin', this was left unpatched. - Wavelab used for patching, slight EQ, speed & gain adjustments. Comment 'Dance Marathon' - Other artist(s): NRPS
Transferrer: Rob Berger
1:30:00
Rating:
6.00 / 1 rating
Transferrer:
Rob Berger
SHNID:
gd1971-04-06.aud.berger.100040.flac16
Lineage:
mono aud>?>7" reel @ 3.34 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac