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Bands
Grateful Dead
Today In History
June 12th
6 shows
73 tapes
Years
1995
29.9k
PlaybackListensHours
48h58178
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h797111
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k458
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.8k627
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k859
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.2k419
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k369
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k137
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.4k496
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k113
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k209
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k179
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h1.9k236
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5k600
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k229
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.7k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h21.9k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23425
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k459
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k832
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k304
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k178
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.4k168
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k176
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h42555
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h39528
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1971
Sources
Transferrer: Charlie Miller
2:51:22
SBD
Rating:
8.40 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-02-21.sbd.miller.116618.flac16
Source:
SBD -> Master Reel -> CD
Lineage:
CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Thanks to Joe B. Jones for his help with the pitch correction
Source 2 of 7
2:49:16
SBD
Rating:
10.00 / 1 rating
SHNID:
gd1971-02-21.sbd.orf.98034.flac16
Source:
SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R;
Taper Notes:
View Notes03/19/09 : This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.)
Taper: Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer.
2:46:17
SBD
Rating:
8.89 / 9 ratings
Taper:
Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer.
Transferrer:
Transfer and mastering by C.Ladner.
SHNID:
gd1971-02-21.sbd.cantor-crouch-diebert-gmb.87134.sbeok.flac16
Source:
7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1).
Lineage:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply.
Taper Notes:
View NotesThere are two anomalous frequency peaks throughout both sets and on previous sources. The first is centered between 7 and 8K with a second between 15.5 and 16.3K. The exact frequencies varied between each song during the first set while there were only differences between reel flips in the second set. This required mastering each section with a separate Waves Q10 paragraphic eq setting with supernotch set for the involved frequencies. Also there is some degradation in tape quality around the margins of the tape flip during Wharf Rat. The flip in Wharf Rat was crossfaded. All editing and mastering was done on 24/96 file sets prior to cd-audio rendering with MBIT+.
Transferrer: Leigh Orf
2:49:16
SBD
Rating:
8.53 / 15 ratings
Transferrer:
Leigh Orf
SHNID:
gd71-02-21.sbd.lunz.1980.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > Dolby A Reel > Dolby A decode > DAT > Sound Forge NR > CD-R
Taper Notes:
View NotesSBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from <a href="http://db.etree.org/shninfo_detail.php?shnid=112" rel="ugc nofollow">previously-circulating</a> Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different. The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See http://members.home.net/orf/notch.html for details.
Taper: John Pape
1:48:27
Taper:
John Pape
Transferrer:
Doug Rice, AndrewF
SHNID:
gd1971-02-21.177600.aud.pape.rice.andrewF.flac2448
Source:
AUD > Mono MAR(?) > ? > 7-inch Reel, via the John Pape Collection, dubbed in the mid-70's.
Lineage:
cotch 202 Dynarange > Technics 1506 > Komplete-6 interface > Audacity 2448 capture > Izotope-RX (De-hum) > Wavelab (gain & speed adjustments, edits) > CD-Wave (24bit) > TLH > FLAC 2448 tagged. Andrew F, May 2026.
Taper Notes:
View NotesNotes: - This recording does not match the one found on ID-123830/123885. - Antique tape, runs the gamut of issues: speed variations, drop-outs, garbled passages; most adjusted, some not repairable. - Missing about 90-seconds in the China Cat > IKYR transition jam; also, tape stopped briefly at start of SSDD - All tracks start & end abruptly as the taper operated the recorder, with a few seconds missing in most cases. - THANKS to Doug Rice for the expert transfer to WAV from old shedding, mildewed reels!
Taper: Jim Cooper
2:26:45
Taper:
Jim Cooper
Transferrer:
Rob Berger
SHNID:
gd1971-02-21.123885.aud.cooper.berger.flac16
Taper Notes:
View NotesTHIS IS AN IMPROVED TRANSFER so you can delete my recent upload of shn ID 123830 notes: only aud in circulation for this one, many thanks to taper Jim Cooper, tape develops problems starting with King Bee and continues as the batteries run down.
Transferrer: Rob Berger
2:27:00
Transferrer:
Rob Berger
SHNID:
gd1971-02-21.123830.cooper-berger.flac16
Taper Notes:
View Notesnotes: only aud in circulation for this one, many thanks to taper Jim Cooper, tape develops problems towards the end...